ZEEK

Cannot wait to try mine! C-mount adapter still traveling across the world though. Thinking about getting the 22mm pancake for shuttertherapy. Reminds me of the good old days when I read with exitement about the GF1 on Steve Huffs blog, which was my internet leisure time spot No 1 back then. I can feel some of that old exitement with the outlook on using this little beauty soon! Fujinon 12.5mm and here we go. EOS M and Angie 75mm on a light photo tripod (baddie even covers S35 with soft vignettes) and we are set for ultimate nerdom camera pleasures! Gotta get a kewl hat like Zeek🙂

@ZEEK has made another EOSM Super16 instructional video!:
 

Another tasty treat to watch before going to bed. Ordered a C-mount to Eos M adapter today. Will take a while to get here from the land of Olympic Wintergames 2022. Anyway, our friend zeek, who has no time to drop by anymore and is busy shooting great footage and uploading his beloved videos. Not a bad thing to do as we can see below.
 
 

Just posted my latest Video with the EOS M & 2.8K Raw. Truly remarkable what this camera still can do. Tried to emulate the Super 16 look although I mainly used Canon L Glass.
https://youtu.be/ohDS3ErANOs
- - Gear Used- - 
*Camera - EOS M (Original w/ ML)
 *Lens - Canon 17-40 F/4 | Canon 24-70 f/4 | Canon 35 F/1.4
 *Tripod
- - Settings - -
 *2.8K RAW 2800x1190 [2.35:1]
 * 23.98 FPS, 1/48, WB 5200, ISO 100
- - Editing - -
 *All graded in MLV App (ALEXA LOG C Profile w/ Creative Adjustments enabled, Exported Prores 4444
 * Finishing touch in FCPX 8K Timeline & Export (LOL), added little saturation and exposure adjusted, No sharpening at all.

Yeah, the colours are always gorgeous with ML thanks to the bit depth and colour science. 
I get a cropped real-time display in Live View, then I press the 'info' button to show me a grey scaled live view (low fps) of the actual raw framing. Then I go back to real-time and click record. I'm so used to it these days haha 🤣🎥

Just posted my latest Video with the EOS M & 2.8K Raw. Truly remarkable what this camera still can do. Tried to emulate the Super 16 look although I mainly used Canon L Glass.
https://youtu.be/ohDS3ErANOs
- - Gear Used- - 
*Camera - EOS M (Original w/ ML)
 *Lens - Canon 17-40 F/4 | Canon 24-70 f/4 | Canon 35 F/1.4
 *Tripod
- - Settings - -
 *2.8K RAW 2800x1190 [2.35:1]
 * 23.98 FPS, 1/48, WB 5200, ISO 100
- - Editing - -
 *All graded in MLV App (ALEXA LOG C Profile w/ Creative Adjustments enabled, Exported Prores 4444
 * Finishing touch in FCPX 8K Timeline & Export (LOL), added little saturation and exposure adjusted, No sharpening at all.

Yep, the 5D2's are so cheap these days, I can get 3 at around $400-550 locally. I got mine for $500. But honestly, I believe the 5D3 is worth every penny if you are going to be a dedicated ML User, or want the most reliable RAW recording. Get yourself some Nikkor lenses and enjoy pushing those colours around...😎👍
I love my A7rii 4K to bits, but prefer the look and colours of my EOS M or 5D2 with ML Raw more.

Yeah, the colours are always gorgeous with ML thanks to the bit depth and colour science. 
I get a cropped real-time display in Live View, then I press the 'info' button to show me a grey scaled live view (low fps) of the actual raw framing. Then I go back to real-time and click record. I'm so used to it these days haha 🤣🎥

Just posted my latest Video with the EOS M & 2.8K Raw. Truly remarkable what this camera still can do. Tried to emulate the Super 16 look although I mainly used Canon L Glass.
https://youtu.be/ohDS3ErANOs
- - Gear Used- - 
*Camera - EOS M (Original w/ ML)
 *Lens - Canon 17-40 F/4 | Canon 24-70 f/4 | Canon 35 F/1.4
 *Tripod
- - Settings - -
 *2.8K RAW 2800x1190 [2.35:1]
 * 23.98 FPS, 1/48, WB 5200, ISO 100
- - Editing - -
 *All graded in MLV App (ALEXA LOG C Profile w/ Creative Adjustments enabled, Exported Prores 4444
 * Finishing touch in FCPX 8K Timeline & Export (LOL), added little saturation and exposure adjusted, No sharpening at all.

Just posted my latest Video with the EOS M & 2.8K Raw. Truly remarkable what this camera still can do. Tried to emulate the Super 16 look although I mainly used Canon L Glass.
https://youtu.be/ohDS3ErANOs
- - Gear Used- - 
*Camera - EOS M (Original w/ ML)
 *Lens - Canon 17-40 F/4 | Canon 24-70 f/4 | Canon 35 F/1.4
 *Tripod
- - Settings - -
 *2.8K RAW 2800x1190 [2.35:1]
 * 23.98 FPS, 1/48, WB 5200, ISO 100
- - Editing - -
 *All graded in MLV App (ALEXA LOG C Profile w/ Creative Adjustments enabled, Exported Prores 4444
 * Finishing touch in FCPX 8K Timeline & Export (LOL), added little saturation and exposure adjusted, No sharpening at all.

