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Found 3 results

  1. I've already the gh4 and I must buy either one very soon (12-35 or the lx100) but i want the sharpest. Does someone has the gh4 with 12-35 and the lx100 to make a 4k video comparison or advise about it ?
  2. Have been seriously considering this lens for my GH3 and (eventually) the BMPCC - though I can't seem to find any non-nature/event footage to get an idea of how it performs when shooting narrative work... The focus-by-wire and electronic aperture will be a pain for video shooting also... But the 12-35 range is really appealing (esp for the BMPCC). Anyone have any experience with this lens beyond test videos and home movies? Is it possible to create cinematic images with it under the right conditions, or are primes the only way to go? And if so, what would be an ideal prime lens set for the BMPCC (regarding focal length, not brand/model)?
  3. This lens does not have the focal length to be used with most of the anamorphic lenses floating around eBay. It would probably work on the LA7200 or maybe the Century, but that's about it. However, the upcoming 35-100mm would probably work. And then you'd have a fast, image-stabilized micro four thirds lens to use with your anamorphic. In anticipation for this lens, I tried holding my Iscomorphot in front of the 12-35mm to see if it would flare. It doesn't (or it didn't in my test) and I think that it's unlikely that the 35-100mm will flare either.
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