Search the Community
Showing results for tags 'video'.
-
Hey all! I want to share this trailer for Sennheiser's Pro Talk Season 2 I shot using a Sony FS7, A7iii and A7sii. Two weeks before the shoot I decided I wasn't happy with my current slog3 workflow and wanted to change it up. I found Pro Color V3 (at the time, V4 was not out yet) and gave it a shot. I loaded it up on the A7sii and A7iii, barely made a few tweaks to both to match them up, give me a great result and bam. I was sold. I then created a preset in FCPX (yea I edit on FCPX for now) that took my FS7 slog3 footage and popped it into Pro Color V3 matching the other two cameras perfectly. So my new flow is like this, Pro Color on the A7 series cameras and the FS7 shoots slog3, I then match the FS7 to the A7 series cameras in post and work from there. The reason why I needed Pro Color in my life was because I had these beautiful little A7 series cameras but couldn't use them to their full (small) potential shooting slog3. I didn't want to have to tote around an external monitor, etc. There's a lot more to say but I'll leave it at that. Way more to come. Enjoy.
-
Hey all, jumping right in here on the forums to share my work shot using Pro Color! I've come from the Canon world but now love my Sonys. Pro Color was a God-sent and I am fully embracing it! More to come but in the meantime please see this short video of a buddy of mine fishing shot handheld on the new Sony A7iii using a Nikkor 35mm f1.4 ai-s and 105mm f2.5 ai-s. V3 Pro Color was installed on the camera as at the time of filming V4 was not yet out. I applied a Lut of mine, Tenkara, you can grab from my website. Thanks Andrew for making these killer profiles!
- 1 reply
-
- 2
-
-
- video
- julien jarry
- (and 2 more)
-
-
Ok this is not the pinnacle of artistic videography or technical prowess, but hopefully it can get by on a bit of story and a location that can't be beat. I'm not very active on this forum but I have learned a lot of technical tips from lurking in old threads so I thought I might share my recent video that I'm actually very pleased with. I know you guys love the tech stuff so I'll let you know the expensive equipment I used: Olympus E-M10 with a Panasonic 14mm f2.5 and an iPhone 6. Unfortunately more than I would have liked ended up shot on the iPhone, but what can you do. It was just the two of us up there and the success (and safety!) on the climb was definitely not a sure thing, so I considered it a success to get as much footage out of it as I did. The Google Earth screen capture stuff I was pleased to figure out, but it could have been executed much better. I couldn't get the application to load the full resolution images of El Capitan, so I was stuck using the web browser which was laggy (on my computer anyways) and didn't have much in the way of camera controls. Anyways thanks for watching and hope you enjoy.
-
Hi, I my last video i did a Star Trek transporter effect. It's pretty basic and i would like to create something like the transporter of the Franklin in Star Trek Beyond in my future videos. I would love to get feedback on my video quality and what would you add. Particulary the lighting is a area i need to work on. My video: http://www.youtube.com/watch?v=_4QzdiSrFQU Franklin transporter: http://www.facebook.com/SaucetvAwesome/photos/a.1640382469598402.1073741830.1503065506663433/1640382479598401/?type=3&theater I know there are worlds between my transporter effect and the pro effect from Beyond, but i would like to be able to do it some day. Imagine all the techniques that go in a effect like this. I'm shooting on the GH4 whit the Panasonic Lumix G Leica DG Summilux 15mm f/1.7 ASPH Lens. Thanks for reading Tomaž
-
Hi guys, A few weeks ago I bought an X-T2, mainly for stills but as a video tool too. Yesterday evening I was making my first real video test shooting : my son presenting a magic trick. Apart the poor choice of profile and the exposition aproximation (light was going down fast) a few of the clips shows some strange "flickering" at the hedges of the picture as you can see there, straight out from cam : The majority of other clips are looking normal, there were shot with the same settings, except for focal lenght minor apperture or Iso changes. Settings were FHD 25 P, Velvia profile with -2 in hi, low lights and sharpness (trst purposes), iso 200 to 320, 1/50s, F5.6. Good Transcend 600x SDXC card (never showing problem with lumix gh3). The X-T2 was in boost mode. The only thing that I can think of if that the battery (original np126s) was running low at this moment. I changed it a few time after, but before the camera shuted down. My other track is the OIS I forgot to turn off, I know that it 's sometimes bad when on a tripod but that bad ? I did not succed in reproducing the problem. Wich in a certain way is a bad thing as the reason is still unknown. For this shooting its not a problem but it's not good for trust in gear you need to have for critical and pro aplications. It look like if the lens correction was going on and off... Have you experienced something similar ? What do you think of it ? I'm new to Fuji and I already know the limitations of X-T2 as a video tool but I'm not new to video and never seen something like that. Thanks for your looks and thinks. Boris
-
Me and a friend started a series on YouTube. It's called HOMEWHERE. See that we both come from the music world (I'm an audio engineer by day, my partner is a musician and a photographer) we decided to kick it off by asking friends to let us "invade" their homes and have some fun. Of course we've got a lot of things still to learn but so far we had a lot of fun which was the driving force behind all of this. Would like to get suggestions and whatnot. Thanks.