My bad, I haven't been on this forum in a while...
Been digested in the Magic Lantern Forum, and soon going to buy the P Lumix S5 😉
For the EOS M ML RAW Modes, Jip-hop a while back posted the calculations of how the modes compare relative to the width of a full frame sensor (The Crop Factor).
1080 RAW Mode [1736x976] = 1.6x Crop Aps-c
1080 RAW Mode + x3 Crop Mode Enabled 1800px wide = 4.61x Crop (1.6x * 2.88x) 
2.5K RAW Mode @2.35:1 = 3.29x Crop (1.6 * 2.06) 
2.8K RAW Mode @2.35:1 = 2.96x Crop (1.6 * 1.85) - (Closest mode to Super16 or the BMPCC FOV)

EOS M sensor size: 22.3 x 14.9 mm
EOS M sensor width: 5184px

Nope they should pretty much be fine. I use a 16mm F1.4  C Mount lens and have used a Super 16mm Schneider ARRI-S Mount 16mm T1.9, worked fine with the 2.5K Mode. The 2.8k should be good too. 🙂 

My bad, I haven't been on this forum in a while...
Been digested in the Magic Lantern Forum, and soon going to buy the P Lumix S5 😉
For the EOS M ML RAW Modes, Jip-hop a while back posted the calculations of how the modes compare relative to the width of a full frame sensor (The Crop Factor).
1080 RAW Mode [1736x976] = 1.6x Crop Aps-c
1080 RAW Mode + x3 Crop Mode Enabled 1800px wide = 4.61x Crop (1.6x * 2.88x) 
2.5K RAW Mode @2.35:1 = 3.29x Crop (1.6 * 2.06) 
2.8K RAW Mode @2.35:1 = 2.96x Crop (1.6 * 1.85) - (Closest mode to Super16 or the BMPCC FOV)

EOS M sensor size: 22.3 x 14.9 mm
EOS M sensor width: 5184px

My bad, I haven't been on this forum in a while...
Been digested in the Magic Lantern Forum, and soon going to buy the P Lumix S5 😉
For the EOS M ML RAW Modes, Jip-hop a while back posted the calculations of how the modes compare relative to the width of a full frame sensor (The Crop Factor).
1080 RAW Mode [1736x976] = 1.6x Crop Aps-c
1080 RAW Mode + x3 Crop Mode Enabled 1800px wide = 4.61x Crop (1.6x * 2.88x) 
2.5K RAW Mode @2.35:1 = 3.29x Crop (1.6 * 2.06) 
2.8K RAW Mode @2.35:1 = 2.96x Crop (1.6 * 1.85) - (Closest mode to Super16 or the BMPCC FOV)

EOS M sensor size: 22.3 x 14.9 mm
EOS M sensor width: 5184px

That sounds like the M50's future to me. I hope the M50 will be up and running sometime this year or next...who knows, but I'm hanging on :). 
Greg has done something really nice for the M50 so far, check it out:
https://www.magiclantern.fm/forum/index.php?topic=23296.msg227504;topicseen#msg227504

Yep, the 5D2's are so cheap these days, I can get 3 at around $400-550 locally. I got mine for $500. But honestly, I believe the 5D3 is worth every penny if you are going to be a dedicated ML User, or want the most reliable RAW recording. Get yourself some Nikkor lenses and enjoy pushing those colours around...😎👍
I love my A7rii 4K to bits, but prefer the look and colours of my EOS M or 5D2 with ML Raw more.

Haha, I don't think I even NEED a 4K side camera... I probably need to be happy with what I have, put my head down and get some work done. Lol. My friend bought a GH5 and I had a chance to mess around with it and I must say it's a fine camera. The IBIS and waveforms are enough to make it a very fun camera to shoot with.
Good to know about the Samyangs. I tend to shoot with one lens so maybe the 50mm is enough for me. But you're right about the sharpness. It has an interesting mix of modern sharpness and vintage creaminess. 
I used to have a few Pentax-M lenses and a couple SMC K versions... the original K lenses are interesting because most of them are identical to the Takumars with the new mount.
How does Dual ISO work? That feature has been around for a while but it was my understanding it's at the cost of extra noise... or something that made it impractical.
That eos-m video looks great... you really found the secret sauce with that camera. I just watched your Beach Vibes video as well... did you process and upres that in the MLV App or in Resolve? Whatever you did, it looks fantastic!!!

