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Showing results for tags 'anamorphic'.
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If you are looking for anamorphic lenses - you already know this is the holy grail of them all. Covers full frame at 50mm and 100% rack focusable. Mint condition with both front and rear caps. Includes it's original 50mm f/2.8 taking lens in Nikon mount. This is the original 1968 single coated version. I am willing to sell it for $x,xxxx.xx cash meetup at a local NYC bank or trade for some 8mm anamorphics + cash on your end. I'd also consider a deal for a 35mm OCT-19 LOMO squarefront in mint shape. Thanks for your time.
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Shot some small tests with the Iscorama on my d800 last week. Shot on D800 with the nikon 50mm 1.4D and Tokina +0.4 diopter and Hoya +1 diopter. I did the edit in premiere, grading in speed grade and second grade in nuke using some custom grading filters I made using filters from on set. My site www.robbannister.com Downloads page http://www.robbannister.com/downloads/ videos CC1 http://vimeo.com/64450588 CC2 http://vimeo.com/64464863 Hopefully I'll have some stuff really worth showing soon. Rob
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Just a test with one of my anamorphic lens (a beautiful Bolex Moller Anamorphot 16/32/1.5x). Andrew opened my mind reading his useful blog and shooter's guide, and now I love the anamorphics. I am learning, so I hope you understand my limitations in all the areas, included the video edition. [attachment=477:435717753_295.jpg] Shot on Canon 5D Mark II, the taken lens is a Zeiss C/Y 100mm Makro-Planar f2.8 http://vimeo.com/64893832
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Hi Guys! Hey Andrew! Nice to finally be on EOSHD. I'm from Sydney, Australia and this is my first post! So we'll see how this goes. This is my first music video shot on a anamorphic lens (KOWA B&H). Any constructive feedback, criticism, tips, advice etc or just a chat is welcome and appreciated! Would be cool to our share knowledge and experiences from all over the world. Hope you like the video (and hopefully the music aswell loll). Lana Lyric - S.W.A.G. http://www.youtube.com/watch?v=uzVw6ZcgwbM Talk soon guys. Ray Ayos.
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Hey guys, just wondering if anyone knows a good(hopefully cheap) place to rent some anamorphic lens in Los Angeles. thanks!!
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Does anyone have any opinion on these Isco lenses that vid atlantic sells from their site. Are they worth it? I am so new to anamorphic that I am really just trying to gather as much information before I make a purchase. I am shooting with a 5D Mk III and so I am really looking for the right adapter to fit what I have. http://www.vid-atlantic.com/lensshop.html
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I read an article on 444-films.com [url="http://444-films.com/the-last-iscorama-anamorphic/"]http://444-films.com...ama-anamorphic/[/url] and decided to buy such a lens; found a red ISCO 65mm 2X locally. Basically just unscrew the rear lens and attach the anamorphic adapter to a DSLR/lens setup. If you are curious, here is an image (link below) taken with a Canon 7D, a Canon EF-S 60mm and the ISCO handheld at the front of the assembly. I have not tested any of its other qualities or shortcomings but this image may serve as a basic reference for anyone else considering such a lens. This is the first image taken with the setup. I set the red ISCO on infinity and focused with the Canon EF-S 60mm. Next step is to arrange an appropriate clamp. [url="https://dl.dropbox.com/u/48523277/ISCO_Red_7D_EF-S-60mm_forum.jpg"]https://dl.dropbox.c...-60mm_forum.jpg[/url]
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Hello my anamorphics friends I'm in Manhattan for two weeks till the 8 of april, working on my creative film documentary "Womanhattan", and you can be sure I'm going to shoot again and again in anamorphic the city that never sleep ! :) If someone there live in the area and want to have an american coffee :P please let me know ! Seb Farges <iframe src="http://player.vimeo.com/video/31303587" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/31303587
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http://vimeo.com/64229408 ...my niece, Kinley, is not quite 2.5yrs and my nephew Connor is 7 months. They were pretty fascinated by the big(gish) lens when they saw it, their extensive experience being photographed so far being mostly camera phones. Kinley got over it pretty quickly though and was able to ham it up with perfect abandon. GH2 (patch: Flowmotion) Nikkor 24mm f/2 Century Optics anamorphic 5DtoRGB CS6: PPro + AE ColorGHear
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Had several questions about these lately, here's a more in depth breakdown: http://jeremyosbern.com/blog/2013/04/16/zeiss-ultrascope-anamorphic-lens/ I plan on shooting a project in Ultrascope later this year, using both RED and 35mm film, then comparing the two. I'll post it when it's done.
