wyrlyn

First week with Resolve and BMPCC 4k. Lotsa blue skies in this edit and I'm not seeing any banding or microblocking shooting BRAW 8:1. Maybe a bit from YT compression but the QT is clean. Probably a little of FilmConvert could emulate that Cinema DNG look but haven't transferred that license over to Resolve yet.
 

To be fair, I didn't promise June.
I said it would likely be June or July.
 

From the p4k FB group

Blackmagic going live at NAB soon
 
 

I'd definitely hold on to my MFT glass and cameras if the GH6 had 10 - 12 bit internal recording (BM Raw or ProRes Raw), 120fps in 4K, and internal NDs (the last one being the most important). As well as the IBIS of the GH5 and the low light capabilities of the GH5s.
Throw on the 10-25mm f1.7 and I could use that camera for almost everything. Some f0.95 autofocus primes would also be great. 

Good development. I am waiting for the live view hardware

just WOW. ?

just WOW. ?

just WOW. ?

Actually, and BTW regarding last question X vs Arri, why not to cheer here also remarkable achievement of our great com-eoshd member Sage
 

here is something for you. Can't remember the setting on top of my head but you can read the metadata. Not the best clip but hope it fits the bill. 
https://drive.google.com/file/d/1DGuG51b0oUt1nzQqNdEraskon4stiWae/view?usp=sharing

I have been doing quite a bit of raw testing and so far so good. Has anyone worked out a good braw workflow yet? 
Some still grab from my test yesterday (SOOC all metadata, no sharpening added):

Well, this is a bit shocking:
 

Blackmagic RAW for P4K released!

https://www.blackmagicdesign.com/support/readme/d258337e43844b47a0a88d554755345e

LOL I have the first gimbal designed for P4K under 1 kg and a half for you! ; -)
 
I thought about that. That's not good indeed, even though, if Peter Jackson didn't need it, will we?
In any case, they should keep it there. You can always install it backwards as you wish and need, I guess, isn't it?

Blackmagic RAW for P4K released!

https://www.blackmagicdesign.com/support/readme/d258337e43844b47a0a88d554755345e

Blackmagic RAW for P4K released!

https://www.blackmagicdesign.com/support/readme/d258337e43844b47a0a88d554755345e

Blackmagic RAW for P4K released!

https://www.blackmagicdesign.com/support/readme/d258337e43844b47a0a88d554755345e

Thank you.
It will be a couple of months, likely June or July.
Just evaluating a few different components to get the best combination of price and latency.

Well, here we are then.

The 3C app is now officially available from the Play store for Android devices.
3C enables you to remotely control and monitor the primary functions of your Blackmagic Design Pocket Cinema Camera 4K from an Android device using Bluetooth LE.

Using 3C, you have access to the following camera functionality.

Aperture
ISO
Shutter Angle
White Balance
Record
Focus & Zoom (with compatible lenses)

With 3C you can also store your own custom setting sets for exposure, focus and zoom parameters for later recall as well as automate transitions between stored focus points*.

For ease of use, 3C uses a single screen touch interface to control all of this functionality and avoid the need for you to have to activate any sub-menus to change settings.  
 

3C has a scalable user interface to enable you to remove focus and zoom controls from the screen should you not require them and wish to run the app on a small screen Android device.
In addition, 3C can also be used as an interface hub to enable control of the camera from compatible Bluetooth gamepads.
You can purchase 3C from the Play store here http://tinyurl.com/y5eyujeu
You can read the PDF user guide here User Guide For 3C v1.1 by CDA-TEK Ltd .pdf
You can use gamepads from iPega and 8Bitdo that support keyboard mode and examples of these are https://www.amazon.co.uk/dp/B00KA6OR7Q (iPega) and https://www.amazon.co.uk/dp/B017PAX036 (8Bitdo).
3C will also support wireless live viewing from the camera in a future update with additional hardware.

as Turboguard said I'm still struggled with colour a whole video correctly. Before this camera my workflow is pretty much slap on a decent lut => tweaked a few thing and deliver. My goal this year is to try to up my colour skill.  
This is a video that I did while strolling the street of Melbourne. The sound is actually the on board mic since I din't expect such a performance 
 

I have to say for a cinema camera the still I managed to pull out of it is pretty incredible 
 
perfect for thumbnail like this 
 
 

Welcome to the Resolve users club!  Damn, maybe that should be a real club, that's a t-shirt I might actually wear.
I've been piling all the Resolve info I could find into this thread here so have a read at your leisure..
Changing colour space in Resolve is a bit confusing - not because it's difficult to do but more because there are lots of different ways to do it.
The workflow I'd recommend for you is very similar to your existing one:
Node 1: Adjustment layer (if you want to change WB or whatever) Node 2: Colour Space Transform OFX plugin to change from V-log to rec.709 colour and gamma Node 3 onwards: grading as you normally would The Colour Space Transform (CST) plugin isn't a LUT, it's better than that because it preserves any clipped highlights/shadows, and has some nice options for handling extremes.  More info here:
Be aware that you can change colour space in many different places, but that using the CST plugin is the most flexible and AFAIK has all the benefits of the other methods as well as the extra flexibility.

Here is the completed User Guide.
So you know its very, very imminent now
 
EDIT >> REPLACED WITH NOT COMPRESSED TO DEATH VERSION
 
User Guide For 3C v1.1 by CDA-TEK Ltd .pdf

Just finishing up writing the user guide and then we are ready to go.
Control layout explanation here