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Showing results for tags 'GH2'.
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The city of Tokyo, in all its brilliant colors and character. https://vimeo.com/71145528
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Hi, All! Just thought I'd share some color grading that I've been fiddling with. I shot a bunch of footage at the local carnival a month back, and now I'm working on grading it for one of my personal music video projects. I've used my own take on a bleach bypass process that simultaneously adds the teeniest touch of blue to the lows, then with a couple more nodes, I've tweaked exposure and of course that nasty red/orange/yellow/green zone of color that seems to always make or break skintones has had some subtle adjustments. Lemme know what you think! http://www.flickr.com/photos/68917223@N05/sets/72157634804640007/with/9375308962/
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Hi guys! I wanted to share with you this showreel I recently made for my production company and its site which I recently launched: http://www.tordostudio.com - https://www.facebook.com/TordoStudio https://vimeo.com/70074349 Please tell me what you think of it! Cheers! -
There is a Pentax SMC Takumar 50mm f1.4 i have my eyes on for my Panny GH2. it has a has a 42mm Screw fr micro 4/3. I wanted to know whether this lens will fit any of these adapters with no issues? http://www.ebay.in/itm/281067558863?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649 http://cgi.ebay.in/ws/eBayISAPI.dll?ViewItem&item=271159243669&ssPageName=ADME:X:AAQ:IN:1123#ht_2128wt_1139 i have heard that these adapters with a a "rim" inside do not work with the SMC Tak and the ones without it work well. Does these adapter have a rim inside? If not i dont want to end up wasting money buying this lens and this adapter as i dont have any M 4/2 lenses. Thanks
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Hi, An excavation into the attic unearthed an old TOSHIBA COLOR VIDEO CAMERA ik-1900 (http://www.ebay.com/itm/Owners-Manual-Toshiba-IK-1900-Color-Video-Camera-/230389930914) It has a Nikon TV-nikkor zoom macro 12.5-100mm 1:1.6 lens which i have unscrewed out of the camera and wish to use it on my Panny GH2 but have no clue what mount to use to do the same. I tried asking all the DP's and techies i know but they have no clue on the lens. Even google hasnt been able to help at all. Can someone who knows their lenses well share any info on this and recommend me a mount for this lens for my GH2? Links to the right mount or names will be much appreciated.
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https://vimeo.com/69963790 HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95, SLR Magic 12mm T1.6) There is five days left before the end of the crowdfunding. Since monday you will have five extracts. This is the third : day three july the 10th, 2013- taken in NYC april 2013 CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172 Day one is here : https://vimeo.com/69880083 Day two is here : https://vimeo.com/69946026
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Hi! I'm thinking about buying the "EOSHD Panasonic GH2 Shooter's Guide" but I have a GH3 and not a GH2. Is this going to be a significant problem for me if I buy the guide or is the advice included also applicable to the GH3? I suppose the two cameras are quite similar, but I am quite new in the world of DSLR filmmaking and I do not wish to be confused... Thanks, anax276
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https://vimeo.com/69880083 HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95) There is five days left before the end of the crowdfunding. Since today you will have five extracts. This is the first : day one july the 8th, 2013- taken in NYC april 2013 CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172
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As a result of a slight cash shortage I have decided to sell 2 of my most prized lenses. Yes it hurts ;) - Voigtländer Nokton 25mm f/0.95 (SOLD) - Olympus M.Zuiko 12mm f/2.0 [attachment=562:voigt+olympus.jpg] Both are extremely sought-after prime lenses for the Micro Four Thirds system. The Olympus is arguably the best wide-angle lens available for the GH2 and GH3, and the Voigtländer's reputation as a beautiful video and photography lens is well-deserved. Both lenses are in perfect working order, with only a few minor cosmetic bumps. The glass is completely free of scratches, internal dust or fungus. Lenses are on offer seperately or together with a generous discount ;) PM me for pricing & more photographs if you are interested! Or contact me at jack.versen@gmail.com.
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Hello EOSHD people :) Here is my new project in crowdfunding, made of archives from VHS to anamorphic, please read this ! :) : Now, discover and support WOMANHATTAN my next film in progress on crowdfunding Ulule!
 To give to my project its best quality and offer the best possible visibility 
I need a financial boost (with friendly counter-parties! ).
This subscription is available on the crowdfunding platform Ulule for 30 days (until July the 12th 2013).

 Support the project, even a little, it will help WOMANHATTAN a lot!
If you can participate, and / or forward the message, do not hesitate!
 http://www.ulule.com/womanhattan/ PROJECT SUMMARY:
 For 20 years (1993-2013), I got used to go with my girlfriends to New York, and set my love memories on film...
WOMANHATTAN is a film from my point of view as an obsessive director: the obsession of filming my girlfriends in New York, the obsession of magnifying them, the technological obsession of finding the camera shots that best reflected my feelings.
