I have some Lomos for sale, first up is this 100mm.
Insanely smooth bokeh and smooth highlight and shadows rolloff
- OKC1-100-1 / 100mm F2 (T2.3)
- Full Frame+ coverage!
- 16 iris blades, perfectly round and dry!!!
- Already converted to Stainless Steel PL Mount
- 0.8 mod gear on focus ring
- Added removable 80mm OD front
- Brass version!
- Build in 1975
- In good conditions and ready to shoot!
Asking €1500 FIRM
I can ship WW with UPS.
Payment with bank transfer or PayPal.
I'm selling a brand new Wooden Camera cage for the BMMCC plus the Wooden Camera PL Mount kit for it.
Asking price is 300€ for everything ! ! ! !
I'm in Italy and I can ship to Europe for fair prices and even WW if needed (postal or UPS).
BTW I also have a SpeedBooster for the Pocket and the Micro, Canon EF lens version for sale in another thread.
C100 Mark II + Extra Battery (Original) + HardCase in perfect condition
Price: 2800 + Shipping.
I'm based in Spain but I can ship everywhere, shipping costs are around 50-100 and it will travel in the HardCase (included in the price) so it will be just fine :)
This is the most reliable camera that I've ever used. ND's included, natural cinematic colors, Dual Pixel, amazingly detailed 1080p from an internal 4K downsampling process (made in camera), dual slot sd card recording, etc etc, just 100 % proffesional.
I'm selling it just because I allways work with a cameraman which is fully equiped, so I'm not using mine enought.. ¡sadly!
Hey all! I want to share this trailer for Sennheiser's Pro Talk Season 2 I shot using a Sony FS7, A7iii and A7sii.
Two weeks before the shoot I decided I wasn't happy with my current slog3 workflow and wanted to change it up. I found Pro Color V3 (at the time, V4 was not out yet) and gave it a shot. I loaded it up on the A7sii and A7iii, barely made a few tweaks to both to match them up, give me a great result and bam. I was sold. I then created a preset in FCPX (yea I edit on FCPX for now) that took my FS7 slog3 footage and popped it into Pro Color V3 matching the other two cameras perfectly. So my new flow is like this, Pro Color on the A7 series cameras and the FS7 shoots slog3, I then match the FS7 to the A7 series cameras in post and work from there. The reason why I needed Pro Color in my life was because I had these beautiful little A7 series cameras but couldn't use them to their full (small) potential shooting slog3. I didn't want to have to tote around an external monitor, etc. There's a lot more to say but I'll leave it at that. Way more to come. Enjoy.
By Matthew Giovinetti
Im looking for a Sony FS7 picture profile to bake in a look that emulates the Canon 5D Mark iii.