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Showing results for tags 'anamorphic', 'lens', 'lensforsale', 'century', 'optex', 'optics', 'ds1609', 'anamorphicadapter' or '133'.
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Hi everyone! I wanted to showcase my passion project "The Night Knows No Shore" here on EOSHD. I've been a long time reader of Andrew's blog and it was his footage that inspired me to get an Iscorama a long time ago. After doing tests with it for a while I came up with this idea for a movie. And you can now see the result on youtube: It's a project made by one single actor and one single crew member (me) with one single focal length (a Canon FD 85mm 1.8) and one single focus anamorphic lens ( Iscorama pre-36). Don't expect much action. It's a slow film with lots of monologues and no real plot. It's about one young man's thoughts on society, religion, art, philosophy, life in general. Have a look. If you don't like all the "pretentious" talking, maybe you like the footage. Let me know what you think. If you have any questions, just ask. Enjoy!
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- iscorama
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What are the best smartphone lenses out there and are there any decent optics tests online? I know brands like Moment lead the way (perhaps with their marketing) but are there better options for an iPhone 11? Looking for quality over price although of course when it comes down to it price will be a concern. Thanks.
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Hello! I would like to share my work done with GH5 + FM Lens (Kowa inside) and russian taking lenses. Musicvideo is still under work but here is promo clip for upcoming video. Will post it here soon when it's complete.
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Excuse me for being a hopeless pixel-romantic. This dilemma has kept me awake for a quite some time now and I am hoping your subjective experience, reflection, input, opinions and/or advice potentially could give me some guidance (or potentially more confusion, which I will take full responsibility for). My interest for Raw started when I played with the thought of replacing my a7s for a Digital Bolex D16. While I am usually very trigger happy, I managed to hold my horses when the chance to have a go on it complicated my relationship with it. I realized that, without a second camera (for budget reasons), the 20 minute boot-up and the sacrifice of photography would not make me happy in the long run. While I still want to be a Bolex-owner as I am a sucker for the CCD and its awesome audio features, it is not my time just yet. Nevertheless, the Raw fanboy is still in me and I think the 5D is the (next) best thing (?) and might be a good investment. Maybe I just answered myself, haha. However I specify that I am asking for your subjective experience/opinions. Maybe some of you have been in the same boat or the other way around. I did quick and shamelessly dirty test today, if you find it interesting. The exposure is all over the place (unfair), more info on that in the videos description. Thank you!
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Littlle impro with a comedian during the zombie walk in Paris. Samsung nx1 with shoulder-mount, Kowa for Bell & Howell, Konica-Hexanon 40mm f/1.8
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New anamorphic shooting with Samsung nx1 : Anamorphic Lens : Kowa for Bell & Howell Talking Lenses : Konica-Hexanon 40mm f/1.8 & Helios 44-M 58mm f/2
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Samsung nx1 Anamorphic Lens : Kowa for Bell & Howell Talking lenses : Konica-Hexanon 40mm f/1.8 & Helios 44-M 58mm f/2
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Ultimate test of the Konica-Hexanon 40mm f/1.8 with Kowa B/H on the Samsung nx1. I'm pretty happy with it and think it's gonna be my main lens with this combo...
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Anamorphic nx1 and Konica 40mm Samsung nx1, anamorphic lens : Kowa for Bell & Howell, Konica-Hexanon 40mm f/1.8
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Anamorphic Samsung NX1 goes wide with Konica 40mm f/1.8 & Kowa for Bell & Howell
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Shot with Panasonic GH4 in cinematic DCI 4K 4096x2160 in ultra wide 3.31:1 anamorphic ratio.. Lens used were the Baby Hypergonar 1.75x anamorphic with MeVis 35mm f1.6 and the Zeiss Ultron 50mm f1.8. Rectilux 3FF-S, Marumi + 3 achromatic diopter and Fujinon ENG 72mm close up lens. Edited in Adobe Premiere and colored in Colorista III and Adobe Lightroom.
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Samsung nx1 Talking Lens : SMC Takumar 50mm f/1.4 Anamorphic Lens : Kowa for Bell & Howell
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Le long du canal (Paris)
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Part of a short movie I´m working. Hope you like it.
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Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the influences of its trends are always evolving, the element of its perception fluctuates between art, sport and music. Above all, authenticity is the leading component. thfkdlf.com / brighttradeshow.com / ae-sewingmachines.co.uk Filmed on the Sony A7SII Rig: Movcam A7SII cage Timelapse: Sony A7II Lenses: Zeiss Loxia 35mm f2 / 50mm f2 4K / 1920 x 1080 HD / 16:9 / 24fps Music: Ember Island - Can't feel my face Album - 3 Roses x Ember Island Cover Label: Non
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Hi! I'd like to share some tests I've been doing with my brand new sony a7rII. I used quite a lot of lenses in this video, including some anamorphic set ups. I reeeeally like this camera so far.
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I just finished my new anamorphic wildlife video. I filmed for three days over the last few months on St. Vincent Island Wildlife Refuge. A very unique and beautiful place. So before you and I get lost in Starwars, The Revenant and The Hateful Eight, please sit back relax and take a journey through this wild island with me. Technical: Filmed on a Panasonic GH4 in 4k Bolex 16/32 1.5x anamorphic lens with Voigtländer 25mm F0.95, Voigtländer 42.5mm F0.95 and Takumar SMC 135mm F2.5 V2 as taking lens. I shot in anamorphic 4:3 mode on GH4.
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Hey Guys! I wanted to show you a short film I shot on the Sony A6000. A great video camera on a budget in my opinion It is my first short film, and it was all shot and edited in one day, I didnt have more time. Lenses I used were the Tamron 17-50mm 2.8, Helios 44-2 and a cctv 35mm 1.7 Hope you Guys enjoy it ! Please let me know what you think about it I shot it for the Sony professional competition, so if you enjoy it, please like it on youtube. thanks !! Cheers from Germany Micha
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My first footage shot with my Baby Hypergonar anamorphic lens. Cut to the music of Dances with Wolves. Enjoy -
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Two Luchadores face off in this battle for supremacy.
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Hello, My name is Daniel Kharlak. I'm a long time reader and lurker and I've decided to join the forum and share some of my work. This is a film I shot in my senior year of film school for my friend John. We were looking for a look that was reminiscent of intimate 70s photography and wanted to avoid the crisp, shiny look of modern DSLRs and large-sensor cameras, and go for something grittier and all-together more old-school. So in a fit of monstrous insanity, we fitted an Eiki 16mm anamorphic adapter to a Panasonic HPX already wearing a Letus Depth-of-Field adapter. It was a Frankenstein-esque contraption that required calibration at the top of every day. It's a procedure and a look that I don't think anyone else has tried before. I hope that you guys enjoy! And try to spot the one single shot that we actually pulled focus on!
