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AVID EDITOROME

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Everything posted by AVID EDITOROME

  1. [quote name='EOSHD' timestamp='1346707009' post='17243'] Don't be too harsh on him, he's not to know. The blacks look crushed on my footage as well when I wear my sun glasses indoors at the desk. [/quote] thank you for making us discover that 11- 16 tokina cover the full frame 5d at 16..... it was a beautiful big surprise...
  2. i down loaded the dng footage and i realized that for detail , color rendition , dr aka latitude and high light rollof is a plesure to grade and a clear example for who is used to shot on dslr( i own 7d- 5d- gh2) to how much they are not full raster full hd. and once you have entered this world , for this price point you should be able to get the most out of it. 2.5k is kool down scaled ,and the 16 mm look is fine but dng is hard to menage as play back editing and so on even on a fast pc. pro res and dnxhd is an intellligent options for most jobs. if somebody would build a micro 4/3 adapter for ef mount maybe lens choiches would be greater like slr magic , pentax and woigtlander. othe wise 8-16 sigma remain main options. i believe that maybe samyang or some other manufacturere could sell some special lenses for this . i have gh2 + hiper deck shuttle and comparing 4/3 footage+ unkompressed with bmc raw it gives you an idea of big difference. for the price (including the things that you should need exactly the same for a scarlet , like hard disk fast machine etc)there is nothing like black magic, for who need something better in sensor terms there is a lot of different choices if you can afford. and most of all we have something new, i mean 5d super 35 is inthe market, this has a different look , is it bad, no i guess is fine is thinner with different perspective but i like it is fine . the camera is just a tool
  3. I GUESS THAT AN ADAPTOR FOR SUPER 16 MM LENSES TO EF MOUNT OR MICRO 4/3 TO EF MOUNT WOULD GIVE A LOT OF OPTIONS FOR COVERING THE SENSOR AND HAVING FAST APERTURE
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