charlyboillot Posted January 14, 2019 Share Posted January 14, 2019 Hi there. Sorry if this question has already been asked but I'm not very clear on the workflow to use when color grading RAW Magic Lantern. Once I'm in Resolve, I work with the BMD color range. I convert it to Cinelog C on the first node. Second node is Cinelog C to Arri Log C. Then I add a third serial node. Should I start to color grade on that node (the third one) or on the first one, before the conversion to Cinelog C ? Once I colorgraded, I would like to apply the ImpulZ luts but I'm a bit confused there too. For example, I want to use the Kodak Vision3 50D 5203 but there are 4 types of LUTs (CIN, FC, FPE, VS) categorized in 2 other types (DP & NEG). I would ike to know how to use them. Should I use DP or NEG ? Both of them ? Many thanks for your help ! Quote Link to comment Share on other sites More sharing options...
Rinad Amir Posted January 14, 2019 Share Posted January 14, 2019 Hey this dude shows how to use This luts on PP but i think concept will be same for Davinci As for luts it self he explains down the comments i hope it helps u Quote Link to comment Share on other sites More sharing options...
charlyboillot Posted January 22, 2019 Author Share Posted January 22, 2019 Thanks for the link but this video but it doesn't really explain the difference between the Luts and how to properly use them ☹️ Quote Link to comment Share on other sites More sharing options...
Rinad Amir Posted January 22, 2019 Share Posted January 22, 2019 I took screen shot from comments Some basic explanations here Hope it helps) Vision 1 Quote Link to comment Share on other sites More sharing options...
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