radneuerfinder

Same sensor as in A7S III:

"the FX6 has a native ISO of 800 (S-Log3) and what Sony are referring to as a High Sensitivity mode of 12,800 ISO.

Sony was quick to point out that even though this High Sensitivity mode works in a similar way to a dual native ISO, they are not calling it a dual native ISO. I asked Sony if the dynamic range is reduced when you are using this High Sensitivity mode and I was told that they feel that is is fairly comparable to the normal base ISO of 800."

https://www.newsshooter.com/2020/11/18/sony-fx6-is-this-the-camera-you-have-been-waiting-for/

Which apps can do the trick?

Brian Williams wrote:

Quote

I am also working on an iOS app for the iPhone 12 Pro and Pro Max that will do the same things, use the phone’s LIDAR to control BMPCC’s af as well as record movement with gyro and accelerometer for stabilization. That one will be available soon.

Looking forward to this app! 🙂👍

Any suggestions for a useful standard zoom, that doesn't exceed the price of a used Alexa?

2 hours ago, Django said:

sony was going back to the drawing boards for A7S3 but it sounds like they are really trying to re-imagine the whole concept to gear it towards videographers. even more surprising, the VP giving praise to the BM P4K. it seems plausible Sony might go that direction with a bigger body/LCD.

Probably a bigger body is necessary to make things possible "beyond expectations". "Creators" and "technology, technology, technology" in mind, what could that be? 4K/60, 10-bit 4:2:2 + X = 8K? BOSS/Olympus/gimbal like image stabilisation? Computational video, with electronic bokeh control, hdr video? Or, to exceed my expectations towards Sony engineering at all - better ergonomics/user interface??

I don't expect Sony to release such sort of camera before 2020. And I don't expect it to be named A7S III.

But in the meantime, why shouldn't Sony release a A7 III with "easy to add 4K/60" 10-bit internal 4:2:2 & a better viewfinder and call it A7S III?

Kenji Tanaka, VP and Senior General Manager of Sony's Business Unit 1, Digital Imaging Group talks about:

"the mentality of stills photographers and videographers is completely different. That kind of fusion, I don’t think [it's realistic]. We want to create new cameras for both kinds of creators."

"The basic expectation is for things like 4K/60, 10-bit 4:2:2, and a lot of manufacturers are doing that right now, but I want to think in a different way and create something that goes beyond the expectations of our customers. It’s easy to add 4K/60, but beyond these specs, a lot of customers have other kinds of demands, and that’s what we’re researching."

https://***URL removed***/interviews/9676983794/cp-2019-sony-interview-first-full-frame-then-aps-c