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    • By Zach Goodwin2
      How To Film In Natural Light
       
      Not enough light:
      Move the subject closer to the light source, bring the camera closer to the subject, angle the camera to create a silhouette, use a lower f/stop. Try to focus on how the subject is lighted not the background.
      Possibility:
      Use a slower shutter speed if there is less movement going on. If you can decrease the frames per second, and maybe try using a time-lapse. Better yet, for wide-shots use a wide angle lens with a low f/stop.
      Controversial Hint:
      Despite the criticism on this subject, do not focus on noise/grain. Try to use On-Camera lighting well.
      Too much light:
      Move the subject farther away from the light source, bring the camera farther from the subject, angle the camera to create a clean background, use a higher f/stop.
      Possibility:
      Use a faster shutter speed if there is less movement going on. If you can increase the frames per second, and maybe even try using slow motion shots where there are lots of fast movement. Better yet, for close-ups use a telephoto lens with a high f/stop.
      Controversial Hint:
      Despite the criticism on this subject, do not focus too much on highlight loss.
      Thoughts on All of This:
      Do not try to add any reflectors, add more lights, get people to help you out unless you have figured out how to light the scene naturally. It can be expensive.
    • By Aputure
      Hey guys, hope this is okay! We're the Aputure Lighting team and have been working on a lot of educational tutorials lately on how to shoot on-location and in different settings. This week we did an episode at a Jail Set and did recreations of famous jail scenes. The idea is to break down quick and simple lighting setups and start getting the online creator community to think a little outside the box of 3-point lighting. Would love to hear what you think. Happy to answer any questions. And if you like the episode, we're always happy to take requests for episodes or other tutorials you'd like to see. 
      - Nerris from the A-Team
       
    • By Alex T
      FS: Aputure LS1/2 Led Light. I have two of these and I can really recommend. Very bright and incredibly durable. Owned this for about 1.5 years used maybe about 14 times. Aside from that I've had it in storage under my bed. Good condition comes with power adaptor (U.S plug - a drugstore convertor works perfectly with this), all the cables and control plus the original box (Minus the inner packaging).
      I'd like £320
      Please inbox me or email me direct @ [email protected]
      P.S I will have more Aputure gear for sale in the next few weeks including a Cob 120T, LS1 and another LS1/2. 
       







    • By Homme_en_Beige
      Hello,
      I am new to this forum (first post) and beginner filmaker and I will need advice ...
      Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light...
      I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river).
      At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ...
      But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me !
      So I would like to have advice to achieve a higher quality outdoor shots (natural light)?
      To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche
      The third shot is particularly ugly ...

      - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression?

      - How do I do with hyper contrast scenes (it was about 14h when shooting)?

      - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)?

      - Is it better that I under-expose or over-expose this type of scene?

      - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ?

      Thanks a lot !
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