 WOMANHATTAN is a trip back in time, before and after 9/11, where I take us to the heart of New York and its urban landscapes, my thoughts on the passing of time, on love and the possibility of being free one day from my obsessions, and living fully the present and my love life. To discover my world here is the teaser : https://vimeo.com/31303587 And also on facebook :
 https://www.facebook.com/pages/Womanhattan/308092392578172 I hope you find this project exciting and unique enough to be a part of it. Thank you! Seb Farges https://vimeo.com/51028337 -
Hi all, Sadly, its time for me to part with my SLR Magic 12mm f/1.6 Hyperprime Micro Four Thirds Lens. I simply haven't had the time to get the use out of this that I would like: http://www.ebay.com.au/itm/171063978961 My hope is that it goes to a good home :) Let me know if you have any questions, Adam
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I am not affiliated with Audio Developments, nor have I received payment in conjunction with this offer. I posted this originally on BMCUser.com, but thought that you guys might also be interested?? Audio Developments are a UK based company that make ultra high end mixers that can usually be seen gracing sound carts of major motion pictures. They have recently produced a mini-mixer aimed at the thinner wallet but retaining the quality they are renowned for. This thing is a beast and it has been offered to us at a discounted rate as a part of a group buy. We have had an offer from Audio Developments. I will PM all members that show interest this deal. Please DO NOT PUBLISH THE PRICE ON THE FORUM. There is potentially quite a significant discount on offer and we don't want to upset ADs resellers. If you're interested, just post below. Remember. As with all the group buy offers I've been posting there is no obligation to buy by showing interest if you don't like the final offer price, you don't buy.. Simples. Also, could you please tell me the country you would want the mixer shipped to when expressing your interest. Thanks! Cheers! Owen
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https://vimeo.com/67606128 A summer day in a boring small town in the mid 90's. This is my latest short film, and more or less the first narrative short I've done. There are some minor dialog in Swedish, but you probably won't miss out if you don't understand. The story is mostly told with visuals. It was shot on a Panasonic Lumix GH2 with the "SANITY" hack. Shot on the following glass: Panasonic 14mm f2.5 Pancake Panasonic 14-140mm f/4-5.8 kit lens Helios 44M 58mm f2 Vivitar 28mm f2.5 Fujian 35mm f1.7 C Mount CCTV Lens from ebay Edited in Adobe Premiere Pro. Color Grading in After Effects.
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Here are some stills from footage I shot this evening. I'll probably use it in the music visual for a song that I am writing. Shot on GH2 with Driftwood's Moon T5 patch, through a Kowa 16-H, Tokina ATX 0.4 diopter and a Konica Hexanon 40mm, mostly wide open at f1.8. http://www.flickr.com/photos/68917223@N05/sets/72157634273204895
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http://vimeo.com/68443110 This is my new graphic, in animated form. I created and animated it in PowerPoint (I've been animating in PowerPoint since elementary school). I then played the animation on my Dell 30" monitor and recorded the monitor with my GH2, Kowa anamorphic, Konica AR 40mm and Tokina diopter all on a tripod. Then I moved the monitor out of the scene and recorded various flares with a flashlight. Brought it all together in Final Cut Pro, set the flares as additive layers, and added some grain overlay effect. I think the outcome is something clean-cut but with a dash of organic mojo that is difficult to achieve with an all-digital animation. There's no faking those real flares!