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Like to share this moody short film I created. Used GH3, Kowa 8Z and SLR Magic 35mm. https://vimeo.com/64129362
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After reading Andrew's post on The Forgotten Anamorphic, and purchasing his helpful guide, I bought a Proskar 16-A. I'm relatively new to anamorphic and have a Sankor 16D and DO 16F. Using the Redstan clamps and recommended taking lenses, I've had good success with those two so far. However, the Proskar I received seems more like a magnification lens than projection adapter. I can't pull any focus and knew there was something "different" when I looked through the adapter vs. my other anamorphics. I've attached two pictures as a reference. I basically have to be right on top of the quarter to see that it's a quarter when looking through the Proskar. No problem identifying the quarter at larger distances using the DO or Sankor. I've tried the Helios 44m-4 and Jupiter-9 taking lenses, which work fine with the Sankor and DO. I saw that Andrew used a Canon FD 50mm Macro lens and wanted to investigate further before adding another lens to the mix (I would have to buy this.) I'm thinking the adapter may be bad? I haven't ruled out operator error, but... Any thoughts, suggestions or feedback would be greatly appreciated. Thanks in advance. [attachment=456:DO16F.jpg] [attachment=457:Proskar16A.jpg]
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http://youtu.be/y2KdP55tIz8 I took the Izukar-scope out for a little walk today and for those that are interested, this is what i came back with. i've added a bit of a description in the youtube link, but it's getting a bit late here now, and i'm a bit knackered and a bit sunburnt :( so i'll just copy that here,... tomorrow i'll add a bit more about what it's like to use and some pics of the lens itself as i plan to put it up for auction. The Izukar-scope is a fixed focus x1.5 anamorphic lens made for 8mm movie cameras and projectors. Similar to the Sankyoscope, but this is a two optic system rather than a mirror system like the Sankyoscope which makes it quite usable at f2.8 with a good taking lens, kind of alright at f2. larger apertures and it goes a bit shit since tonnes of light leaks in from the sides washing the image out, and you start getting double vision out on the sides as the taking lens lets more light in. Made in Japan by Ichizuka Optics, circa a long fucking time ago :) Taking lens: Contax Carl Zeiss Planar 50mm f1.4 Camera: Panasonic Lumix GH2 Straight out of the camera using the 24p Apocalypse Now Boom hack, no colour or level adjustments done. Shot mostly at f2.8 - f5.6 at 1/50 24p movie mode with an ND8, ND4 and a polarizer stacked on the front of the Izukar-Scope. Shot at 2pm-ish under harsh light cos i was curious as to how it would do. Close ups done with the dedicated diopter that screws onto the lens. -
Been working on this one for quite some time... Just in time for the premiere for season 3 tonight, my Game of Thrones spoof, "Winter is Coming." Shot on hacked GH2 with a Bolex anamorphic. Mounted with an awesome clamp by Redstan (seriously, top-notch stuff. Well worth the wait/cash.) Taking lenses were Nikon 35 f2.8, Konica 40 1.7, Nikon 50 1.2, and Super Tak 135. Color by Shian Storm's ColorGhear, my first attempt, so be gentle! Shot at numerous locations over the last few months, including a re-shoot for the band sequences as I couldn't' stand how the first set turned out. (hated the background.) We also got very, very lucky with the weather for the outdoor battle scene. Considering we had no budget at all, I was shocked by how many people showed up for that shoot! Enjoy! http://www.youtube.com/watch?v=VQeazQ0eohQ
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Anyone know anything about this lens? http://www.ebay.com/itm/Vintage-Sankyoscope-Anamorphic-1-5X-8mm-movie-lens-Ichizuka-Optical-1960s-/200906477445?pt=UK_Photography_VintagePhotography_VintagePhotoAccessories&hash=item2ec6f58f85
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Hello, I'm new to this forum and also to anamorphic shooting, though I worked as steadicam operator on projects with rented hawk lenses before. I downloaded the anamorphic shooters guide, read the forum and watched videos so far. Recently I purchased my first anamophic lenses on ebay: http://www.ebay.com/itm/290889768316 a set of Rathenower Rectimascopes 48/2x which I might get soon. Videos on youtube confinced me about how sharp they are. One mount option is exactly like Edwin Lee and tferradans did with their Hypergonars: http://www.eoshd.com/comments/gallery/album/29-hypergonar-hi-fi-2/ http://www.flickr.com/photos/edwinylee/sets/72157625790618742/ However, the Rectimascopes are dual focus and I'll soon have the ability to test how this handles in real shooting. But after reading what JohnBarlow did with his Moeller rig and the option to use autofocus lenses with single AF by half pressing the camera shutter http://www.eoshd.com/comments/topic/2398-my-compact-moeller-322x-rig-scope-on-a-rope I wonder if it is not possible to use a camera with continous autofocus for the rear lens at all. This way one would only have to focus the anamorphic lens and the rear is adjusted by the camera with contrast autofocus. No reason to fear the autofocus might adjust to the backround in this setup, though. I have a Canon 60D and no autofocus lens at the moment since I use my old Contax/Yashica lenses for video and also photos but what I've read in the manual their autofocus won't allow for continous and fluent focus revision. But a Panasonic GH series camera might do the trick and that would be a good reason to buy one. Eventually there is somebody who already tested this approach with dual focus lenses? Thanks, Andreas
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I am selling my lenses! 1.Set of lenses Zeiss/Oberkochen They give beautifle filmic look! Zeiss/Oberkochen Distagon T* t/stop=1.2 18mm Zeiss/Oberkochen Opton Di t/stop=2 24mm Zeiss/Oberkochen Opton Di T* t/stop=1.2 25mm Zeiss/Oberkochen Opton Di T* t/stop=1.2 35mm Zeiss/Oberkochen Opton Pl T* t/stop=1.3 50mm Zeiss/Oberkochen Opton Pl T* t/stop=1.4 85mm https://www.dropbox.com/s/4lx8m60yxsp0mdq/oberkochen.jpg https://www.dropbox.com/s/0p4aqie9rizx5bx/IMAG2162.jpg So how much i can get for them? 2. Totalvision anamorphic https://www.dropbox.com/sh/qp9dby19o8lee6u/ttAiEQc_St#/ I am mainly intrested in price right now for these lenses? Thank you!
