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Watch The Master projected in 70mm in London


jgharding
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At Odeon West End between tonight and Thursday. It may run longer, but these dates for sure. I and a group of four more are visiting on the Monday night, apparently it looks absolutely stunning and is worth seeing just for how nice it looks alone!

Such a shame I couldn't find Samsara projected in 70mm in the UK though.

http://www.odeon.co.uk/fanatic/film_info/s139/London_West_End/m14232/The_Master/
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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs
American Cinematographer Magazine - November 2012 article on 'THE MASTER '


[url="http://www.theasc.com/ac_magazine/November2012/TheMaster/page1.php"]http://www.theasc.co...aster/page1.php[/url]

shot on Kodak Vision 200T and Vision 50D

very fine grain slow stock so needing alot of light on set!
alot more than digital capture would have needed.

a VERY INTERESTING READ!
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[img]http://www.eoshd.com/comments/uploads/inline/19952/509da18a112b2_master1.jpg[/img]

Cinematographer Mihai Malaimare Jr. mans a Panavision System 65 camera in the desert near Barstow, Calif.

[img]http://www.eoshd.com/comments/uploads/inline/19952/509da1aaf2477_master2.jpg[/img]
The wide array of lenses tested by the filmmakers included several that were once employed
by Gordon Willis, ASC (best known for his work on [url="http://en.wikipedia.org/wiki/Francis_Ford_Coppola"]Francis Ford Coppola[/url]'s [i][url="http://en.wikipedia.org/wiki/The_Godfather"]The Godfather[/url][/i] series) (labeled “Gordon W” in bottom row). “Those lenses were really particular
and kind of fussy to work with — you had to really get ’em right,” says Anderson.
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