Search the Community
Showing results for tags 'gh4'.
-
Hello all, I'm really new to anamorphic shooting, have no experience even, and I recently saved up over the summer for a GH4. I'm currently forcing myself to experiment shooting manual (I came from a background of point-n-shoots). My lens setup currently is a Metabones Speed Booster (Nikon - MFT) with a minty vintage Nikkor 50mm f/1.4 Ai lens. I have a little of money left; either for more vintage lenses, or a rig with a cheap anamorphic lens. I recently saw on ebay a batch of Rathenower lenses from Europe for relatively cheap. Does anyone have any personal experience using this and other pricier anamorphic lenses? How is the image in comparison? Ease of use and mounting? Good bang for the buck, and value in these lenses? Descriptive input appreciated. Thanks for your time!
-
Hello there, Does anyone have an idea of any good V-log settings for the GH4. Have not found any information on the panasonic site. Thanks for any feedback. Regards Kevin
-
-
Hi, check out my latest musicpromo for Hamburg based "Neonschwarz". Mostly shot on GH4 with Metabones, Tokina 11-16 and Sigma 30mm 1.4. Love the 4K modus to make smooth transitions and "dollymoves"... But also a few shots with the 700D with kitlens - can you point them out? ;-)
-
Hello, As a fan of beautiful classic cars I always enjoy watching videos from Petrolicious. For those who don't know, Petrolicious is a famous website about vintage cars ; they make regular video interviews of owners of older car models. Recently they shot a video about the Alpine Renault. The problem with Petrolicious is that they are very discreet about the shooting and the gear used, so I "investigate" and I finally found this video was made by David Zu Elfe from itx Films. I asked David what he had used as material and about color grading, here's his kindly reply : Interesting ! Enjoy the video now :
-
I posted this a couple of months ago to see if anyone could tell the difference (other than slo mo) between the FS7 and GH4. Here is the final product on the label's YouTube channel.
-
A music video that I directed for my band T-Slam.We're about to play a big concert with the Israeli Symphony Orchestra of Rishon, so we decided to have fun with the classical theme.Shot with the GH4, Natural profile, Helios 44-2 with a poor man's Speedbooster and a Lumix 12-35mm/f2.8 lens.Edited with FCPX 10.2
- 4 replies
-
- 2
-
-
- gh4
- helios 44-2
- (and 1 more)
-
Been shooting out in the forest last sunday with the Contax Zeiss 35-70 f3.4 and 80-200 f4. The 100-300 which is supposed to be better has yet to arrive. I find that 80-200 is much better without a teleconverter attached to it, much more crisp images. Graded using filmconvert and loving it. I think the contax glass lineup compliments what filmconvert tries to do. On a sidenote, I got lost during filming couple of times in the bush. I think I got disoriented while trying to avoid the race tracks. There was no signal and phone battery was on 5%. I hated myself for walking into the forest so unprepared. Almost went to the point of panic until I eventually found my way back. Never knew I would need orienteering skills for filming. Thank god I took minimal gear that day. Below is the video.
-
My first footage shot with my Baby Hypergonar anamorphic lens. Cut to the music of Dances with Wolves. Enjoy -
We wanted to try compositing basic 3D VFX in the background with GH4 4K video (inspired by videogames I used to write). I used 3DS Max to create a simple scene with an alpha channel and tried to composite everything in Premiere Pro CC. Unfortunately, PPro (and AE) have issues with the 3DSMax alpha channel (not a premultiplied color issue) and the low levels of the alpha channel appear to get clipped, cutting off subtle glows, etc., making correct compositing impossible. So I moved the background plate into 3DS Max and rendered the 3D elements directly on top. I had originally planned for a much more complex 3D scene, including having objects come out of the background and go around her head, but the time spent trying to work around the compositing issue took too much time.
-
-
I do a lot of sports and surf videos and this is a recent one I did in the westcoast of Auckland. GH4 really help you in this fast paced run and gun situation where you need to change things fast and adapt to the environment. The small sensor size is actually a positive factor in sports as well because of the crop factor and deeper focus plane. Landscape shots were shot in 4K then scaled. Vintage Contax, Pentax lenses were used.
-
On an impulse I've decided to go to Louisiana. Here's a glimpse of what I saw. Shot with Panasonic GH4 & Canon 17-55 on Metabones Speedbooster.
-
On an impulse I've decided to go to Louisiana. Here's a glimpse of what I saw. Shot with Panasonic GH4 & Canon 17-55 on Metabones Speedbooster.
-
Sharing my latest work as a freelance climbing/sport filmmaker. Shot entirely on the Panasonic GH4 in 4K and 1080p for slow-motion in 4 days in wonderful Isola d'Elba. Please do have a look even if you don't care much about the subject matter, I'd be very interested in some feedback! The video was cut into 4 parts for convenience, be sure to check for the links to the next episodes in the description.
-
LEGO was apprehensive about using the GH4 at first but ended up loving the look. We're in the process of a new video using the FS7 for 180fps slow mo.
-
Did a little test yesterday with a friend, getting shots have become much quicker since I can single focus with the FM now. This is a relevantly cheap setup as I got the takumar for about $70(US), Isco Ultra star fro about $400, FM was about $750. Pentax Super Takumar 50mm 1.4, Isco Ultra Star Anamorphic Lens, Focus Module Lens, Panasonic GH4, Natural Picture Profile with all settings dialed down, Simple color grade in Premiere, BGM : Bic Runga 'Listening for the Weather'
-
Hi! Been enjoying my GH4 until I needed to use my external monitor with it... I tried to plug my micro HDMI to HDMI cable to camera and noticed this problem when plugin it in. It won't fit there easily and actually haven't got it to work at all. So I thought that I bought wrong cable or the cable is faulty. But tried the monitor with my sony rx100 and gopro 3+. Works with both of them. So could someone who has used hdmi port on gh4 to confirm if my hdmi port looks a bit wierd? (images attached below) There is these two pins that are too high up from the bottom of the port? Or did Panasonic reinvent the HDMI micro port to sell some Panasonic branded cables... Don't think so.
-
Directed and shot this commercial on GH4. https://vimeo.com/119333904
-
Hi all, I was wondering if you wouldn't mind looking at some of my work and giving me some constructive criticism. I've graduated from film on the gh2 to currently the gh4 and I've started my own local film business. Nothing massive just a hobby I enjoy so why not get paid to do it. Please take a look and let me know what you think. I'm always willing to try new things and learn from past mistakes. Thanks for your time http://m.youtube.com/channel/UCcn5e_l0y_ryAUJ5VXSXK3A
-
The official EOSHD sticky topic for GH4 users.
-
The internal flash on my GH4 sometimes fires with the cover down when it is not set to fire at all. It creates a small explosion with a smell of scorching. Very alarming! Any idea what's going on? Anyone else had this problem. i've only had the camera a few months and have never used the flash, as I primarily shoot video.
-
Hello, I've been experimenting with shooting anamorphic video on my GH4 in 4K photo mode, using a Rectimascop 48/2x adaptor. The more I shoot, the more I see the need to monitor the unsqueezed video in real time, for better control of composition and focus. Can anyone recommend an HDMI field monitor, 5" to 7", with the ability to stretch the video width x2? Many thanks, Izhar
