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My cameras and kit

Found 5 results

  1. Hello all! I would like to preface this post by saying that this is actually my first time on these forums, so thanks in advance for this awesome community. Also, I'm somewhat of an intermediate filmmaker, and you can check out my YouTube channel to see where I'm at (youtube.com/thisisrmm). As with the title of this post, I'm trying to figure out where my money would be better spent, upgrading to a 70D or buying more lenses? I have my own personal pros and cons for both, but first, here is what I currently shoot with: Canon t3i w/ Magic Lantern Canon 18-55mm (kit lens) Canon 50mm 1.8 I've set aside a budget of $1000 to make upgrades, so I'm not sure where my money is better spent. Reasons for upgrading to the 70D: - I eventually plan on upgrading to full frame in the future; not sure if buying desired lenses made for APS-C's like my t3i (Tokina 11-16mm) is worth the money if I'm upgrading - I can stick with this camera for longer, with it being a full frame (not having to worry about crop factors and what not) - From my own research, a better camera overall Reasons for buying lenses: - I'm pretty run-and-gun with my setup, so I've been somewhat relying a lot on the kit lens, which definitely helped me learn a lot about DSLR video, but I'm looking to take a step up in the category - Lenses definitely outlast cameras, so I figured that might be a better investment considering that I have this kind of budget set aside Cons for 70D: - If I buy this camera (body-only), the only compatible lens I'll have is the 50mm f/1.8 until I can afford to buy my desired lens of choice (Tamron 24-70mm f/2.8) Cons for buying lenses: - If I buy the Tamron 24-70mm, it'll be in somewhat of a weird crop for me to use with my t3i - If I don't settle with the Tamron, I'm somewhat lost on what lenses to buy within my budget that would work well on APS-C and eventually full frame whenever I make the upgrade I'm sorry for the lengthiness of this post, but just looking to provide as much detail as possible. Thanks to anyone willing to help a new guy out! Best, thisisrmm
  2. Im a novice filmmaker and I've been following websites like EOSHD, reading blogs like Philip Blooms and generally for the last 6-8 months researching camera gear while I have been saving up enough to buy my own gear and not just borrow friends. I am looking to spend about $1500 at first. I love video and intend to shoot more, but I also shoot a lot of stills as well and that is obviously where my problems start. I would be very happy to buy a G6 or a used GH3 for video as I know these will outclass almost anything at that price range for video. Add a bunch of old nikkor primes and id be set. But I know stills and the DOF id get with the mft mount is nothing like that of a APS-C or FF nikon or canon. THE SONY A7s is amazing and if i could afford one I'd get it in a heartbeat, it retails at 3300 NZD here in NZ so its ridiculously out of my price range. Im looking to go second hand as it'll mean i can buy more lenses and such. Ive been looking at used 7D and D7100 bodies as both sit between 700-800 used meaning i could easily pick up a 50mm 1.8 prime, a 17-50 sigma or tamron 2.8 and maybe a telephoto lens for stills. Any suggestions or help I don't know what else to read or look at but I know what I buy now will influence my decisions and I'm not sure what to invest in. Also side note; if I purchase a 7D i will be shooting near exclusively with ML.
  3. Hey guys, Check out this kickstarter of the Lenzhound Wireless Follow Focus by Motion Dogs. They just released their newest update and are desperately trying to reach their stretch goals in order to supply us indie filmmakers with the best possible gear! I think this is a fantastic product and I can see myself using it non-stop on sets, especially since I am still in film school and every bit of speed and perfection on set really goes a long way. Anyway what do you guys think about it, and if you like it try and spread the word so that these amazing stretch goals can be fulfilled! Thanks guys! LENZHOUND LINK: http://www.kickstarter.com/projects/...control-system UPDATE #4 LINK: http://www.kickstarter.com/projects/...8?ref=activity
  4. Hi everyone, I've been using the iFocus from Gini Rigs for a couple of weeks now and I just thought I had to share my opinion about using it. First of all, it's a nice follow focus, it's got hardly noticeable backlash and offers smooth focusing. The main disadvantage in my opinion is its size. It's really big and looks somewhat silly on my GH2 rig, but it does the job right when used properly. So how to get the most out of it? Well, out of the box, it has it's focusgear on the right side, closest to your camera, which is very common for follow focuses. But due to it's size, it will get in the FOV of (smaller) wide angle M43 lenses (<14mm). It also won't allow the use of sunhoods, because of the small space between the gearbox and gear, the gearbox will hit the hood before the focusgear can slip into lensgear. [attachment=300:000.jpg] So the first thing I did was switching the gear from the right to the left side. You'll just need two small hex keys (I think its 2 and 3mm) to do this. [attachment=301:001.jpg] [attachment=302:002.jpg] But after this, the follow focus will block the view of the FL and DOF markings on the lens, and will make it harder to adjust aperture when having a manual aperture ring. [attachment=303:003.jpg] To solve this little problem I attached the 15mm connecter to the other side of the rig, so a large part of the FF will be under the lens. You can rotate the gearbox, so the wheel will be vertical again. [attachment=304:004.jpg] So this is my opinion on using this follow focus, just thought to share it with you. Any tips or recommendations are welcome.
  5. Just trying to see if anyone has their eye on any gear that's yet to be released or is brand new! I'm sure we're all gear nerds in here.
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