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Photon Converter for NX1 and GH4


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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

Do you have the feeling it helped your color grading, I replaced the footage of a chroma key comp in After Effects. The Original footage was Prores HQ 4:2:2, when I replaced it I had the feeling it expanded the color space, but didn't help me to get thinner hair details in the key. I'm probably expecting too much from it. Keying out white transparent hair of an old lady is not easy. I've got a usable key though.

I don't know if 4:4:4 worth the go, it took my computer 29mins to process for a 7mins 4k clip. Where as HQ 4:2:2 takes my computer 11 mins. I'll probably use it for a bit, especially when I have dolly moves .

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Do you have the feeling it helped your color grading, I replaced the footage of a chroma key comp in After Effects. The Original footage was Prores HQ 4:2:2, when I replaced it I had the feeling it expanded the color space, but didn't help me to get thinner hair details in the key. I'm probably expecting too much from it. Keying out white transparent hair of an old lady is not easy. I've got a usable key though.

I don't know if 4:4:4 worth the go, it took my computer 29mins to process for a 7mins 4k clip. Where as HQ 4:2:2 takes my computer 11 mins. I'll probably use it for a bit, especially when I have dolly moves .

​For white/blonde hair a blue screen can be easier to key.

To speed up ProRes 444 with Photon, try setting the Options/ProRes QScale to 6 (to start) and compare time/quality/size while adjusting QScale up/down.

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  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
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