Honestly, you don't need an upgrade, maybe just a 4K side camera to fill that need. I have the GH5 as a 4K sidekick, but I now appreciate the Magic Lantern cameras more. They're better for my main needs, the gh5 is just for backup 4K if I ever need it. 
I have had pretty much all. 12, 14, 24, 35, 50 & 85 (never owned the 135mm although it looks nice). Now I just own the 35 & 50mm. Both great companions to the 5Dii and extremely sharp. They grade like Hollywood lens ? The 24mm was very nice, but the 24mm and the 85mm just feel like speciality lenses to use in certain situations which is why I sold them as I don't use them often. For landscapes and closeups, they're perfect! Might consider the 85mm again.
I love both the 5D and the EOS M. The 5D is overall better with low light and dynamic range. The dynamic range gives the 5D2 a high end camera feel. Without an ND on a bright day, I'd have to stop the EOS M to about F22, with the 5D2 it's like F11. I love crop sensor cameras as well as the portability. The 5D2 I feel overall provides a more detailed and visually pleasing cinematic look. Really love it, won't give it away.
With dual iso, it has 14 stops of DR, just need to get the settings working. Pentax K lenses also go well with the Canon Full Frame if you file the back correctly. 
Here is the latest eos m film I did, not sure if you've seen it, but it's probably the best work in terms of colour I have pushed on the EOS m:
I use both the 5D2 & EOS M equally as much. 

Honestly, you don't need an upgrade, maybe just a 4K side camera to fill that need. I have the GH5 as a 4K sidekick, but I now appreciate the Magic Lantern cameras more. They're better for my main needs, the gh5 is just for backup 4K if I ever need it. 
I have had pretty much all. 12, 14, 24, 35, 50 & 85 (never owned the 135mm although it looks nice). Now I just own the 35 & 50mm. Both great companions to the 5Dii and extremely sharp. They grade like Hollywood lens ? The 24mm was very nice, but the 24mm and the 85mm just feel like speciality lenses to use in certain situations which is why I sold them as I don't use them often. For landscapes and closeups, they're perfect! Might consider the 85mm again.
I love both the 5D and the EOS M. The 5D is overall better with low light and dynamic range. The dynamic range gives the 5D2 a high end camera feel. Without an ND on a bright day, I'd have to stop the EOS M to about F22, with the 5D2 it's like F11. I love crop sensor cameras as well as the portability. The 5D2 I feel overall provides a more detailed and visually pleasing cinematic look. Really love it, won't give it away.
With dual iso, it has 14 stops of DR, just need to get the settings working. Pentax K lenses also go well with the Canon Full Frame if you file the back correctly. 
Here is the latest eos m film I did, not sure if you've seen it, but it's probably the best work in terms of colour I have pushed on the EOS m:
I use both the 5D2 & EOS M equally as much. 

It really is an amazing camera and although I sometimes think I need an upgrade, I really couldn't be happier. I have the 50mm 1.4 Samyang and for the money, I don't know if there is a nicer 50mm lens around. I think my next lens purchase will be the 24mm but I hear that lens suffers from copy variations so it may take a few tries to find a good copy. Which Samyang lenses do you have?
Also do you prefer the 5D2 more than the eos-m? A friend of mine recently bought an eos-m based on your videos. He left 4K and IBIS behind with the change.

Awesome Mercer! The 5D3 is such a great cam even in 2020! I have the 5D2 and the 14 bit raw amazes me still, especially with the Samyang Primes. 14 Bit RAW I also feel is better than the lossless. The lossless feels like a .png and 14 Bit feels like full raw with more colours to play around with and more detailed too, considering you're getting more bit rate mb/s. Some people can't tell the difference, but I can feel it when I grade and am sure you can too. 

Not with realtime preview no. I can get correct framing but it will be a little laggy. 2.5K is in my opinion the best mode to use on the EOS M, I'll do a video about it, how to set it up, framing, and the other stuff very soon on YT. If it's not working for you, you can go into the ML Settings and reset ML Configuration to start fresh with ML Settings. 

Thought I'd share an EOS M RAW Video in 2.5K Mode with the Russian Cine Lens Vega 7-1 20mm F2:
EOS M 2.5K Raw B/W
2.5K ML RAW @ 2.35:1 [2520X1072] - No Letterbox added. 
ISO 100
23.976FPS
1/48
Lightly Graded in MLV APP, exported in a 4K Timeline [FCPX]

Good to know! May look into it as I really like the 25mm look owning a 7Artisans 25mm.
I own the zeiss Jena tessar 50mm f2.8. Very nice character indeed. Though it's just slow for a 50mm. 
Heard good things about the 35mm f2.4, but whenever I get a medium/wide lens, I'm somewhat forced to get the equivalent brand 50mm. I've already owned the pancolar 50mm but find it a little saturated like Jena tessars and not as organic as the contax zeiss line. 
Never tried the Rollei Zeiss QBM Mount, wondering if they allow for infinity focus with EF Adapters or EF Mount. Cheers!

Good to know! May look into it as I really like the 25mm look owning a 7Artisans 25mm.
I own the zeiss Jena tessar 50mm f2.8. Very nice character indeed. Though it's just slow for a 50mm. 
Heard good things about the 35mm f2.4, but whenever I get a medium/wide lens, I'm somewhat forced to get the equivalent brand 50mm. I've already owned the pancolar 50mm but find it a little saturated like Jena tessars and not as organic as the contax zeiss line. 
Never tried the Rollei Zeiss QBM Mount, wondering if they allow for infinity focus with EF Adapters or EF Mount. Cheers!