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Ursa mini 4k footage


Volker Schmidt
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Nothing against folks who shoot weddings (a paycheck's a paycheck) but the couples who participate in these things for their special day are absolutely mad. 
"Stare into each other's eyes and nuzzle your noses together while I get the exposure right" would have me and my partner bursting into laughter.

"Next up, please do a pretend marital fall-n-catch and then have a snog" would be the final straw.

I did a lot of weddings. You may detest them, but you hardly find better occasions to test your equipment and your skills - as well as videographer as as storyteller. A wedding is as good a proof of a camera's strengths and shortcomings as any image video or fictional short, imo.

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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

I did a lot of weddings. You may detest them, but you hardly find better occasions to test your equipment and your skills - as well as videographer as as storyteller. A wedding is as good a proof of a camera's strengths and shortcomings as any image video or fictional short, imo.

As I said, nothing against the folks who shoot them. Great source of income, plus a lot of them are beautifully made.

As an average Joe, I just can't ever imagine wanting one.

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Nothing against folks who shoot weddings (a paycheck's a paycheck) but the couples who participate in these things for their special day are absolutely mad. 
"Stare into each other's eyes and nuzzle your noses together while I get the exposure right" would have me and my partner bursting into laughter.

"Next up, please do a pretend marital fall-n-catch and then have a snog" would be the final straw.

I do weddings and I am with you there, I really don't like doing posed and stage stuff like that. Usually the photographer will do stuff like that and you'll catch it, but even though it feels more like a document of the day rather than you trying to create a movie. 

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You can see clearly that it's graded. It's a very tasteful teal/cyan grading. I'm curious if he used Resolve.

I doubt it.  He probably just slapped on a lut. He seems in denial that it's even teal/cyan and orange on annother forum. Which is never tastefull in my subjective opinion. If the colour tinge was dialled down, everything would be hunky dory.

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I doubt it.  He probably just slapped on a lut. He seems in denial that it's even teal/cyan and orange on annother forum. Which is never tastefull in my subjective opinion. If the colour tinge was dialled down, everything would be hunky dory.

You are right. I wrote 'tasteful teal/cyan' (it should have read orange/teal of course) because it isn't Transformers. I think most of the enthusiastic reactions to the clip come from the two things a subtle o/t grading does:

1. the image looks balanced, harmonic.

2. the image looks clear because it's the highest hue contrast combined with luma contrast possible without looking outright wrong.

But even if a lut can do wonders, my own experience with ProRes of the Pocket tells me that you always need to apply corrections, if only for gamma. Our Mr Wedding may be a laughing stock and make embarrassingly cheesy videos, but he must be brashly clever, if he did nothing but produced such nice images.

So maybe everybody else makes too big a fuss about grading, log, finding the right profiles, ask for the right workflows. All you need is the right lut ...

 

 

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Footage looks great and both Ursa minis sound as very promising cameras that will establish BM. But I am sure it takes more than the camera to come up with a footage like that. I wonder if you could deliver something like that with a A7s and how much more effort it would take.

Here is some further info from the people that shot the two wedding clips: 

http://nofilmschool.com/2015/09/everything-you-wanted-know-about-working-blackmagic-ursa-mini

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Footage looks great and both Ursa minis sound as very promising cameras that will establish BM. But I am sure it takes more than the camera to come up with a footage like that. I wonder if you could deliver something like that with a A7s and how much more effort it would take.

Funny, I am trying to get the answer for the exact same question.

First of all, resolution. The A7s' resolution is fine. I can further improve it with the Shogun, but as I wrote, the resolution should suffice.

Then the colors and gradability. The colors are few (8-bit). In theory, the A7s can depict almost 15 stops, more than even the 4,6 Ursa Mini. But only at the native ISO of 3200 (that's why this is the default ISO for S-Log). 

S-Log fits to landscapes, but imo not for skintones (too few to make them look alive). So until further experiences, I stick to autumn leaves then, shoot only at ISO 3200, use only WB 3200, 5600 and 6500. I need to buy fixed ND filters, because with such high ISO, ND faders all destroy the colors.

I'm not finished with my evaluation, these are my initial findings. I hope I can get close to this look ...

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