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My cameras and kit

Found 8 results

  1. Hey all! I want to share this trailer for Sennheiser's Pro Talk Season 2 I shot using a Sony FS7, A7iii and A7sii. Two weeks before the shoot I decided I wasn't happy with my current slog3 workflow and wanted to change it up. I found Pro Color V3 (at the time, V4 was not out yet) and gave it a shot. I loaded it up on the A7sii and A7iii, barely made a few tweaks to both to match them up, give me a great result and bam. I was sold. I then created a preset in FCPX (yea I edit on FCPX for now) that took my FS7 slog3 footage and popped it into Pro Color V3 matching the other two cameras perfectly. So my new flow is like this, Pro Color on the A7 series cameras and the FS7 shoots slog3, I then match the FS7 to the A7 series cameras in post and work from there. The reason why I needed Pro Color in my life was because I had these beautiful little A7 series cameras but couldn't use them to their full (small) potential shooting slog3. I didn't want to have to tote around an external monitor, etc. There's a lot more to say but I'll leave it at that. Way more to come. Enjoy.
  2. Hey folks. Last year I travelled to Sri Lanka for four weeks, hopping about the place and pulling all kinds of strange poses in the name of having a totally not relaxing vacation. But it's what happens, I guess. I edited together all the footage I collected and I'd love to hear any kind of feedback you might have. In hindsight, I wish I'd collected more footage, but I hope that doesn't shine through too strongly. Edit wise, I dabbled a little with the fast zooms that have become so commonplace in this genre over the past few years but wanted to restrain myself so to not go too overboard. The Watchtower of Turkey style isn't really my thing, as much as I appreciate it, but I wanted to steal a little of that energy films like this can generate. Cam wise, I used my Sony A7SII, GFILM colour profile, Canon 24-105 and an old Zeiss Jena 35mm that I absolutely love. No rigs, no stabiliser.
  3. A collection of commercial & branded content over the last three years. A huge thank you to everyone involved and making this possible. naivestudio.co.uk Created by Naive - Jonathan Edwards Director / DP / Editor Filmed on the Sony A7SII Lenses: Zeiss Loxia 35mm f2 / 50mm f2 / Batis 85mm f1.8 Rig: Movcam A7SII cage 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps
  4. Hi guys, This is a piece about Slab CIty, about a very lon roadtrip I made and about freedom itself: I hope you like it
  5. First online social media advert for J'adore Models Manchester, shot on the Sony A7SII in SLog3. Used the excellent Zeiss loxia primes, 50mm f2 and 35mm f2. Recorded full-frame 4K at 24fps, shutter lower than I would prefer due to room lighting restrictions but decided to roll with it instead of using LEDs to keep a cinematic look, pools of light and dark shadows etc. Looking to shoot more of these throughout the year and would love to know what peoples thoughts were... We are a boutique agency in Manchester. Our guys and girls have the freshest and coolest faces on the scene. We believe totally in presenting the next wave of unique, diverse and beautiful models to the industry and we’re about exceeding clients’ expectations, every time. jadoremodels.co.uk Filmed on the Sony A7SII Rig: Movcam A7SII cage Lenses: Zeiss Loxia 50mm f2 / Loxia 35mm f2 4K / 1920 x 1080 HD / 2.35 / 24fps Music: ASTR - Operate (Et Aliae remix)
  6. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.Our obsessive attention to detail and passion for what we do has created…Ma-Ga London. 'It’s a real accomplishment to be yourself in a world that keeps trying to make you something else’ Filmed on the Sony A7SII Rig: Movcam A7SII cage Lenses: Zeiss Loxia 50mm f2 / Loxia 35mm f2 4K / 1920 x 1080 HD / 2.35 / 24fps Music: SLK - Ride (Prod - Embody)
  7. Latest in the Ascensions Series for Highsnobiety. Took huge risks with this film, to shoot in harsh winter conditions, heavy rain throughout with little shelter. Shot over three days, we hiked further than a marathon and climbed over 7,500ft, the most intense and demanding film in the series yet. The aerial and natural elements where shot on returned visits to concentrate on time with the model. A more in-depth piece will be released via Zeiss and Lenspire later today i believe. Hope you enjoy my hardest project to date and would love further feedback. Ascensions is a new short film series that focuses on some of the established, as well as up-and-coming names in modern streetwear culture. Each short is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. The fourth in the series features Black Rabbit БЯ. Black Rabbit which name originates from the cyrillic initials, “БЯ” is not constrained by seasons and built without the pricing compromises demanded by the fashion market. The series is exclusively released via Highsnobiety. highsnobiety.com blackrabbit.jp Filmed on the Sony A7SII Aerial Film - 3DR Solo Rig: Movcam A7SII cage Timelapse: Sony A7II Lenses: Zeiss Loxia 35mm f2 / 50mm f2 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps Music: Wife - Like Chrome Album - What's Between Label: Tri▽angle Motion Titles: Yoke Creative yokecreative.co.uk Still Images: Benjamin Moore @photographmoore
  8. Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the influences of its trends are always evolving, the element of its perception fluctuates between art, sport and music. Above all, authenticity is the leading component. thfkdlf.com / brighttradeshow.com / ae-sewingmachines.co.uk Filmed on the Sony A7SII Rig: Movcam A7SII cage Timelapse: Sony A7II Lenses: Zeiss Loxia 35mm f2 / 50mm f2 4K / 1920 x 1080 HD / 16:9 / 24fps Music: Ember Island - Can't feel my face Album - 3 Roses x Ember Island Cover Label: Non
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