Dude_ger

Some night shots widescreen
 

Thanks for sharing.
I cant wait for your "Shooting Style: Reckless" tests ?
Wow! This is some of the best footage I've seen from the S1H.

Some night shots widescreen
 

@kye that s my actual problem, since i want it to be rectilinear but also wide
i used a Tokina 11-16 wide angle which was pretty cool, but it was version 1 which did not work well with the booster.
@tweak thanks, so 8mm would be fine i think. I also thought about the Peleng since i know it well from the skateboarding days.
 
 

Do you own these?
An alternative for MFT is the SLR Magic 8mm F4.  Not quite as wide but the image quality is pretty decent and they’re not too expensive.  I just upgraded to the 7.5mm F2 Laowa to get the extra aperture, but the SLR Magic IQ was fine.

Thanks man. This was the Rokinon 8mm I think? It's been a while since i've used that setup. It worked really well at the time though.

Thanks! I am on GH5 at the moment.
As far as my research took me, there were several companys who made this lens, and one of them claimed a lens a 8mm because they wanted to sale a "new model"..
 
Nice video btw, good to see new and oldschool filming style cobined together

:46 is with that setup. I believe this was 1080p / 60p mode. 4k might crop a little more? You mean the 8mm 3.5mm, correct? No vignetting.
The black Magic pocket looks better but there was no fisheye option at the time. 
 

Yes.  Perfectly.

https://www.panoramaplanet.de/comp/

https://www.panoramaplanet.de/comp/

Never had this experience and i am using it for 4 weeks now.
Also i heard of dozens of cases where people did not read the manual
 

I don t get the point, you always can tell which picture is fullframe and which is apsc or mft or whatever.  It s not about the light, it s the look, and this look you can t replicate using faster lenses.

I don t get the point, you always can tell which picture is fullframe and which is apsc or mft or whatever.  It s not about the light, it s the look, and this look you can t replicate using faster lenses.

Rent one and check for yourself.
A shoulder rig isn't just  about holding your camera..
You have 4 points where your body is connected to the camera, 2 hands, shoulder and your eye. This allows movement and a look you don't get with anything else.
You can attach a follow focus and pull focus without shaking.
You won't use it all the time- it's a tool for special scenes like a Steadicam or Dolly, you only use it when needed. (Or if you do like an event all day long)
If you like the feeling of your rented rig, don't buy a compromise- no gorilla pod and no rig with one handle or anything that costs less than 200 $ (new), you will get pissed of because of screws getting loose and things like that.
You always can atttach weight to a rig, but i recommend doing this after all is set up and you can balance it right.
 

Rent one and check for yourself.
A shoulder rig isn't just  about holding your camera..
You have 4 points where your body is connected to the camera, 2 hands, shoulder and your eye. This allows movement and a look you don't get with anything else.
You can attach a follow focus and pull focus without shaking.
You won't use it all the time- it's a tool for special scenes like a Steadicam or Dolly, you only use it when needed. (Or if you do like an event all day long)
If you like the feeling of your rented rig, don't buy a compromise- no gorilla pod and no rig with one handle or anything that costs less than 200 $ (new), you will get pissed of because of screws getting loose and things like that.
You always can atttach weight to a rig, but i recommend doing this after all is set up and you can balance it right.
 

Rent one and check for yourself.
A shoulder rig isn't just  about holding your camera..
You have 4 points where your body is connected to the camera, 2 hands, shoulder and your eye. This allows movement and a look you don't get with anything else.
You can attach a follow focus and pull focus without shaking.
You won't use it all the time- it's a tool for special scenes like a Steadicam or Dolly, you only use it when needed. (Or if you do like an event all day long)
If you like the feeling of your rented rig, don't buy a compromise- no gorilla pod and no rig with one handle or anything that costs less than 200 $ (new), you will get pissed of because of screws getting loose and things like that.
You always can atttach weight to a rig, but i recommend doing this after all is set up and you can balance it right.
 

Just got the Tokina 11-16 as a replacement for my old samyang 14mm. I love it. Keep in mind that the Tokina has 9 aperture blades vs 7 on the Panasonic 14mm

Luckily this wasn´t my card, so i feel very sorry to say no

Hi, just put it up on Ebay.
Kowa 8z, 3D Clamp from Tito, lock ring, front and rear caps.
Rear lens has a little scratch, no fungus or cleaning marks.
http://www.ebay.de/itm/Kowa-Prominar-8z-anamorphic-cinemascope-lens-with-clamp/132417863185
 

95% Gh5 and handheld, i always use elctronic shutter (except nightshots), it s such a great thing. Only the GH5s levels are shit, but it is one of the best cams for timelapse in my opinion. I often find myself using the kit lens, because it s such a light setup. The 5d gave me back pain.
 

Yeah Isco Göttingen are sharp as fuck.

Hi, some boring evenings made me set up this page about some filmmaking and other diy stuff, quick and dirty solutions:
https://www.facebook.com/Kitchen-Table-Solutions-223193894881928/
 
I´ll post things i had to do for shooting and fun. If you like, have a look, it´s just a hobby.
Thanks
 

Hi, some boring evenings made me set up this page about some filmmaking and other diy stuff, quick and dirty solutions:
https://www.facebook.com/Kitchen-Table-Solutions-223193894881928/
 
I´ll post things i had to do for shooting and fun. If you like, have a look, it´s just a hobby.
Thanks