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  1. Hi All, I just finished a big review of the Flare Factory 58 lenses from Dog Schidt Optics. You can read the full review here http://www.robbannister.com/blog/   The mandatory cat test was shot with the Neutral FF58 and the iscorama and the other video with the Amber FF58 is not with the anamorphic because I had sent it off for the close focus mod. Though the Amber version pairs really well with the iscorama and you can see a small sample of that at the end with the car.   https://vimeo.com/67975230   https://vimeo.com/69262934   straight out of the camera no CC, password: radioactive https://vimeo.com/68393006      
  2. I know its like beating a dead horse. Long shot, but looking to see if i can find a proper +0.4 diopter for the Panasonic LA7200. Not finding much of anything so figured id post see if anyone either has one to sell or knows some good spots to look. Thanks!
  3. https://vimeo.com/69963790     HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95, SLR Magic 12mm T1.6) There is five days left before the end of the crowdfunding. Since monday you will have five extracts. This is the third : day three july the 10th, 2013- taken in NYC april 2013   CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172   Day one is here :   https://vimeo.com/69880083   Day two is here :   https://vimeo.com/69946026
  4. Im in Japan right now and hunting for anamorphic lenses. Havent found any for a good price until today. Two anamorphic lenses which Ive never heard before.   Cornie Anamorphic 16 Hokushin Anamorphic-16     Its about 90$ for the first one and 130$ for the second lens. Is it worth the money? What adaptors can I use to get it working on my Canon 7D?   The guy who owns the camera shop has limited english skills and didnt even know he had anamorphic lenses and what they are used for. I found them in the shop by accident.   The second lens appear to be promising, Ive been searching the web for more info and reviews about it but cant  find anything. Thats why im asking you guys, the best anamorphic forum on the web for help!   Best Regards Denko  
  5. https://vimeo.com/69880083   HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95) There is five days left before the end of the crowdfunding. Since today you will have five extracts. This is the first : day one july the 8th, 2013- taken in NYC april 2013   CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172
  6. Now I realize this probabl isn't the best idea just wondering what everyone's opinion on it was. I was thinking for a better lens flare removing the multicoating on my cheaper canon lens. I found this tutorial although I'm a bit dubious as to how well it would work. http://www.ehow.com/how_7830132_replace-multicoating-camera-lens.html Just using clean wipes? Can it really be that easy?
  7. I have just won a Soligor CD 8/500mm mirror lens, the rare smaller one to put behind Big Bob (see pic below). Big Bob has a rear optic of 80mm and the Soligor is 72mm so all should be OK, when it arrives.   As you know mirror lenses produce interesting aperture reflections which are round but have a hollow center because of the central mirror. (those of you may remember the Capt Scarlet & the Mysterons, a puppet show on UK TV)   Anyway, I have been thinking about what the aperture reflections will look like and indeed what the bokeh will look like when it is anamorphosed.   It may be  1 oval outside with an oval hollow 2 oval outside  with a circular hollow 3 something else   What do you think?   Also what will happen to the flares? They may be 4 horizontal continuous lines as usual 5 horizontal broken lines     I have a box of virtual cigars for the winners :P    
  8. Hey guys,   Made up my mind to sell some of my gear. PM me if interested in any of the following.   Kowa 16H 2X anamorphic adapter - good condition Canon FD 20mm f2.8, 35mm f2, 50mm f1.4, 85mm f1.2 lenses - all in good condition Canon FD to MFT adapter - new Slr Magic 12mm f1.6 - new Slr Magic 25mm f0.95 - new Voigtlander 17.5mm f0.95 - new   Thanks!
  9. Hey all! First post here. I fairly recently got into anamorphic shooting. Since a young age, I wanted to be able to recreate the anamorphic footage. I used to use the magic bullet filter and crop my footage which looking back was really quite horrible and stupid. I bought a sun anamorphic lens off ebay for relatively cheap and am so happy! I made  short little film earlier out in the sun. It's of nothing really, just testing out equipment. I think it gives of nice results, although I find it hard to keep focus. Hope to use it on a project at somepoint.   https://vimeo.com/69722698  
  10. Hello EOSHD people :) Here is my new project in crowdfunding, made of archives from VHS to anamorphic, please read this ! :) : Now, discover and support WOMANHATTAN my next film in progress on crowdfunding Ulule!
   To give to my project its best quality and offer the best possible visibility 
I need a financial boost (with friendly counter-parties! ).
This subscription is available on the crowdfunding platform Ulule for 30 days (until July the 12th 2013).

 Support the project, even a little, it will help WOMANHATTAN a lot!
