Jump to content

Search the Community

Showing results for tags 'Magic Lantern'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type



Find results in...

Find results that contain...


Date Created

  • started by

    end


Last Updated

  • started by

    end


Filter by number of...

Joined

  • started by

    end


Group


Website URL


Facebook


Twitter


WhatsApp


Instagram


Skype


Location


Interests


My cameras and kit

  1. My first few shots from my Dubai trip. Used the EOSHD 5D raw LUT in Resolve and it worked like a charm. I love how it lifts shadows without sacrificing black levels. I exported the clips from resolve with the LUT and then did additional grading on top of that in FCP X.
  2. Hello everyone, Long time lurker, first post. A couple months ago a short film I made was chosen for the San Diego undersea film festival. I thought I would share it. If you have any comments, or recommendations, I would love to hear them. Let me know what you think. Hope you enjoy. Dustin www.oceanshutter.com
  3. Hi friends, sorry if this was posted already, I just need a place to express my disappointment. I am on the verge of cancelling my BMPCC-order. What could be seen of 'test shots' of the Pocket's raw so far didn't convince me at all, whereas the Miii's raw just shines. Am I missing something? If not for the different price tag, what other reason should I have to look forward to the final arrival of that camera? Please share your thoughts.
  4. I have not seen this comparison yet so I decided to test it out.   I tried to match the shots and then colors as closely as possible, setting the look with the raw footage (starting from BMD Color Space) and then trying to conform the AVCHD to it. The severity of the grade was moderate:   5D Mark III (Raw DNG)     FS100 (w/ Frank Glencairn's G-Log Ultimate)     And here is where the codecs really show their differences:   5D Mark III     Sony FS100    
  5. Hey everyone, I'm new to the site. Just wanted to show a video I shot and edited. Shot on 5D MK III using ML raw format. Hope you enjoy and thanks for watching!   https://vimeo.com/77063826
  6. I've just shot a short film using the ML raw hack for the 5DmkIII. We are using a PC workflow so we transcoded the raw files into Cineform raw using GoPro Studio Premium, RAW2GPCFv113, and RAWinizer. Cineform seems like a much easier workflow than cinemaDNG, so that is what we went with. However, the resulting Cineform .mov files that come out are pretty noisy. I shot almost the entire film at 100 ISO with Canon CN-E lenses so I'm pretty sure the noise is a result of the transcoding process.   Has anyone else worked with Cineform raw? Is the noise typical or am I doing something wrong? We purchased Andrew's 5D raw guide and I didn't see any mention of this, as either a problem to avoid or something typical to expect. I assume Neat Video Pro would be capable of noise reduction while maintaining the high bitrate of Cineform raw, but is this really necessary? As it is some shots almost look unusable "out of the box" so to speak without some noise reduction. I am posting this from work so the only clip I can show, at the moment, is this one I previously uploaded for the director to see. This one isn't particularly noisy but it is more noticeable in other clips.   https://vimeo.com/76398367
  7. I just read about the new SanDisk Extreme Pro CF cards available in 160 MB/s speeds and 256 GB storage size.  They are UDMA7.  I was wondering if anyone knows if they might enable higher frame rates with the Magic Lantern RAW recording on the 5D Mark III?  It would be amazing if they unlocked slow motion capability at a decent resolution.
  8. Hello EOSHD community, I am new to the DSLR RAW filmaking, and I've been introduced to this "new world" in a time of intense change and breakthroughs in terms of Hardware and Software to the movie making industry. I was used to film with the classic compressed DSLR, when I would press the button, it would record, than I get home, dumped the videos in PREMIERE and than export in whatever I wanted and... DONE! Now I bought the Canon 50D, because I was told that was a really amazing camera with great 14-BIT RAW video capabilities with this Firmware called MAGIC LANTERN... (and than, tragiclantern to get the raw) The thing is, I dont understand 10% of the options that come in the firmware, and the worst part is that I dont know how they are affecting the image!! Besides that, the workflow of getting all those files (thousands of pics) into 1(one) video, I didnt find the way. The MagicLantern forum on this issue is very confusing!! I lost myself reading that because is not very (or any) organized! I really would like to know if anyone can help me get to know the MAGICLANTERN firmware from bottom to top. Get full knowlodge of how it works and what single "spec" change affects what and combined changes affect  what... and so on! I really would love to get the camera and shoot, the best way possible, and, by now, I can't even set it right... If anyone can help me! I would be really thankfull!! I am really a noob   :(  Thank you all very much.  Looking forward to "dominate" the machine!!!!  
