The most important thing for me in cinema is the story. If the filmmaking gets in the way like 48fps, then the story is secondary. I do not like these newer TV's with the higher refresh rate. Makes everything look live. I don't want to go to the cinema to watch TV. The cool thing about the cinema is the suspension of belief. Making a Fantasy Video just does not cut it. I would rather see a Fantasy Film.
The GH3 is Panasonic's most far-reaching attempt yet to take on Canon's DSLR-market domination. So popular were Canon's DSLRs for video that they were able to found the entire Cinema EOS business on the back off it (and in doing so, arguably they turned their back on the enthusiast DSLR video market).
But there was always a dark horse and that camera was the Panasonic GH2, with a better image and feature-set than any APS-C Canon DSLR for video. Now the dark horse has come of age but question marks remain. Is the mass market educated enough to choose more discerningly when it comes to DSLRs and DSLMs?
Tembrock reacted to halfmac in 4K, 48p HFR and the challenge for set designers and makeup artists