If you can participate, and / or forward the message, do not hesitate!
 http://www.ulule.com/womanhattan/   PROJECT SUMMARY:
 For 20 years (1993-2013), I got used to go with my girlfriends to New York, and set my love memories on film...
WOMANHATTAN is a film from my point of view as an obsessive director: the obsession of filming my girlfriends in New York, the obsession of magnifying them, the technological obsession of finding the camera shots that best reflected my feelings.
 WOMANHATTAN is a trip back in time, before and after 9/11, where I take us to the heart of New York and its urban landscapes, my thoughts on the passing of time, on love and the possibility of being free one day from my obsessions, and living fully the present and my love life. To discover my world here is the teaser :   https://vimeo.com/31303587     And also on facebook :
 https://www.facebook.com/pages/Womanhattan/308092392578172 I hope you find this project exciting and unique enough to be a part of it. Thank you! Seb Farges   https://vimeo.com/51028337      
  11. Hey guys,   This might have come up before, but I seem to be having a strange phenomenon while using any thrid party taking lens with my Iscorama pre 36.  The stock nikkon 2.8 fixed lens that came with the Isco doesn't display these "icicle" like artifacts from flaring. This happens with my Nikkon 50mm  f1.4, and my Helios 58mm 44-2m, and also some weird transparent vignetting happens with the iris blades on both.  I was wondering if anyone knows why this is happening, and or have a possible solution for it.     The picture below is with my Nikkon 50mm f1.4, very simular to the results of the helios.         
  12. presented to Genero.tv contest: Olafur Arnalds "This place was s shelter". Shot with Bolex Moller Anamorphot 16/32/1.5x and Canon 5D Mark II     vimeo.com/68844085
  13. EMKE Hawaii recording new music in the studio!  I tagged along and tested shooting Anamorphic with my Canon 5DMKIII.  Using the different aspect ratios, I used 4:3 1600x1200.  This is perfect for my Sankor 2x Anamorphic Projection lens.  I then used After Effects to make the image fit 1080P.  Music is their original song "Open Eyes" acoustic version.   Canon 5DMKIII w Magic Lantern RAW June 3rd Build Lexar 64GB 1000x CF Card After Effects to Premiere Pro Canon 100mm Macro Sankor 2x Anamorphic Projection Lens   https://vimeo.com/68611134  
  14. What are the honest odds of getting an iscorama 54 non multi coated anywhere at all. Just gotta get lucky? Theres one multicoated one on ebay.   Also wondering if anybody had a picture comparison of the multicoated vs non multicoated?
  15. I am selling a mint AG-LA7200, 1.33 anamorphic. Can send photo's on request. Almost never been used. Just bought it myself but also was lucky to run into a nice iscorama 54 last week. (no, not from this forum) I am not looking for making any money on the lens Euro 1050,- (i even can show you the invoice) is what i payed (call me stupid  :P ) for it so if you think its worth it i can re-sell for that same price. Think this Panny will get dusty sitting on my desk and that would be a real shame    :mellow:
  16. Ok, so after receiving my adaptor a few weeks ago... I've created an unscientific review of the Lens Turbo for Canon FD on my nex 7 http://themartist.com/lens-turbo-canon-fd-review/   If you don't feel like reading the review, the bottom line is I am happy with it... even though It appears that those with more pixel peeping prowess are confirming that its inferior to the speedbooster. I still see many advantages using it for stills,  but I'm sure that the benefits may be even more useful for video purposes. This bring me to two main questions.   1. If there are any specific shots, or methods you'd like me to test either stills or video on the Lens Turbo - please let me know and I'll do my best. I have a canon fd 50mm 1.4 and 20mm 2.8 for the lens turbo.    2. What positive/negative impact will the speedbooster or lens turbo have on going the anamorphic route? What type of setup would be best, and how would one be able to have a nice compact (ish) setup to match the Nex's diminutive benefits. The dream is having an affordable small full-frame in the nex that is easy to travel with and may shoot some awesome anamorphic footage.    Appreciate any input or questions from either Andrew or the rest of you guys. 
  17. Hello Everybody, i'm new here as new to anamorphic shooting and almost shooting in general, I made this vid during holidays with my son and girlfriend in a friends house in ardeche in france, just to have a trace of it. http://player.vimeo.com/video/66394467   Don't go to hard on me, i know these are "trees and shit" :), but that is all i got to shoot. I would like some advices as i'm really liking to shoot stuff, i made some motion design before and my job is to create websites, but i would like to try to make some music vids (with an idea of course not just shooting random stuff). So go on with questions and comments i'm ready arms spread wide open !      As for the technical part, it was shot on a GH3 with "eclatant" profile so i suppose it's vivid in english, way too sharp... Looks weird and camcoder like to me, stupidly i just forgot to go back on my personalised "flat" setting as i gave the camera to my girlfriend to make some photos and she told me they looked "sad and flat :)". I used a canon FD 50 f1.4. The timelapses are made with the well known stock 14.140. The supercinelux is a pain to focus on such small screen like the one on the gh3, and more when it's all streched, so i was thinking to get a external screen or a loupe with a anamorphic function. You'll see some flare porn, i really like the flares from this lens. It's very sharp when focused properly, and as i see it's works really nice from 2 or 3 meters. So i think that's all. Hope to hear lot's of critics :), i'm happy to finally be on this forum. See you soon bye!
