Evan Burns

Apple has no interest in supporting other camera brands. More than likely, this is about ProRes RAW and that will cost money.

If Nikon, Sony, and Panasonic have to pay more for licensing, it will ultimately come out of the filmmakers pocket.

All of this might sound cool and sure, revenge is sweet, but Apple going after RED is definitely not a good thing. Ed mentioned earlier that it’s the little guys that make a difference and I believe that’s true, but when we support an even bigger monster like Apple, it’s no longer worth it. Capitalism ultimately has a cruel sense of humor…

Did a quick and dirty lens test for illustrational purposes. 
An interesting thing a fellow Bolex-Ana owner discovered is the slight green-cast. Something that is also visible in this test.
 

No, they aren't, unfortunately (...as mentioned above ;-)) Could still be useful though.
Here's a list I made a while ago https://docs.google.com/spreadsheets/d/1cEzX4hb0NKbhPetTkVsnORNHeGnji7lhB4OmuCdQC-g/edit?usp=docslist_api

The 0.33 Minolta is nice, achromat also (at least, if it's the one for the 100-500mm zoom). Tito uses it regularly in his videos. I have the 67mm diopter from Asahi Pentax and measured it...indeed 0.33 also. If you want to know precisely how strong your Pentax diopter is, focus on infinity with the diopter attached. Measure the distance from sensor to the focus plane. Diopter strength = 1/(max focus distance in meters). Oh, if you do, let us know, I'll update the list :-) Cheers.

Nice, very interested to see the results. There are few good comparisons on actual image quality between diopters. On a side note, can I ask where you found the close up for the 3.5/85-210? The actual zoom and it's accessorries (including the close up) are quite rare (in contrast to the f4.5 version).

I just picked up the other 67mm Pentax "1:3.5/85~210mm". I'll do some more precise tests after it arrives. I've accumulated quite a few diopters now and I want to test them all at the same time.