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Hello, Here is a short that was shot last September that was recently finished. I did editing and some post production, it was written & directed by friend of mine. Enjoy! https://vimeo.com/68118350
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Nobody really cares about GH2 stuff anymore but I figured I'd post these here anyhow. Anyway, while we're waiting on financing to materialize for our next feature, Tim and I decided to shoot a series of spec commercial spots to go after some cashflow business. All of these were shot using the Flowmotion patch and graded with Shian Storm's ColorGHear Tools for AfterEffects, each one geting its own look. They pretty much cover looks from mild to more extreme. Two of them, the beer and the BBQ spot, passed through Film Convert prior to grading. http://vimeo.com/65760215 http://vimeo.com/65845523 http://vimeo.com/65759064 http://vimeo.com/65754973 ...there's a fifth one I'm dragging my feet on with motion-graphics and VFX. Focusing so much attention on shooting and learning more about cameras and playing around with grading and such it's actually hard staying motivated to work on tedious visual effects these days. Oh well. Anyway, we basically brainstormed quick, humorous concepts for each spot after coming up with a list of local or Texas-based brands. Then we shot them all over a couple days, minus a couple pick up shots that I went out solo to get. -
Dear people! This is my new asian short film "Saga Seed" shot on gh2. Hope you like it! http://youtu.be/hqfcvAcvIt8 Support me if you like it :)
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These music videos will not be to everyones taste, but heres a bunch of videos I've shot and edited on the GH3. My business uses 2 of these on a regular basis. Lenses used are SLR Magic 12mm & 50mm, Panasonic 12-35mm and a bunch of Canon FDs (amazing!) I hope it will be a nice break from all those wonderful test videos swarming Vimeo. Love the camera! SKAM 'Massacre' http://www.youtube.com/watch?v=vbHP8LuWDDk Exit State 'Pull The Thread' http://www.youtube.com/watch?v=mufwp5shhro Liberty Lies 'Someone Else' http://www.youtube.com/watch?v=LjNXVZeTPbk The Sun Explodes 'SevenThreeOne' http://www.youtube.com/watch?v=NDpeqKVSyJM Davoodi 'Party Life' http://www.youtube.com/watch?v=dFba6-mLwLo Second Shepherds 'Everyday' http://www.youtube.com/watch?v=EL-5fESjXCw
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Panasonic GH2 hacked Moon Trial 5 hack, shot in 1080p HBR mode 25 fps (~ 60Mbps) Standard profile -2-2-2-2 Panasonic 14-42mm kitlens, OIS on. Looks like there are some dropped frames in the GH2 footage, did use a Sandisk 95MB/s card though... Panasonic G6 AVCHD 1080p 25 fps (24Mbps) Standard profile -5-5-5-5 Panasonic 14-42mm kitlens, OIS on. Everything shot with the same fixed white balance at 1/50s, various apertures but same on both camera's at all times. My first impressions: The G6 looks better to me. Better shadow detail and a bit more detail in the highlights. Probably due to flatter picture. The G6 shares the picture styles with the GH3, so no smooth like on the GH2. Kept both camera's on standard to keep it as close as possible. Everything dialed down maximum. Less noise at high iso's, less banding. Couldn't detect any moire. Looks a tad less sharp than (hacked) GH2, but that could be up to the sharpening at -5. With some sharpening probably same detail level. Rolling shutter looks the same to me. Although the G6 is a bit smaller I actually prefer the grip to the GH2. It holds very nicely. The lcd is much much better. The color cast on the GH2 screen is horrible. The G6 looks pretty natural and true to the output. Funny thing: the viewfinder looks quite smaller to me.
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http://vimeo.com/64229408 ...my niece, Kinley, is not quite 2.5yrs and my nephew Connor is 7 months. They were pretty fascinated by the big(gish) lens when they saw it, their extensive experience being photographed so far being mostly camera phones. Kinley got over it pretty quickly though and was able to ham it up with perfect abandon. GH2 (patch: Flowmotion) Nikkor 24mm f/2 Century Optics anamorphic 5DtoRGB CS6: PPro + AE ColorGHear
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Hi! I´m planning on buying a new lens to my GH2. I was planning on buying the 25mm Vöigthlander 0.95 prime, but now I'm not sure anymore. When the BMPCC is released this summer I'm planing to upgrade. So the question is (with the 3x crop factor on the BMPCC) should I buy another lens? I´m open for suggestions. Maybe some c-mount lenses instead? Please i need your advise on this decision.