-
Hi. Here is a music video I directed last week on my Sony A7sii using zeiss super speed lenses via a pl mount adapter. Hope you like it. Guy
- 2 replies
-
- 1
-
-
- a7sii a7s
- guy mcnair-wilson
- (and 5 more)
-
Hey guys! I'm looking to get into video work, and I'm trying to figure out which camera would best suit my needs. I'm looking for a camera with great stills as well as video. The 3 main contenders for me are panasonic's gh3 and g6 and Nikon's d5300. All of them offer full HD at 24 at 60fps, which is crucial for me. They also all have a 3.5mm jack for external microphone. These specs are similar, but Panasonic's seem to be better for video. If it was video alone, I would choose the Panasonic cameras. But, I'm also looking for great stills. Right now I have the sony a58, and I don't want anything under the quality of its stills. The d5300 has better dynamic range, AF, sensor size, and low light performance. I've heard that the d5300 is one of the best APS-C sensor cameras for video, but it's also one of the most annoying to use. I don't want to sacrifice any stills/video quality. Which would you guys suggest? Here's a post by eoshd themselves against the d5300. http://www.eoshd.com/2014/02/nikon-d5300-review/ I would really appreciate the help!
-
Would like to need your help for shooting video with my Canon 6D? 1) I need to use my live view LCD of 6D active while using a field monitor connect with my 6D using mini HDMI cable active. Basically I need to keep both the screen active so that during my shooting my clients can see the shooting with the external monitor. Kindly help me, how can I do that? 2) how can I shoot raw video with magic lantern in 6D? Kindly help me with the step by step tutorial if possible.? Thanks. Best regards. Apon
-
- 1
-
-
- Canon 6D
- dual monitor
- (and 4 more)
-
Hi guys, i shot a short "wedding music video" for an friend of me in "indie style" - hope you´ll like it! LOCATION: Kulturgut Wrechen DATE: 10.8.2013 EQUIPMENT: Canon 5D Mark III | Canon 35 2.0 IS | Canon 50 1.4 | Canon 70-200 2.8 IS II | Canon 100 2.8 Makro | Canon 85 1.8 | Tamron 24-70 2.8 | Tokina 11-16 2.8 | Panasonic GH2 | Olympus 12 2.0 | Voigtländer Nokton 25 0.95 mft, | Manfrotto Stativ | Manfrotto Einbein | Eightline Slilder | China LED Kopflicht | Edelkrone Followfocus | Edelkrone Pocketrig | Genius Eclipse Varia ND EDITING + GRADING: Final Cut Pro 10.1 MUSIC: Youth Lagoon - Afternoon (itunes.apple.com/de/artist/youth-lagoon/id457870121) Any Feedback welcome!
-
The official EOSHD sticky topic for GH4 users.
-
Greetings, I've run into an issue with remotely controlling the video on a Canon DSLR (5D2 and 7D) while maintaining EOS Utility. I need 150+ft range and USB drops off after ~30ft. I've tried USB to ethernet adapters since I was told ethernet doesn't drop off, but that hasn't worked yet - I was later told you would beed a network router for this to work? Does anyone know of a solution for wired control of a Canon DSLR so that the control through EOS utility is still functional. I have solutions for wirelessly triggering video with a pocketwizard setup, but I lose two very critical things; exposure control control and media download. The concept is to have a camera rigged in a location where repeated visits isn't an option - so exposure control and media download are key. I've read that the Canon wireless transmitters will also maintain the functionality of the EOS Utility - does anyone have experience with that? What do folks with these RC helicopters do for remote control of video? Probably a much bigger budget than I have... Thanks in advance for suggestions and advice. -Ronan -
Hey there, I am relatively new to these discussions; but after having scoured the internet for some answers I have been at a loss, so where better to ask than here??? I have been working for a my organisation for a year now, and my job is essentially being the in-house film-maker, for the past year I have been using my Hacked Lumix GH2 (don't ask me what type of hack it is, I did it in 2012, recording between 88-90mbps with no negative side effects, except that no playback is available until the camera has been turned off and on). I typically shoot in cinema 23.976 fps in 1080p and have a very fluid workflow (I produce about 2 videos a week for the company I work for). Since last month I have been 'upgraded' to the Canon 5D MkIII since the company didn't want me to use my personal gear (for insurance reasons, I travel a lot with the gear). And while there are some downsides in terms of bulkiness of the 5D body compared to the GH2 (and lack of swivel screen) it is a standalone camera and I find the two can't be compared too much: they are both great and stand well on their own depending on the job required. My ultimate question is: now that we're in 2014 and seeing as the GH4 is about to be released, what is the 'next level' in affordable DSLR's (or even dedicated cameras, like the Black Magic)in your opinion? I feel like I have been out of touch with the camera world since I hacked my GH2 in 2012, is this a camera that seems 'future proof' (with the hack) or will it shrivel to the upcoming 4k's?