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This lens does not have the focal length to be used with most of the anamorphic lenses floating around eBay. It would probably work on the LA7200 or maybe the Century, but that's about it. However, the upcoming 35-100mm would probably work. And then you'd have a fast, image-stabilized micro four thirds lens to use with your anamorphic. In anticipation for this lens, I tried holding my Iscomorphot in front of the 12-35mm to see if it would flare. It doesn't (or it didn't in my test) and I think that it's unlikely that the 35-100mm will flare either.
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Strange fixed focus (@4m) Moeller. Its a 19/1.5x originally for S8 cameras but fixed focus only. First time I've seen one of these, normally its the focus types that I usually see.
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The Iscomorphot 8/1.5x doesn't seem to have a really good taking lens. I thought I'd take a stab at finding one. I recently picked up a Nikkor-O 35mm f/2 lens that I heard worked wonders with the Baby Bolex on a GH2. I assumed that it would have similar vignetteing characteristics as they have the same screw size on the back. Turns out that serious vignetting kicks in below f/4 on a GH2 (probably won't set in on a GH3 until 5.6) but this combo has the least smearing I have seen with the Iscomorphot. This combo smears a hell of a lot less than when it's on the Helios 44-2. Here's the comparison I did between the Nikkor-O and Helios with a Voigtlander Nokton 25/0.95 (all Voigtlander shots are the same picture, put next to the others for easier reference). https://benwabbott.minus.com/lFF8XQjURfUTx Tomorrow I'll do a better comparison by rolling through the apertures on each in video form.
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Hi, all! I have a question to pose to Lomo squarefront users. The fronts are not all the same, right? Which of the squarefronts can go on which of the spherical Lomo back lenses (the coupling ones)? For example, can the 50mm squarefront go on the 75mm Lomo spherical? Can it go on the 35mm too, or does it vignette? Which combos work (if any) and which do not? Thanks in advance! -
"Picture A Girl With Red Hair" is a film I shot in 2012 that just completed post. It's starting its run on the festival circuit now. Here's a still: I'll post more updates as it plays in festsivals. More info here: jeremyosbern.com/blog/
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Hi! I have a 5d3 and am new to anamorphic shooting. Getting ahold of an Isco 54 will be difficult, and probably out of my budget, lol.. So I've been looking at the Vid-Atlantic Isco's they sell for $849 with the clamp kits.. The videos they have of it in use with the Mark 2 look kind of like they were shot in the 70's though, so I was curious if anyone had some experience with the Vid-Atlantic adapters and could vouch for them, or if someone had a better solution? I'm trying to stay under a thousand dollars.. I thoI thought this one looked great with the Kowa 16D, but I've heard bad opinions also.. http://www.youtube.com/watch?v=8DRD16HYDL0 (Favorite shot @ 00:37) Also this one: http://www.youtube.com/watch?v=SldXYArHbhk Both shot on a Kowa 16D.
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I visit my brother, niece and sister in law, and I met in Toulouse Olivier, a anamorphic lenses collector. He lent me for this week end one of his Iscorama. It was the first and hope not the last time that I have this lens in my hand. It's working very well, sharp, and usable for closed shots without a diopter. <iframe src="http://player.vimeo.com/video/61965327" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/61965327" GH3 AVCHD 1080 50P natural mode 1080 50P Iscorama non MC 1.5X version, apparently more 1.4X, that what I've done on post Yashica 55mm f2 Contax mount light craft ND variable filter Tokina 0.5 diopter here is a face to face Iscorama / baby Hypergonar : vimeo.com/61788864
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Next to Bladerunner, my favorite film is Paul Thomas Anderson's Magnolia. I take a lot of heat for that with some of my friends but I don't care, it's beautiful and masterful. Anyway, I watched it for the first time in several years tonight with a friend that had never seen it before. I went looking for the trailer to show them and found this: http://vimeo.com/56335284 ...his combination of anamorphic photography with steadicam is a favorite facet of mine.-
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