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My cameras and kit

Found 9 results

  1. Just a really cool place my sister works at. it's a whatever video and maybe too repetitive soundtrack. But sort of like some shots and editing in it.
  2. t3i random shots can lemme know what you think if you'd like nerd info- had my manual non ai nikkor 50mm f1.4 on it, usually at 1.4. used Magic Lantern to turn down the fps and shutter speed a ton, for low light mostly (it's about 12fps at 1/12th shutter). I think iso 3200 is pretty damn usable on it, especially when I only had the ability to export at 720p, which kind of denoises a bit. just the one lens, and a camera strap was my setup. used Lightworks (free version) to edit. I like the grading options, but had a ton of clips (should have cut a lot more), and didn't want to grade them all.. I think I graded one clip. but I use a semi-flat custom profile (sharpness all the way down, contrast all the way down, saturation down 1), but since it was so dark and naturally contrasty, it ended up mostly fine, and I had no motivation to see if something could look better. you can only exposrt at 720p, but I really don't mind.. I'd like some other options in the export, but 720p is plenty detailed for me (for this soft camera and kinda soft lens absolutely). Usually not a fan of videos this pointless, but I guess I see the appeal. should have cut it down a lot more really
  3. Hello all! I would like to preface this post by saying that this is actually my first time on these forums, so thanks in advance for this awesome community. Also, I'm somewhat of an intermediate filmmaker, and you can check out my YouTube channel to see where I'm at (youtube.com/thisisrmm). As with the title of this post, I'm trying to figure out where my money would be better spent, upgrading to a 70D or buying more lenses? I have my own personal pros and cons for both, but first, here is what I currently shoot with: Canon t3i w/ Magic Lantern Canon 18-55mm (kit lens) Canon 50mm 1.8 I've set aside a budget of $1000 to make upgrades, so I'm not sure where my money is better spent. Reasons for upgrading to the 70D: - I eventually plan on upgrading to full frame in the future; not sure if buying desired lenses made for APS-C's like my t3i (Tokina 11-16mm) is worth the money if I'm upgrading - I can stick with this camera for longer, with it being a full frame (not having to worry about crop factors and what not) - From my own research, a better camera overall Reasons for buying lenses: - I'm pretty run-and-gun with my setup, so I've been somewhat relying a lot on the kit lens, which definitely helped me learn a lot about DSLR video, but I'm looking to take a step up in the category - Lenses definitely outlast cameras, so I figured that might be a better investment considering that I have this kind of budget set aside Cons for 70D: - If I buy this camera (body-only), the only compatible lens I'll have is the 50mm f/1.8 until I can afford to buy my desired lens of choice (Tamron 24-70mm f/2.8) Cons for buying lenses: - If I buy the Tamron 24-70mm, it'll be in somewhat of a weird crop for me to use with my t3i - If I don't settle with the Tamron, I'm somewhat lost on what lenses to buy within my budget that would work well on APS-C and eventually full frame whenever I make the upgrade I'm sorry for the lengthiness of this post, but just looking to provide as much detail as possible. Thanks to anyone willing to help a new guy out! Best, thisisrmm
  4. This is a promotional reel I've just made for the small videography business I'm currently setting up (one-man-band doing local community organisations, weddings etc). Everything in it was shot on low-end/cheap cameras, several of which have been discussed and compared extensively on this forum over the last year or two. To boot, other than the Tokina 11-16mm all of the lenses were each bought for under $300. After a couple of enquiries about the gear I used for this reel, I've decided to add subtitles to show each camera (and lens) each shot was taken with. Just click the 'CC' button in the Vimeo play bar to turn the subtitles on. I'd welcome feedback on my reel, but this is mainly posted here in the hope it might be of use to others: Sorry the subtitles aren't synched perfectly to each edit (it's not easy with Amara). You'll work it out though I hope ...
  5. I'm starting to set myself up a small videography business: just a one-man-band doing local stuff - community group promos, weddings, etc. I'm still working on the website (www.lintelfilms.co.uk) and have just finished the 2nd draft of my promotional film. I'd really appreciate your feedback on the film. I don't mind at all if you are brutal!
  6. I've made the switch to M4/3 2 months ago. So far, couldn't be more happy, but then again I have done nothing but well-lit shoots or with plenty of daylight. But, in a few months I'll be shooting a few wedding videos again. Which means I'll be facing the challenges of shooting in low light. My Canon T3i did a decent job, even though going past 1250 ISO meant macroblocking and all kinds of ugly artifacts. The noise on my G6 is much less obnoxious, but it's still a lot less sensitive to light than my T3i. So, I'm looking for a solution to shoot lowlight and still stay within M4/3. Without having to setup lights (strictly ambient light shooting). From the few tests I've done indoors, the G6 seems to lack that extra bit I need. Is the GH3 the camera to pick for low light shooting ? And is it's sensitivity comparable to the Canon TXi series (read : the 7D sensor) ? Or is it the GM1 I need ? To be clear : lenses aren't the problem (shooting with a 25mm 1.4, 35 1.7 and 50 1.4). Anyone else made the switch from a 7D, T2i or T3i to a GH3 or GM ? Couldn't find any direct comparisons online ... Thanks in advance.
  7. I shot my videos using a T3i and I'm editing my clips using Magic Bullet Looks. I have a waterfall cip and I would like to reverse the flow of water so that it appears to be flowing backwards, then foward in a type of loop. Its a moving shoot (camera tilts downwards) so I'm thinking that I need to isolate the water in order for this effect to happen? Can anyone advise me on how to go about doing this?
  8. Mosaic engineering have released VAF-TXi anti-aliasing / anti-moiré filter for Canon T2i (550D), T3i (600D), & T4i (650D). Designed to cut down aliasing, moire and false detail, resulting in a much better picture. http://store.mosaicengineering.com/VAF-TXi-Moire-Aliasing-Filter_p_14.html you can see Andrew's example of the version for 5D here:http://www.eoshd.com/content/7120/canon-5d-mark-ii-mosaic-engineering-vaf-5d2-anti-aliasing-filter-review I have mine on the way, I'll let y'all know how it works ;) JG
  9. Andrew's guide is absolutely fantastic. I got my hands on this huge Kollmorgen-Kosaka 298 before I bought the EOSHD Anamorphic guide, and I had to frankenstein a way to make it work; this is what i ended up with, and it works decent. The front of the M42 Yashica Yashinon / Vivitar lens matches within 1-2 mm the back diameter of the Kollmorgen anamorphic lens, so I can use full zoom range with no corner artifacts. [img]http://www.eoshd.com/comments/uploads/inline/21053/503da498aa33d_S1370018.jpg[/img]
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