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AlexTrinder96

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  1. Like
    AlexTrinder96 got a reaction from Chrad in Blackmagic Pocket Cinema Camera 4K   
    Alternative to the T5...
     
  2. Thanks
    AlexTrinder96 got a reaction from mercer in Blackmagic Pocket Cinema Camera 4K   
    defo 13 stops mate!
    'The Blackmagic Pocket Cinema Camera 4K features 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance.'
  3. Like
    AlexTrinder96 reacted to DBounce in I WILL be getting a Fuji X-T3!   
    Hope to make some time to play with this bad boy we just added to the collection.
    Also picked a second body and another Ninja V. I think these cams play nice as B-cams to the C200. Moreso than the 1DXMK2... if that makes sense.

  4. Like
    AlexTrinder96 reacted to AaronChicago in Blackmagic Pocket Cinema Camera 4K   
    Here is a 3:1 compressed cDNG file straight from the pocket 4k. I believe that you can only open it in Resolve.
    https://www.dropbox.com/s/f1yfi1iz0f9xmco/A002_10091348_C019_000024.dng?dl=0
     
  5. Like
    AlexTrinder96 got a reaction from wyrlyn in Blackmagic Pocket Cinema Camera 4K   
    BRaw Vs DNG test
     
     
     
  6. Like
    AlexTrinder96 reacted to IronFilm in Good affordable LED Lights   
    Aputure are the Blackmagic of the LED lighting world
  7. Like
    AlexTrinder96 reacted to IronFilm in I WILL be getting a Fuji X-T3!   
    Fujifilm have really nailed how to do a roll out of a new camera!
     
  8. Like
    AlexTrinder96 got a reaction from keessie65 in I WILL be getting a Fuji X-T3!   
    Short film created by Nick Thomas, Calgary based Director of Photography. The entire film was shot on the FUJIFILM X-T3 with only the FUJINON MKX18-55mmT2.9.
     
  9. Like
    AlexTrinder96 got a reaction from Geoff CB in I WILL be getting a Fuji X-T3!   
    Short film created by Nick Thomas, Calgary based Director of Photography. The entire film was shot on the FUJIFILM X-T3 with only the FUJINON MKX18-55mmT2.9.
     
  10. Like
    AlexTrinder96 got a reaction from frontfocus in I WILL be getting a Fuji X-T3!   
    Short film created by Nick Thomas, Calgary based Director of Photography. The entire film was shot on the FUJIFILM X-T3 with only the FUJINON MKX18-55mmT2.9.
     
  11. Like
    AlexTrinder96 reacted to Jimmy in I WILL be getting a Fuji X-T3!   
    Everything shown so far with the xt3 and that lens has looked a step above... very nice
  12. Like
    AlexTrinder96 got a reaction from Jimmy in I WILL be getting a Fuji X-T3!   
    Short film created by Nick Thomas, Calgary based Director of Photography. The entire film was shot on the FUJIFILM X-T3 with only the FUJINON MKX18-55mmT2.9.
     
  13. Like
    AlexTrinder96 got a reaction from Vintage Jimothy in I WILL be getting a Fuji X-T3!   
    Short film created by Nick Thomas, Calgary based Director of Photography. The entire film was shot on the FUJIFILM X-T3 with only the FUJINON MKX18-55mmT2.9.
     
  14. Like
    AlexTrinder96 reacted to Andrew Reid in Canon EOS R first impressions - INSANE split personality camera   
    Let's call it a Tarantino mode then - every camera needs one - something that's fun, addictive, imperfect, stylish and to be honest slightly ridiculous. If a camera is too well educated and too much in a straight jacket it fails at being fun to shoot with. That is a Sony. I have only really ever enjoyed the RX1R II, and the rest stays in the bag.
    Whenever I talk about that elusive "camera-personality" I always seem to bring up imperfections a lot, so maybe Sony is just too good. I always seem to talk about grain or the Digital Bolex, but it's really more about how high image quality expresses itself - emotionally, rather than the numbers, and it is the same with ergonomics and functionality - less about specs - more about personality.
    The X-H1 I have as well, and I like it a lot. There is however a very slightly clinical soul to it because of how damn sharp the 4K is and how utilitarian the body is. It could actually be too perfect? IBIS too stable. Image too detailed. Just too...... good?
    Whereas the EOS R has serious limitations and deserves a lot of criticism for what it "could have been", it feels in-hand the closest to a full frame GH5 I've yet known, and when you put your palm out under the articulated screen offset to the side of the body, it's almost as if a C200 or 1D C image is unfolding in the palm of your hand like magic, and everything feels in the right place, and you know it "just works" and is in focus... And you know it can transform into a mirrorless 5D Mark IV at any moment for stills shooting.
    Then you remember the specs - slow 30ms sensor readout with rolling shutter skew, no 10bit internal, 1.8x crop, so on... And it doesn't make a damn difference to the shoot which is unfolding on that screen or in the EVF. Reality is almost divorced from the specs sheets. It's very weird.
    The colour. Canon have it very close to Kodak film, or a Leica M9 with the Kodak CCD. The way it handles two extremes of light temperature in the same frame is uncannily like film. There is no tricky wire-act between green and magenta. Warm tones and wood don't have a magenta cast, as if the camera is trying to avoid a green cast. It seems to have a wider bandwidth of colour temperature, in which it sits almost perfectly in the middle - neither too far one way or the other - just beautiful. Same with the 1D C, yet now we have the choice to drop to 120Mbit instead of 500Mbit MJPEG, but the colour magic is still there.
    Also in handling the blacks, they never seem to completely crush. There is always a creamy, milky look to a dark window at night on the EOS R and 1D C, whereas on other cameras with superior specs, you might see sharp edges or noise or too much detail or too much absolute black.
    Talking about defying the specs sheet - the Leica M9. Now it's 10 years old yet still has a more filmic nature and addictive shooting quality than most top of the range 2018 cameras. It does not have the perfect plastic still-life feel of a CMOS camera, it has a silk-like grittiness... a contradiction but it's true.
    Now we have the Nikon Z7 which I am getting on with quite well, but again something is lacking. The outright paper specs are the best on this camera of all that I own (full frame mirrorless wise). But it feels a bit like a consumer gadget, with again a clinically perfect modern image. I can't wait to rough it up with some older lenses via an adapter. The 35mm F1.8 Z is amazing but it's so cut-glass posh. It's like a perfect blonde super model, when you know you'd have more fun with Emma Watson. I need to add some things to my Z7, to get it to show some personality. Maybe a cage, a lens adapter, and turn the IBIS off... Add some imperfections into the shooting process. Otherwise it's just too seamless. Where's the challenge?
  15. Like
    AlexTrinder96 reacted to Chrille in Musicvideo shot on RED   
    Hey everyone,
    just finished another little Video for German Band "Neonschwarz". We had a one day shoot on RED. Check it out!
     
