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Ross Wilson

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  1. I've been using the A-Cam for the last year and am currently in the middle of editing a 20minute short. Your summary at the end of the article sums up all the reasons I went for it. I really wanted to shoot film but couldn't afford it for the projects I had lined up and in my humble opinion the A-Cam is the best alternative. What is astonishing is what you can do to the image in post and how magic it all looks and feels and hey ain't that what movies are all about. You do not get the crazy sharp hyper real image you do from a lot of other larger sensor cameras but you do get a very dreamy organic textural feel. The fact it is so small is a boon too. I have a set of MkIi Zeiss t1.2 lenses for it too and a canon s16 zoom. They weren't expensive at all and they're super fast.. Also working with lenses with stepless aperture proper focus rings and same size front ends is something I never want to go back from. Check out my blog for some stills, the movie will be out before Christmas. www.reactfilms.com Please feel free to email me any questions, I've got some good experience with the camera now and am happy to help.
  2. I don't know if anyone else mentioned this but the Ikonoskop A-Cam is a digital Cinema camera and it has a global shutter so it's not a first by a long shot by Sony. I believe there are several other high end digital cinema cameras that also have it which can be seen in the Zacuto shoot out.
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