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I finally picked up a transfer box from ebay to convert some old 8mm films I have acquired over the years. I used my GH2 and it seems to do a pretty good job. This was the first time I used this particular setup. I had shot a couple Super 8mm films in film school, and we transferred to digital much in the same way. The setup wasn't completely ideal, I did it in my kitchen during the day, so there was a fair amount of ambient light. And then my roommate's dogs started barking during one. There are some under/over exposed parts that I'd like to go back and reshoot to get more detail. These are the raw video files, only converted for uploading. Once I get the workflow set, I'll crop it. I still have another 5 or 6 to upload http://vimeo.com/63873861 http://vimeo.com/63895169 http://vimeo.com/63987501 EDIT: Not sure why it's not embedding :huh:
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Eagerly awaiting your Pocket Cinema Camera? You already have a micro for thirds camera and some C-mount lenses? Want to know if they will cover the sensor of the Pocket? Lets find out! I hope you will add your results, so we can make this list growing. I will only add lenses to the lists when you have proof, in other words: images. How? Because we know the active sensor area of the BMPCC measures 12,48 x 7,02 mm, it is fairly easy to check if our C-mount lenses will cover the full sensor. Calculate this by taking a picture with a lens on your micro four thirds camera, and crop out the image area of theBMPCC. In Photoshop: Open the image. Go to Edit > Image Size, uncheck resample image. Change Image width to 19 centimeters, press ok Go to Image > Canvas Size, change dimensions to 12,48 x 7,02cm, press OK to crop the image to BMPCC size. Resize to 1920x1080 pixels Post your results! Note: If you shoot on the GH3 or other MFT camera's, the sensor size is 17 x 13mm, so change the width in step 3 to 17 cm! To lazy to do it yourself or you can't work it out? Upload the full resolution files and I'll do it. List terms explained: Yes = covers the full sensor of the Blackmagic Pocket Cinema Camera No = doesn't cover the sensor Needs modification = Doesn't fit on C-mount to M43-adapter without modifications Equivalent = The focal length and depth equivalent on a fullframe camera (5D Mark III for example) Blackmagic Pocket Cinema Camera Compatibility list Primes Apollo 25mm f/0.85 - Yes = 72mm f/2.4 equivalent [link to proof] Angenieux 10mm f/1.8 Retrofocus (Fixed Focus) - Yes (dark corners) = 28,8mm f/5.2 equivalent [link to proof] [more info] Carl Zeiss Jena Tevidon 10mm f/2 - Yes - Needs modification = 28,8mm f/5.8 equivalent [link to proof] [more info] Carl Zeiss Jena Tevidon 35mm f/1.9 - Yes - Needs modification = 101mm f/5.6 equivalent [link to proof] Century 9mm f/1.8 - YES (poor quality) [link to proof] Computar 8mm f/1.3 - NO [link to proof] Computar 16mm f/1.4 - NO [link to proof] Computar TV Lens 25mm f/1.8 - YES = 72mm f/5,2 equivalent [link to proof] Cosmicar 8,5mm f/1.5 - NO [link to proof] Cosmicar 12.5mm f/1.8 - YES - Needs modification = 36mm f/5.2 equivalent [link to proof] Cosmicar 25mm f/1.8 - YES - 72mm f/5.2 equivalent [link to proof] Ernitec 6.5mm f/1.8 - YES (heavy distortion) [link to proof] Ernitec/Navitar 17mm f/0.95 - YES (v. blurry corners & distortion) [link to proof] Fujinon TV 12.5mm f/1.4 - Yes (blurry corners) - Mod.? (unknown) = 36mm f/4 equivalent [link to proof] Fujinon TV 16mm f/1.4 - NO [link to proof] Fujinon TV 35mm f/1.7 - YES - Needs modification = 101mm f/4.9 equivalent [link to proof] Leitz Macro Cinegon 10mm f/1.8 - Yes (dark corners) = 28,8mm f/5.2 equivalent [link to proof] Kern Switar 10mm f/1.6 - Yes (slight vignette & blurry corners) [link to proof] Nikon Cine Nikkor 13mm f/1.8 - Yes = 37,5mm f/5.2 [link to proof] Nikon Cine Nikkor 25mm f/1.8 - Yes = 72mm f/5.2 equivalent [link to proof] Pentax 25mm f/1.4 - YES - 72mm f/4 equivalent [link to proof] Schneider 10mm f/1.8 (silver version) - No (almost) [link to proof] Schneider-Kreuznach Cinegon 11.5mm f/1.9 - No (almost) = 33mm f/5.6 equivalent [link to proof] Schneider-Kreuznach Cine-Xenon 16mm f/2 - Yes = 46mm f/5.8 equivalent [link to proof] [link to proof (2)] Schneider-Kreuznach Xenon 25mm f/0.95 - Yes = 72mm f/2.7 equivalent [link to proof] Schneider Xenoplan 17mm f/1.7 - Yes (blurry corners) - [link to proof] SLR Magic 11mm F1.4 - Yes - [link to proof] (added by EOSHD) Tokina TV Lens 8mm f/1.3 - NO [link to proof] Tokina TV Lens 16mm f/1.6 - NO [link to proof] Taylor-Hobson Cooke Kinic 25mm f/1.3 - Yes = 72mm f/3.7 equivalent [link to proof] Taylor-Hobson 25mm f/1.9 - Yes - 72mm f/5.6 equivalent [link to proof] Wesley 25mm f/1.4 - YES = 72mm f/4 equivalent [link to proof] Wollensak Cine Raptar 12.5mm f/1.5 - Yes = 36mm f/4.3 equivalent [link to proof] Wollensak Cine Raptar 25mm f/1.9 - Yes = 72mm f/5.6 equivalent [link to proof] $ 25 noname 25mm f/1.2 CCTV - YES = 72mm f/3.5 equivalent [link to proof] Zooms Ernitec 6-12mm f/1.4 - NO [link to proof] Kowa TV Zoom 12.5-75mm f/1.8 - NO [link to proof]
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I have been using a Hacked GH2 with Flow Motion 2 the preferred setting...I just got a GH3 and I need some guidance from those who know on how to set-up the two cameras to use in a Multi-Cam edit so that the picture quality, colour, look and feel are similar. Perhaps a different hack for the GH2 would be a better fit with the GH3, I don't know. Any thoughts? Creagle