  18. Hello there, Anyone knows, have tested or seen tests of an anamorphic resolution (1440x1080) on the 5D mk2 for use with a 2x adapter? What I´ve read so far is that 5d wont go bigger than 1880x840 but what about other resolutions considering anamorphics. From what you´ve seen so far, would you recommend switching back to the mk2 from a hacked gh2 in terms of image quality, colors, low light etc...? Thanks
  19. Like to share this short film which is part of a larger project. Shot with GH3, slrmagic 35mm and Kowa 8Z. https://vimeo.com/65543988  
  20. Just put my Elmoscope II up for auction:     http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=300905958653   The Elmoscope II is a rebranded Kowa 8z /16H.   Here is a sample video I shot with this lens of me bleaching polaroids,... thought it'd be more interesting than random trees an' shit,... not that there's anything wrong with random trees an' shit,....   This is straight out of the camera,  filmed with the Elmoscope II on a Contax Zeiss Planar 50mm f1.4 set between f2.8 - 5.6, on a Lumix GH2 with the Valkyrie TZ3 Beta2 patch. 100% manual of course. No color correction/ adjustments / leveling / grading / fx other than unsqueezing in post.   http://youtu.be/K8PWJ5XSCVE   more details in the listing, but if you guys have any questions fire away :)   cheers.  
  21. I just bought a vistascope (the 16mm version).   I'm wondering what diopters/ close up filters I should get for this anamorphic.   Any suggestions would be great!   Thanks :)
  22. I am looking to buy an anamorphic lens. A few caveats, I have done some research however if anyone is selling feel free to reply here or send me a private message.   This is also a sort of feel out post as well see what everyone recommends. I havent used one myself however I have done research including getting the guide so I know what Im dealing with.   No projection lenses. Large and bulky, I dont need anything like that. My arm was damaged a few years back. MRSA took 60% of my deltoid. Need it small hopefully well smaller than a projection lens at least.   Not too picky on the squeeze ratio. Anamorphic is anamorphic, I mean the closer to 2:39:1 the better.   Lens flares are important. Want nice wide ones high quality would be fantastic.   Rack focus, definitely a must. Less adjustment on the lens itself the better. Have hard enough time freehanding while manual focusing one lens much less two XD.   Also in reference to the camera I have a Canon EOS 5d Mark III and a Mark II of the lenses I have 35 1.4L, 50mm 1.2L and a 70-200 2.8L IS II USM   I gather I may need an 85mm lens to take advantage of rack focus and an anamorphic lens with the full frame cameras. No problems there just feeling it out seeing whats available. If i can find the right lens that meets the specifications I need for a competetive price well im looking to buy thats for sure.   In any case let me know. I think I got most of my information correct. I would prefer under $4000. A comfortable range for me is $1000-2000 $3000 if its a top quality lens id say.
  23. Greetings all, This is my first post here but I've lurked for quite some time, particularly in the anamorphic forum. I recently bought an Iscorama 36mc 1.5x anamorphic lens from another member here (QuickHitRecord) and wanted to share some of the results I've been getting.  This lens has quickly become my favorite lens!  A refreshing change from the perfect/sterile "Canon L glass look". http://vimeo.com/65643270   Camera: 75% Canon 5D Mark III (more towards the beginning) 25% Blackmagic Cinema Camera (more towards the end)   Lenses: Vivitar 28mm 2.5 M42 mount + Iscorama 36mc 1.5x Iscorama 50mm 2.8 M42 mount + Iscorama 36mc 1.5x Canon 85 mm 1.2L + Iscorama 36mc 1.5x   Adapters: Genus 77mm variable ND filter Polaroid 72mm Close-Up +1 filter (only on a few tighter shots toward the end.) More thoughts in the description on Vimeo.  What do you think? Also, I don't know how first posts are supposed to go or what's considered cheesy but I just wanted to say I look forward to becoming a more active member of the community here.  I hope to learn much and contribute where I can. John DuckDuck Collective
  24. look at this:   http://vimeo.com/58643440
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