-
Hi everyone! Do you know any website where only professional videos are published? I couldn't find it for quite a long time... so I decided to create my own project. The teaser website: www.vimazing.com The full vimazing will be online soon! Please contact me if you want to collaborate ;)
-
Hello fellow EOS users i have had a 5d mark iii for sometime now, and I finally have all the necessities to use the magic lantern rare recoding function. I have downloaded the recommended firmware, and followed the guidelines of the EOSHD_G3_RAW Guide. I have downgraded the firmware to 1.1.3, formatted my cards with the exFAT file system, installed the magic lantern alpha, and then installed the magic lantern night build, as well as the mac-boot to prepare the cards to make them bootable. After all this was said and done and after I hit update firmware, My camera screen said, Firmware update program. Update file cannot be found, please check the memory card and reload the battery and try again. I am using a 64 GB compact flash UDMA 7 LEXAR Professional 1000x CF card, and a PNY Professional X 64GB class 10 SD card. Can anyone give me some insight to what I might be doing wrong?!!!!!!
-
The taking lens was the SLR Magic 35mm T1.4 Cine Mark II for both of these, used at F2.8, the camera was a GH3. A live acoustic video, on this one I've intentionally gone for a look with flares: Some night street footage, at F2.8 it's a bit tricky when there's not much street lighting, I may well re-edit this video, maybe to include more footage.
-
Hi ! I wanted to share with you my video done with a GH3, a D5200, a Dji Phantom 2 drone and a GoPro 3. I hope you dream and travel with me trough these images
-
My first slow motion for Nikon Italy with new Nikon D5300:
- 1 reply
-
- 1
-
-
- Nikon D5300
- video
- (and 7 more)
-
Hi! I am an amateur (but passionate!) filmmaker and would like to buy a display/monitor for video editing. Colour accuracy is of course important. I don't earn my money with video editing, so I don't want a high-end professional, x000 € expensive monitor, but something in the range of 600-900€ would be possible. Which 27" display would you recommend? Or are two 24" displays better (ergonomically)? Thanks!
-
I was looking up some information on what Canon had in store for the future and I ran across this forum. It's filled with photographers that are angry Canon is giving any love to the video world! I couldn't believe how many people were upset. Personally I think if you can't pick up any Canon or Nikon DSLR above their very basic entry models and take decent pictures the issue isn't with the camera. Once 18 megapixels was hit I would have thought most people would be satisfied with the megapixel count in APS-C world. Video is the part of the camera that needs a lot of work. But I guess there a substantial number of people that disagree with me. Anyway it was interesting hearing some of the other voices yelling at Canon. Here is a taste... That was just a sample of page one. So who should Canon listen to? It's weird. I have never seen such a divergent set of opinions about a product line. And both worlds seem totally unaware the other exists.
-
Hi everyone! So I need help on picking a camera, I've also sucked at deciding in general. Basically I need it to film videos for my vlog, some of me at home and others me filming protests. If it was just videos at home of me talking I wouldn't care that much, but filming protests means the camera has to do well in different lighting, specifically low light, and it has to deal with a lot of people moving around. Another important thing is audio, because during protests I might ask someone some stuff and I'd like the viewer to be able to hear them. I know DSLR's don't do very well in that aspect, although you can buy a separate thing for that. I'm not sure about budget yet, I am a student though so don't suggest anything more than $800ish while I figure what I can afford. Any help would be appreciated! Thank you :)
- 14 replies
-
- 1
-
-
- camcorders
- DSLRs
- (and 3 more)
-
Hi anytime i pan with my canon 7D the video jitter and is not smooth. I shoot at 24fps at 1/50 shutter speed. Any advice? thanks in advance...
-
Hi guys, Long time reader, first time poster. I have a small production company, we shoot some studio stuff weekly, and venture out making some comedy sketches, and soon we hope to be doing some slightly heavier drama. we always strive to make our stuff look great, but we're a small run-and-gun team. We work out of backpacks with mostly handheld kit. We need a new camera. One we can sync our H6N into, use in the studio with our Autocue, our Stedicam and take out on shoots. We've narrowed it down to the 700D(T5i), the GH2/3 (? same ?) and the A57. Can you offer any advice? Important factors are : Form factor Ease of use and battery life FPS Lens availability usability (Focus peaking would be nice...) Thank in advance - and before I'm lambasted I know this will have been asked a hundred times, but trawling though all the posts will take an age....
-
http://vimeo.com/71482344 Leave A Trail - Canon 50D Raw Short Film, 1920 X 1080 Shooting raw on the Canon 50D. I shot with a faster CF Card (100 MBS) that gave me 1584 X 892 resolution at 24 FPS using the newest Magic Lantern Raw hack without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 1920 X 1080 for Vimeo in Compressor. Comments welcome. Thank you.
_1.thumb.jpg.c5ff4a6b6ea45bab0d8b28c252d571c5.jpg)