  9. I had this the other day while shooting raw video on my 5DmIII with ML. The battery died while shooting, turning of the camera. Then raw2cdng.1.3.0. crashed always on trying to convert the recorded raw file. It was a rather large 9-parts file. Does anybody experienced something similar?
  10. http://vimeo.com/71482344 Leave A Trail - Canon 50D Raw Short Film, 1920 X 1080 Shooting raw on the Canon 50D. I shot with a faster CF Card (100 MBS) that gave me 1584 X 892 resolution at 24 FPS using the newest Magic Lantern Raw hack without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 1920 X 1080 for Vimeo in Compressor. Comments welcome. Thank you.
  11. http://vimeo.com/71062233   For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in Magic Lantern hack 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor for Vimeo.   Thoughts and comments welcome. Thank you.  
  12. http://vimeo.com/70606224   The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
  13. http://vimeo.com/70606224 The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
  14. http://vimeo.com/70387959   For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor.   Anyone shooting anamorphic video in 4:3 with a 2X lens? Please share workflow and shooting tips.   Thank you.
  15. While the kids were napping I left the gf behind and took off into the woods for an hour. I didn't check my batteries before leaving so I ended up with less material than I wanted to. Anyways, this is a Canon raw workflow test. I came home with around 67gb worth of raw files. At first I wanted to go the Resolve way, but changed my mind and took the native Canon Raw files straight into Premiere CS6. This is possible because of the Ginger HDR plugin. You don't have to use the plug in, just have it in the folder system. My conclusion is that ML has come a long way. I don't think post workflow is an issue anymore... when you can deal with native files, then what's the problem? The things that bugs me at the moment: Lack of sound recording, battery life, card transfer time (47gb took 40 min with FW800), and it wont get any faster because you can't read the cards faster than 100mb/s anyways. But I'm pleased. You can push and pull the footage a lot more than the .h264 codec. Detailed description of the workflow and gear on the Vimeo page for the video.   https://vimeo.com/69840853
  16. Hello everyone, I just bought the 5d mark iii guide so I can learn how to put Magic Lantern on my 5d. Everything went great until I get to my files and I only see one file and not a multiple of files for me to convert. What am I doing wrong......PLEASE HELP....Thank You in advance
  17. A dark fashion mood piece for Paris Couture show... Retro grunge horror style and Lynchian lunacy   https://vimeo.com/69454379
  18. Nick Driftwood - The King of Panasonic GH2 hacks - has just posted this very nice film on Vimeo shot on Canon 5D MIII Magic Lantern RAW   http://vimeo.com/69592108  
  19. EMKE Hawaii recording new music in the studio!  I tagged along and tested shooting Anamorphic with my Canon 5DMKIII.  Using the different aspect ratios, I used 4:3 1600x1200.  This is perfect for my Sankor 2x Anamorphic Projection lens.  I then used After Effects to make the image fit 1080P.  Music is their original song "Open Eyes" acoustic version.   Canon 5DMKIII w Magic Lantern RAW June 3rd Build Lexar 64GB 1000x CF Card After Effects to Premiere Pro Canon 100mm Macro Sankor 2x Anamorphic Projection Lens   https://vimeo.com/68611134  
  20. Here is a demo showing how the pre-release ML firmware crop mode can increase the focal range of any lens without any loss in resolution or light when shooting full 1080 raw. I am still in shock.   http://youtu.be/dQ51rE_ZUgo
  21. Music video for the teen group EMKE.  Shot over the weekend, my first time using a RAW workflow.  I was totally unprepared for the amount of post work, but in the end the quality of the picture, both resolution and color, is outstanding!  Thanks again to the Magic Lantern Team for making it all possible!   https://vimeo.com/66681135    
×
×
  • Create New...