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Showing results for tags 'Colour'.
Long time lurker, first post here. I bought the GH4 shooter's guide a couple days ago and it helped me seal the deal on the GH4. I've also got an Atomos Ninja Star handy for 1080p 10-bit 4:2:2 capture. So, the GH4 just arrived and I've been going through the guide in more detail, along with getting familiar with the camera, and I came across this statement: I was wondering, before I get into my own test shots, if the recommendations for Cinelike D/V settings are different when outputting to this recorder than they are in the guide for internal codec use? I'm particularly curious about the Flat profile and possibly flattening the curves even more - would there be any benefit to doing this with 10-bit colour? Just curious... I'm still waiting for the right HDMI cable to ship in so can't test it myself yet.
While filming in Brazil in April (not over 30Â°C) I noticed that the colour on my BMPCC's buttons was "washing" away while I touched them. I'm NOT using my finger nail here. Does anyone else have that problem or has heared of it?
Cheap CFL bulbs are convenient, efficient and economical - but they typically have a lower Colour rendering index compared to Tungsten based lights and other more expensive lighting systems. Just how much of a difference is there? You decide (additional images/stills on my website: http://www.tommajerski.com/critest.html ) Shot on the BMCC 2.5k in Raw mode. Samyang 35mm 1.4 lens with no ND or filters. White balanced perfectly before the same colour grade was applied in Davinci Resolve 10. Debayered to UHD for better youtube viewing quality. For best results, set it to 4k quality and video on a HD monitor. White balanced exactly to the same point before applying a simple Contrast + Saturation grade. Debayered to 4k for best youtube viewing quality: Select 4k Streaming