  16. Like
    AlexTrinder96 reacted to lucabutera in BMPC 4k Magicbooster   
    Special focal reducer for Black Magic Production Cinema Camera.
    Visit: https://www.facebook.com/LucAdapters-284084538620105/


    New life to our old Blackmagic cinema production camera!
    The new Magicbooster manages to increase the light by more than 1 stop, giving the 4k camera a true full frame look!
    Perfect for those who do not need 60fps but want a 35mm movie look!
  17. Like
    AlexTrinder96 reacted to Zak Forsman in Music Video shot on Panasonic EVA1   
    ***Warning: this video contains violent imagery***
    DIRECT LINK > https://vimeo.com/294887322
    As the cinematographer and editor, I was lucky enough to have a big hand in crafting this music video. It was shot in 12 hours, with every facet donated by friends and fans of the band, to coincide with the release of OLD BLOOD's new single "Enjoy. The Devil". Director was thrilled with what he saw from the camera on set. I used my Contax-Zeiss lenses modded with fixed 2x oval apertures, and with a Tiffen Black Pro Mist filter. This was also a great way to break-in two new Aputure 120D Mark II lights I'd just received.
  18. Like
    AlexTrinder96 got a reaction from IronFilm in The classic battle of our time: RED vs ARRI   
    Thanks for sharing this! 
    You cannot beat the skintones from the Alexa, such a joy to work with! Arri seem to understand the fundamentals of a great cinema camera better than anyone else! 
     
    Would love to see the venice compared to the Alexa, I've always liked the footage out of the Sony f5/f55! 
     
     
  19. Like
  20. Like
    AlexTrinder96 reacted to jonpais in Blackmagic Pocket Cinema Camera 4K   
    The color in the Fabrizio & Omayra video is simply gorgeous and the dynamic range is very impressive. 
  21. Thanks
    AlexTrinder96 reacted to JordanWright in Blackmagic Pocket Cinema Camera 4K   
    Just a heads up guys, Amazon UK has Samsung T5 drives on sale. Im still undecided on the media ill be using yet.
  22. Thanks
    AlexTrinder96 reacted to Jonathan Lee in Blackmagic Pocket Cinema Camera 4K   
    There are now 4 more films that have been uploaded to the Official Blackmagic Design Gallery for the Pocket 4K.
    https://www.blackmagicdesign.com/au/products/blackmagicpocketcinemacamera/gallery
  23. Like
    AlexTrinder96 reacted to PannySVHS in Is the EOS-M *THE* Digital Super-8 Camera?   
    Bump for one of my favorite threads! Bump, bump, bumpodito!
    Let´s keep those super8 raw films rolling! I can only offer some DX1 and XL1 3CCD magic:
     
  24. Like
    AlexTrinder96 reacted to Matt James Smith 🎥 in Is the EOS-M *THE* Digital Super-8 Camera?   
    I’ve been messing once again with using my EOSM as a Digital Super 8 camera and I’m pretty happy with the results. 

    For the video below I used the following setup.

    6mm f/1.2 Pentax TV lens (paper shim between lens and C mount-EOSM adapter, for infinity focus)
    Tiffen Digital Diffusion 5 filter (reduces moire artefacts)
    EOSM with latest ML build
    18fps override (exact)
    5x zoom
    12bit lossless RAW
    4:3 aspect
    1440 x 1080 
    i just used the aperture ring for exposure, rather than ND, as it seemed more authentically consumer Super 8.

    This video has effects applied - FilmConvert’s Super 8 grain; FCPX native “aged film” effect applied very sparingly for jitter and a little dust; a telecine’d Super 8 black frame (keyed over footage). If there is interest, I can post the ungraded footage.
     
     
  25. Like
    AlexTrinder96 got a reaction from heart0less in I WILL be getting a Fuji X-T3!   
    Not sure if this has been shared yet?
    Awesome BTS of A Different Beyond!
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