And1

@PPNSI'd take any older cinema camera, eg Arri Alexa Classic, Red Epic, Sony F55, Ursa etc, as well as the BMMCC (which, for whoever has used it extensively, is a cinema camera, regardless the initial 'crash camera' marketing) over any newer Mirrorless (Lumix (I love their cameras by the way), Sony (haven't used the A7s III so I can't comment), Canon, Fuji, etc), at any type of work (of course not necessarily Instagram run and gun etc)   But that's just me, based on years of testing. Every other opinion is welcomed of course. 
But since we're talking about the BMMCC here, yes it's a perfectly cinema camera for me. 
@kye& @TomTheDPcool posts!

@PPNSI'd take any older cinema camera, eg Arri Alexa Classic, Red Epic, Sony F55, Ursa etc, as well as the BMMCC (which, for whoever has used it extensively, is a cinema camera, regardless the initial 'crash camera' marketing) over any newer Mirrorless (Lumix (I love their cameras by the way), Sony (haven't used the A7s III so I can't comment), Canon, Fuji, etc), at any type of work (of course not necessarily Instagram run and gun etc)   But that's just me, based on years of testing. Every other opinion is welcomed of course. 
But since we're talking about the BMMCC here, yes it's a perfectly cinema camera for me. 
@kye& @TomTheDPcool posts!

Tested it again in Prores 422, against GH5, G9 (which I love), A7iii, Eos R, all in Log 4k, and it's night and day. I only tested it against those cameras because these are the ones I've had available.
I really wouldn't believe the difference if someone would have told me without seeing it with my own two eyes. 
Tested it against Bmpcc6k (in Braw) as well, and just loved the character it had once again and if exposed well (because I shoot in Prores), many of the times I prefer it.
Bmpcc6k is easier to use though, in Braw, with built in false colors as well, but I love the sensor on the BMMCC.
They did an excellent job on that sensor. 

Tested it again in Prores 422, against GH5, G9 (which I love), A7iii, Eos R, all in Log 4k, and it's night and day. I only tested it against those cameras because these are the ones I've had available.
I really wouldn't believe the difference if someone would have told me without seeing it with my own two eyes. 
Tested it against Bmpcc6k (in Braw) as well, and just loved the character it had once again and if exposed well (because I shoot in Prores), many of the times I prefer it.
Bmpcc6k is easier to use though, in Braw, with built in false colors as well, but I love the sensor on the BMMCC.
They did an excellent job on that sensor. 

I used to be in love, and still am, with the mini dv cameras of the 90's. The practicality of it made me looking for that breeze of use in many newer cameras but have yet to find it.
I don't speak about mirrorless cameras or dslrs, but camcorders with great usability and image quality. One that probably come to mind is the hated Canon XC10/15.
Of course, I understand that a Sony Fx3 with a zoom lens could potentially be something similar, and better, but again, I'm talking about a camcorder with great image quality, small form factor, great usability.

I used to be in love, and still am, with the mini dv cameras of the 90's. The practicality of it made me looking for that breeze of use in many newer cameras but have yet to find it.
I don't speak about mirrorless cameras or dslrs, but camcorders with great usability and image quality. One that probably come to mind is the hated Canon XC10/15.
Of course, I understand that a Sony Fx3 with a zoom lens could potentially be something similar, and better, but again, I'm talking about a camcorder with great image quality, small form factor, great usability.

Made tests and thinking of shooting on the BMMCC (maybe with Zeiss 16s lenses) on a low budget feature film instead of the Bmpcc6k/4k or Red Epic MX/Scarlet MX.
Do you consider it to be crazy in 2023?
 
 

As years go by, I seriously seem to love this camera even more. 
I've worked with plenty of cameras over the years, like many Gh5, A7iii, Bmpcc 6k, Ursa Mini, Eos R, etc and despite it's difficulties, at the end of the day, I always come back to it.
The quality of the images, and the ease of use - in terms of editing - in Prores 422 (as I prefer to use it), is just magical. 
Newer entries like GH6, make me curious, but I still believe the BMMCC can easily be an a cam for narrative work. And this topic makes me realize it even more.

As years go by, I seriously seem to love this camera even more. 
I've worked with plenty of cameras over the years, like many Gh5, A7iii, Bmpcc 6k, Ursa Mini, Eos R, etc and despite it's difficulties, at the end of the day, I always come back to it.
The quality of the images, and the ease of use - in terms of editing - in Prores 422 (as I prefer to use it), is just magical. 
Newer entries like GH6, make me curious, but I still believe the BMMCC can easily be an a cam for narrative work. And this topic makes me realize it even more.

As years go by, I seriously seem to love this camera even more. 
I've worked with plenty of cameras over the years, like many Gh5, A7iii, Bmpcc 6k, Ursa Mini, Eos R, etc and despite it's difficulties, at the end of the day, I always come back to it.
The quality of the images, and the ease of use - in terms of editing - in Prores 422 (as I prefer to use it), is just magical. 
Newer entries like GH6, make me curious, but I still believe the BMMCC can easily be an a cam for narrative work. And this topic makes me realize it even more.