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  1. Hi there,   I'm pretty close to getting an Aquatech housing for my 5D Mark 3, and was just wondering if anyone has had any experience with shooting raw in the sea/surf?   I'm kind of resigned to the fact that it might not be too practical to be shooting raw over h264 with a housing, since you have limited controls - I think the trashcan button is not catered for - but presumably you can re-assign the magic lantern button? Also just the amount of footage you can fit on a 64gb komputerbay card, and possible card problems might not be great since you don't really have the luxury of
  2. I have not seen this comparison yet so I decided to test it out.   I tried to match the shots and then colors as closely as possible, setting the look with the raw footage (starting from BMD Color Space) and then trying to conform the AVCHD to it. The severity of the grade was moderate:   5D Mark III (Raw DNG)     FS100 (w/ Frank Glencairn's G-Log Ultimate)     And here is where the codecs really show their differences:   5D Mark III     Sony FS100    
  3. I've just shot a short film using the ML raw hack for the 5DmkIII. We are using a PC workflow so we transcoded the raw files into Cineform raw using GoPro Studio Premium, RAW2GPCFv113, and RAWinizer. Cineform seems like a much easier workflow than cinemaDNG, so that is what we went with. However, the resulting Cineform .mov files that come out are pretty noisy. I shot almost the entire film at 100 ISO with Canon CN-E lenses so I'm pretty sure the noise is a result of the transcoding process.   Has anyone else worked with Cineform raw? Is the noise typical or am I doing something wrong
  4. Hello, Everyone.   I am debating whether to jump into the Canon 5D Mark III Raw video capture world, but as I have been researching the topic and equipment further I am now wondering what kind of real world computer performance in necessary in order to edit Raw video?   I have a Mac Pro (2009) with 16gb RAM and four internal HDs (500GB for OS and three 2TB for storage).   Until now I've only edited ProRes in Final Cut 7 on my machine, and I've never had a performance problem.  Moving into Raw shooting, however, I wondering if this will change my computer performance n
  5. Hello, Everyone.   I am debating whether to jump into the Canon 5D Mark III Raw video capture world, but as I have been researching the topic and equipment further I am now wondering how much data storage and backup will be necessary for larger files.   With estimated calculations of Raw footage being about 7GB per minute, I wanted to ask others who are shooting Raw how much storage space are you finding you need?   Terabytes seem like they would get chewed up quite quickly, so how many are people working with?  4TB?  16TB?  32TB?  And for what size pro
  6. We started off the airfield ERBACH, close to Ulm in South Germany towards the Allgäu, which is very close to the border to Austria. Places that can be seen are: Ochsenhausen, Laupheim (my very hometown), Oberstdorf, Grünten and many more - I don't recognize all the mountains and places we passed.   This was a little test filming in RAW. Nothing quite serious.   THANKS TO ANDREAS. He is an amazing pilot :)   Canon EOS 5D MK II - Continuous RAW filming at 1880x800 using Komputerbay 64GB 1000x Lenses used: EF 50mm f1.4, EF 24-70mm f.28   http://vimeo.com/69573527
  7. EMKE Hawaii recording new music in the studio!  I tagged along and tested shooting Anamorphic with my Canon 5DMKIII.  Using the different aspect ratios, I used 4:3 1600x1200.  This is perfect for my Sankor 2x Anamorphic Projection lens.  I then used After Effects to make the image fit 1080P.  Music is their original song "Open Eyes" acoustic version.   Canon 5DMKIII w Magic Lantern RAW June 3rd Build Lexar 64GB 1000x CF Card After Effects to Premiere Pro Canon 100mm Macro Sankor 2x Anamorphic Projection Lens   https://vimeo.com/68611134  
  8. YouTube http://www.youtube.com/watch?v=vwgSWqdbniM Vimeo (downloadable): https://vimeo.com/67472338   First part used an LED light on camera; last part is ambient light.   Workflow: raw2dng => DNGs to ACR+AE => rendered as 175Mbps 10-bit 422 DNxHD MOV => edited in Premiere Pro CS6. AE CS6 Render Settings / Render Depth set to 16-bit and Output Module / Depth set to Trillions of colors (to make sure DNxHD was getting >= 10 bit color). 12-Core MacPro (running Win7x64) renders DNG to DNxHD at ~6FPS. Komputerbay 32GB 1000X (supports 1920x1080). Have 2 64GB 1000X on order. 1
