German precision versus Japanese ingenuity – Zeiss Flektogon 35mm F2.4 meets Canon FD 35mm F2

Two of the ‘must-have’ bargain lenses for the Canon 5D Mark II and Panasonic GH1 are in the 35mm range. The GH1 needs a good fast portrait lens around the 35mm mark because the Lumix pancake is a bit too wide at 20mm, and a 50 is too much like a telephoto. 35mm is the perfect compromise and gives you shallower depth of field than the pancake for half the price. Remember 35 on the GH1 = 70 on the 5D Mark II in terms of your framing and field of view.

Read moreGerman precision versus Japanese ingenuity – Zeiss Flektogon 35mm F2.4 meets Canon FD 35mm F2

Anamorphic Widescreen – Panasonic GH1 with LA7200 Lens – Part 1

Read part 2 here

Here at EOSHD I am a bit fan of widescreen cinema. When I shoot, I think of the greats of cinema like Hitchcock and Kubrick, and I not only find it fun to try and get the best out of the GH1 – but to get something unique. The look and feel of super-wide screen shooting with anamorphic lenses is unique, and very very cinematic.
At the moment, normal 16:9 widescreen is ubiquitous and everybody is doing it. So get ready to step away from the crowd and let’s investigate proper cinema widescreen with some real life shooting!

Read moreAnamorphic Widescreen – Panasonic GH1 with LA7200 Lens – Part 1

EOSHD Shootout Part 1 – 5D versus GH1 in Low Light

https://vimeo.com/10657409

If possible please watch the test footage on a proper display via DVI or HDMI, not a laptop screen. It makes a HUGE difference in perception.

The results of EOSHD’s low light shootout between the mighty Canon 5D Mark II and the Panasonic GH1 are in! This is a real-life natural light test, this is what happens when you take out the cameras and shoot. There are no test charts. No technical waffle in the video (I left it for this article!). But I have selected the shots quite carefully to show a range of typical low light challenges.

I’ve also made sure that on-camera picture profiles are taken into account. They’re set quite neutral and to match the other camera as much as possible. I also included shots which compare different picture profiles and settings so you can get an idea of their effect on the camera’s footage relative to one-another.

Read moreEOSHD Shootout Part 1 – 5D versus GH1 in Low Light

Sending the GH1 into space for £500

A quick glance above and you’d think the photo was shot by NASA using a rocket, costing millions. Or maybe shot by an astronaut clutching a Nikon D3X orbiting earth from a space shuttle!

In fact, the snap above is from a Canon Powershot A560 in a polystyrene box attached to a balloon.

Read moreSending the GH1 into space for £500