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mmills

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  1. Like
    mmills got a reaction from BTM_Pix in Would You Perhaps Be Interested In A Different GX80/85 Colour Profile???   
    @BTM_Pix Excellent work! It works fine on my Ver.01 GX85. I hope you plan to release an html file for Cinelike V too!
  2. Like
    mmills got a reaction from Sean Cunningham in Digital goes back to the 70's - 1st impressions of Dog Schnit Optiks Flare Factory 58 lens and sample photos   
    I think the appeal of such a modified lens is somewhat related to how we are capable of having a response to any emotion that seems to go beyond the limits of the vehicle of its expression. For instance, the voice that cracks because it is expressing emotions that go beyond the capacity of what the lungs and throat can bear, or the guitar that feedbacks because the emotion expressed goes beyond the limits of amplification, etc. Many of these limits have been overcome with digital technology, creating the potential for anodyne, sterile images. This is one way to throw a little analogue grime back in the mix... it gives the images an authentic, lived-in patina. I like it for the same reason I like antique chairs and pictures of ruins. Nostalgia? Not really. I just like anything touched by human hands that get a little "untouched" by time.
     
    Having said all that, I am looking forward to some video samples of the various configurations. I own a pristine (unmodified) Helios 44-M and can attest to its overall awesomeness.
  3. Like
    mmills got a reaction from P337 in Digital goes back to the 70's - 1st impressions of Dog Schnit Optiks Flare Factory 58 lens and sample photos   
    I think the appeal of such a modified lens is somewhat related to how we are capable of having a response to any emotion that seems to go beyond the limits of the vehicle of its expression. For instance, the voice that cracks because it is expressing emotions that go beyond the capacity of what the lungs and throat can bear, or the guitar that feedbacks because the emotion expressed goes beyond the limits of amplification, etc. Many of these limits have been overcome with digital technology, creating the potential for anodyne, sterile images. This is one way to throw a little analogue grime back in the mix... it gives the images an authentic, lived-in patina. I like it for the same reason I like antique chairs and pictures of ruins. Nostalgia? Not really. I just like anything touched by human hands that get a little "untouched" by time.
     
    Having said all that, I am looking forward to some video samples of the various configurations. I own a pristine (unmodified) Helios 44-M and can attest to its overall awesomeness.
  4. Like
    mmills got a reaction from richg101 in Digital goes back to the 70's - 1st impressions of Dog Schnit Optiks Flare Factory 58 lens and sample photos   
    I think the appeal of such a modified lens is somewhat related to how we are capable of having a response to any emotion that seems to go beyond the limits of the vehicle of its expression. For instance, the voice that cracks because it is expressing emotions that go beyond the capacity of what the lungs and throat can bear, or the guitar that feedbacks because the emotion expressed goes beyond the limits of amplification, etc. Many of these limits have been overcome with digital technology, creating the potential for anodyne, sterile images. This is one way to throw a little analogue grime back in the mix... it gives the images an authentic, lived-in patina. I like it for the same reason I like antique chairs and pictures of ruins. Nostalgia? Not really. I just like anything touched by human hands that get a little "untouched" by time.
     
    Having said all that, I am looking forward to some video samples of the various configurations. I own a pristine (unmodified) Helios 44-M and can attest to its overall awesomeness.
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