  9. Greetings all, This is my first post here but I've lurked for quite some time, particularly in the anamorphic forum. I recently bought an Iscorama 36mc 1.5x anamorphic lens from another member here (QuickHitRecord) and wanted to share some of the results I've been getting.  This lens has quickly become my favorite lens!  A refreshing change from the perfect/sterile "Canon L glass look". http://vimeo.com/65643270   Camera: 75% Canon 5D Mark III (more towards the beginning) 25% Blackmagic Cinema Camera (more towards the end)   Lenses: Vivitar 28mm 2.5 M42 mount + Is
  10. http://www.magiclantern.fm/forum/index.php?topic=5247.msg34019#msg34019   You can do it, but only at an aspect ratio of roughly 2.35:1   Comparison:   http://www.youtube.com/watch?feature=player_embedded&v=7CANqYdhx_U     http://www.youtube.com/watch?feature=player_embedded&v=wHcZwMB5gKs
  11. Shot out in the Hoh Rainforest. Heavily used the Kenko .3 105mm diopter. Edited in Adobe Premiere. https://vimeo.com/52401060
  12. Hi everybody!   Need some good advice. I've decided to buy a camera for free-lance film making.   What i need:   - 95% for film making - excellent low light performance - superb colors - maximum details in shadows - fast one - not so expensive... :)   I wanted to make also commercial-like films and short promotional clips to Hotels with girls in room or something like that for example Miss Hotel xy, etc.(dont joking...).   One of my friend mentioned me Panasonic AC90. Is it a good camcorder? Can it be better than GH3 or 5D3? Any advice can be useful. Wa
  13. Hey there! Just finished up a short film for a local "make a film in a week" competition, and thought I'd share it. It won Best Director, was nominated for Best Drama, and was shot entirely on the Canon 5D MKIII with Zeiss ZF.2 glass. Let me know what you think! http://www.youtube.com/watch?v=XB5EBZa1qeU
  14. Well after working with the new Canon 5D Mark iii a few times this weekend I have to say for me, its a hell of a lot better hands down then any other Canon DSLR, except for the 1DX because I have not had the time with that camera to really tell. I have to wonder though about the HDMI out update that is coming. I'm now looking at buying a 5D3 soon but would like to know what you guys think this upgrade will bring. One other thing is why is in April, could we see maybe the new 7D with the same function at the same time. Will we see 60p added? Will the HDMI add more detail, I know most of you wil
  15. Mosaic engineering have released VAF-TXi anti-aliasing / anti-moiré filter for Canon T2i (550D), T3i (600D), & T4i (650D). Designed to cut down aliasing, moire and false detail, resulting in a much better picture. http://store.mosaicengineering.com/VAF-TXi-Moire-Aliasing-Filter_p_14.html you can see Andrew's example of the version for 5D here:http://www.eoshd.com/content/7120/canon-5d-mark-ii-mosaic-engineering-vaf-5d2-anti-aliasing-filter-review I have mine on the way, I'll let y'all know how it works ;) JG
  16. [color=#282828][size=4] Shot out in the Hoh Rainforest. Heavily used the Kenko .3 105mm diopter. Edited in Adobe Premiere. [url="https://vimeo.com/52401060"]https://vimeo.com/52401060[/url][/size][/color] [color=#282828][size=4] Posted in the anamorphic forum and then realized it should have gone here (sorry!)[/size][/color][list] [*][url="http://www.eoshd.com/comments/index.php?app=core&module=global&section=reputation&do=add_rating&app_rate=forums&type=pid&type_id=21071&rating=1&secure_key=a51532603e8789088ec14d15e07a0338&post_return=21071"]Like
  17. Hi all, i just came back from a trip in Japan and made this short clip about Tokyo, it was my first use of timelapse in a video and i tried to make the most of it when possible. [url="https://vimeo.com/51719933"]http://vimeo.com/51719933[/url] Hope you like it and thanks for watching !
  18. Hi, This question is mainly directed at Andrew: I've seen your tests in removing the AA filter on your 5D, and obviously, the results are sooooo much better. So the question is, do you think a third party could make a milder filter to replace the original? Isn't it basically just a piece of glass? Don't you have the connections to make this happen? Heck, Bloom has his red Kessler dolly. Time for a Reid Replacement Reticulator? (Yeah, couldn't think of a better name...) Being very serious here!
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