Álex Montoya

I'd say that's the way to go with this camera, yes.

So the Pocket 4K fares 11.6 stops @iso400 by Cinema 5D's strict methodology, almost half a stop more than the old Pocket. That's pretty awesome.

So the Pocket 4K fares 11.6 stops @iso400 by Cinema 5D's strict methodology, almost half a stop more than the old Pocket. That's pretty awesome.

It shouldn't be overlooked as a big pro that the Pocket 4K is a video/cine dedicated camera. Honestly, when using a GH5 I'm bothered by all the photo menus and controls I won't ever need to use.
The P4K has got nice, beefy connections, a good menu and just the necessary buttons, I'm certainly will be more confident operating it than any hybrid camera.

It shouldn't be overlooked as a big pro that the Pocket 4K is a video/cine dedicated camera. Honestly, when using a GH5 I'm bothered by all the photo menus and controls I won't ever need to use.
The P4K has got nice, beefy connections, a good menu and just the necessary buttons, I'm certainly will be more confident operating it than any hybrid camera.

I haven't watched any BMPCC4K footage yet. No videos, no test, no reviews, no nothing. All ive seen is the thumbnails in this thread. Never pressed play.
Because I was afraid it would spark an unbelievable case of G.A.S. And I was so proud of myself for canceling my preorder (was among the first in line).
Then I decided to download the tif-file above. Playing with it in Lightroom was ok. Feels like a decent image. Until you realize its a video frame... wow!
The quality is pretty darn crazy. The noise is.. not there. Mind officially blown.

It looks like the Pocket 4K plays quite nicely with FC's Blackmagic Original Pocket Film profile.

Not bad. 
 
 

Not bad. 
 
 

I didn't. He did in his previous post. Anyway, cameras are just tools and by specs I consider the Pocket a capable cine camera that can do things the C200 can't.

I didn't. He did in his previous post. Anyway, cameras are just tools and by specs I consider the Pocket a capable cine camera that can do things the C200 can't.

I love the image coming off the C200, but it is a 7500$ camera.
 
The Pocket 4K is a 1000$ cinema camera, with Resolve, a beefy 19mm wide sensor, very nice codecs, TC, mini canon, full HDMI, and it's small and has nice color, latitude and sensitivity. For me, doing mainly fiction work, is a no brainer.

I love the image coming off the C200, but it is a 7500$ camera.
 
The Pocket 4K is a 1000$ cinema camera, with Resolve, a beefy 19mm wide sensor, very nice codecs, TC, mini canon, full HDMI, and it's small and has nice color, latitude and sensitivity. For me, doing mainly fiction work, is a no brainer.

https://www.youtube.com/watch?v=54153YyAUVY
No bad showcase of the low light strengths of the camera.

I love the image coming off the C200, but it is a 7500$ camera.
 
The Pocket 4K is a 1000$ cinema camera, with Resolve, a beefy 19mm wide sensor, very nice codecs, TC, mini canon, full HDMI, and it's small and has nice color, latitude and sensitivity. For me, doing mainly fiction work, is a no brainer.

I love the image coming off the C200, but it is a 7500$ camera.
 
The Pocket 4K is a 1000$ cinema camera, with Resolve, a beefy 19mm wide sensor, very nice codecs, TC, mini canon, full HDMI, and it's small and has nice color, latitude and sensitivity. For me, doing mainly fiction work, is a no brainer.

The Original Pocket was great for mimicking S16. I did this some years ago in El Salvador.