Jump to content


  • Content Count

  • Joined

  • Last visited

Everything posted by ReinisK

  1. It is apparently because, slog has a 16-235 (or something like that) range, whereas other picture styles have 0-255 range. The histogram shows range from 0 to 255 brightness values, but slog's highest value is just 235 - not perfectly white. Same with blacks. That doesn't mean though, that your image is not overexposed. It actually is, but it is overexposed at 235 brightness value, not 255. When first time shooting with a picture profile, that has a max value of 235, you have to be careful not to blow out highligts. Because if you don't know, that 235 is the max, you're looking at hi
  2. Looking at the information found about nx300 hack (the one which disables recording time limit), it seems that one way of doing some hacking would be with a firmware update. Another way of doing it might be through wifi or connecting the camera to pc with a cable. If it would be possible to enter the camera as a developer/debug mode, maybe some code could be changed right in the camera. As I understand, that nx1.zip file contains the updated firmware 1.4 which is running on the camera. Now when we have access to it, we can find the parameters, that describe the things we need to chan
  3. Since there is no need to convert the footage for editing anymore, is this guide updated about the features now available? I'm asking this because I got my nx1 only a month ago, so I have never gone the conversion way, but what I have found out is that probably in Premiere Pro the footage behaves differently. When I am watching it with VLC or WMP it clearly shows blown highlights, this happens also in Premiere, but in Premiere with a luma curve I can recover around half a stop of those lost highlights. Don't know how is this possible since it's not raw. If I take a screenshot from VLC or WMP a
  • Create New...