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Anamorphic on a Budget.


Tito Ferradans
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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

SLR Magic rangefinder lived on my camera for couple days, and went back home:)

it softens picture, not a lot, but still, and it makes setup bulky, for the same reason i am not after Core DNA, not giving up my small form factor for anything, well relatively small,

so most likely Isco 36 or 42, but i still can't decide between single focus and 2x squeeze, 2x is so freakin good, i just love it!

 

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  • 6 months later...

Damn! I just remembered this thread, and I've posted a decent number of videos since the last update! hahaha

ANAMORPHIC COOKBOOK - A CRY FOR HELP
http://www.tferradans.com/blog/?p=8752

ANAMORPHIC ON A BUDGET - SINGLE FOCUS SHOOTOUT
http://www.tferradans.com/blog/?p=9496

ANAMORPHIC CHOP SHOP - ANAMORPHIC MUMPS CORRECTOR
http://www.tferradans.com/blog/?p=13852

ANAMORPHIC COOKBOOK - UPCOMING, 2017
http://www.tferradans.com/blog/?p=13941

ANAMORPHIC ON A BUDGET - CINEMORPH SIGMA 18-35MM F/1.8 ART
http://www.tferradans.com/blog/?p=13960

ANAMORPHIC ON A BUDGET - CINEMORPH FILTERS
http://www.tferradans.com/blog/?p=13998

ANAMORPHIC ON A BUDGET - SLR MAGIC ANAMORPHOT 1.33X-40
http://www.tferradans.com/blog/?p=13954

ANAMORPHIC CHOP SHOP - SLR MAGIC FLARE FIX
http://www.tferradans.com/blog/?p=14073

ANAMORPHIC CHOP SHOP - ANAMORPHIC AND DAVINCI RESOLVE
http://www.tferradans.com/blog/?p=14107

ANAMORPHIC ON A BUDGET - KOWA 8-Z
http://www.tferradans.com/blog/?p=13963

ANAMORPHIC ON A BUDGET - SANKOR 16-D
http://www.tferradans.com/blog/?p=13962

ANAMORPHIC ON A BUDGET - ISCO ULTRA STAR
http://www.tferradans.com/blog/?p=14072

ANAMORPHIC ON A BUDGET - SINGLE FOCUS SHOOTOUT "HELD"
http://www.tferradans.com/blog/?p=14158

ANAMORPHIC COOKBOOK - WE'RE BACK ON A BUDGET!
http://www.tferradans.com/blog/?p=14179

ANAMORPHIC ON A BUDGET - LETUS ANAMORPHX-GP 1.33X
http://www.tferradans.com/blog/?p=13953

ANAMORPHIC CHOP SHOP - INSTALLING THE LETUS ANAMORPHX-GP
http://www.tferradans.com/blog/?p=13958

 

And, on the side, I had a few narrative projects that I posted about, in case anyone is interested in the stuff I do besides the reviews!

OVERNIGHT - PRODUCTION OVERVIEW
http://www.tferradans.com/blog/?p=14090

OVERNIGHT - PRODUCTION UPDATE
http://www.tferradans.com/blog/?p=14106

UP & AWAY - INDIEGOGO CAMPAIGN

 

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  • 5 weeks later...
  • 2 weeks later...
On 25/02/2017 at 3:15 AM, bzpop said:

but i still can't decide between single focus and 2x squeeze, 2x is so freakin good, i just love it!

 

I can't really see the point in 1.5x, if you're going to all that hassle and expense you might as well go the whole way.

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On 10/21/2017 at 11:17 PM, tweak said:

I can't really see the point in 1.5x, if you're going to all that hassle and expense you might as well go the whole way.

Because 1.5x will take HD or UHD (present on all cameras) and convert it to scope.

That's why :)

 

 

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35 minutes ago, bzpop said:

true that, but to me anamorphic is not about convenience, it is about the look:)

True enough.  1.5x looks pretty good.  significantly better than 1.3x which I agree -- why bother.

I'm tending towards 2x now that the GH5 has great support and CoreDNA is available.

 

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10 hours ago, bzpop said:

true that, but to me anamorphic is not about convenience, it is about the look:)

Exactly. And as pointed out, most cameras like GH5 de-squeeze a 2x image, which is in the price range for someone buying an Iscorama (If you're using more expensive camera i.e Alexa etc, you'd just rent 2x lenses).

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  • 2 weeks later...
On 11/3/2017 at 1:57 PM, bzpop said:

don't really care much about desqueeze, and not i don't even use it on GH5, as long as i can see the whole frame it doesn't matter to me ,

but 4:3 mode is an awesome feature, can't wait til Adobe will bring the 6K footage fix

Agreed.  Don't use on-camera de-squeeze since my monitor can do 1.3, 1.5, 1.75 and 2x.  I guess it would be important if you're going lightweight.  My DP, Mauri Galiano tried the GH5 in open-gate 6k anamorphic with a variety of 2x lenses.  He said it's fantastic and the only problem right now is there's a bug in H265 decoding in Premiere.  

I use Davinci so it's not so much of an issue.

Now I just need to get a good mount for my Sankor 16D.

 

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  • 3 weeks later...

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