AlexTrinder96
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Posts posted by AlexTrinder96
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The Mlut/cine IE helps with rating the camera at a different iso to what's it actually recording; so you can set the lut to show at 800 or 640 when you're actually recording at 2000.
I also forgot to attach the Recommended Ire values from Sony themselves. It's can be helpful as a starting point if you don't monitor in rec709!
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I'd recommend Alister Champman's blog, he goes into great depth on how to expose and use S-log!
I think it is vital that when using S-log (more so than other log curves) that you use a waveform and lut to help expose.
I personally found using an ei of 800, with one of Sony's M Luts helped prevent noise creeping in. (sony f5)
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I think this is the best footage I have seen from the GH5/GH5s.
Fujinon MK lenses
- Jimmy G, webrunner5 and IronFilm
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32 minutes ago, mercer said:
I love that lens, is your copy also radioactive?
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I'd suggest checking some of Olan Collardy's work out on Vimeo. He tends to use tiffen black pro mist and Hollywood black magic filters.
They tend to creating blooming effects around highlights and raise the black levels; this obviously changes depending on the filter strength!
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11 minutes ago, Snuff said:
looks really nice, shame it's so expensive !
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'JVC has announced two new models in their Connected cam range – the GY-HC500 and the GY-HC550 JVC’s Connected Cam series are designed specifically so users can live stream and FTP file transfer directly from the camera. JVC has really made a name for themselves with smart cameras that can be used for news, sports and event coverage'
https://www.newsshooter.com/2018/09/11/jvc-gy-hc500-gc550/
Recording Codecs
Apple ProRes 422, MPEG-4 AVC/H.264, MPEG-2*
4K UHD 60p/50p
(Apple ProRes 422) 3840 × 2160, Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT, 10-bit
4K UHD 30p/25p/24p
(H.264) 3840 × 2160, 4:2:2 10-bit / 4:2:0 8-bit 150Mbps/70Mbps (MOV)
HD (H.264) 1920 × 1080/1280 × 720, 4:2:2 10-bit / 4:2:0 8-bit
50Mbps ~ 8Mbps (MOV/MP4)
HD (MPEG-2 Long GOP)* 1920 × 1080/1440 × 1080/1280 × 720, 35Mbps /25Mbps (MOV/MXF)
SD (H.264) 720 × 480/576, 8Mbps (MOV)
Proxy (H.264) 960 × 540/480 × 270, 3 ~ 1.2Mbps(MOV)
Streaming Specs:
1920 × 1080 (59.94p/50p) 20 ~ 8Mbps
1920 × 1080 (29.97p/25p) 20 ~ 3Mbps
1920 × 1080 (59.94i/50i) 20 ~ 3Mbps
1280 × 720 (59.94p/50p) 20 ~ 3Mbps
1280 × 720 (29.97p/25p) 8 ~ 1.5Mbps
720 × 480 (59.94i), 720 x 576 (50i) 8 ~ 0.3 Mbps
640 × 360 (59.94p/50p) 3/1.5Mbps
640 × 360 (29.97p/25p) 3 ~ 0.3Mbps
Connections
3G-SDI (BNC × 1)、HDMI × 1、AV (Φ3.5mm) XLR × 2(MIC、+48V/LINE), φ3.5mm
RCA × 1
USB(3.0)
Ethernet RJ-45 ×1
LAN 2.4GHz/5GHz MIMO
SSD
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looks a lot more subtle compared to the SLR Magic Anamorphot in my opinion. In a good way!
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Dynamic Range looks good to be fair.
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16 stops of dynamic range? If only!
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It would groundbreaking for a monitor of this type and at this price point to reach 1000 nits.
The more expensive small hd 702-oled only reaches 300 nits. That retails for over £1500.
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Guess we'll see...300 nits would make sense compared to the small hd OLED.
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24 minutes ago, IronFilm said:
Low res for a better panel, not so sure how I feel about that
They did the exact opposite of smallhd haha
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ungraded version from Cinema5D
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http://personal-view.com/talks/discussion/20330/feelworld-fw576-5.5-oled-monitor
Looks like the 567 is 1280x720
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Seems interesting! I own the andycine a6 which is the same as the feelword f6.
For the money the monitor is great tho it does have a slight lag with some cameras in 4k.
Wondering what the price will be? Around £300-£400 for the oleds?
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6 hours ago, Jimmy said:
Damn!
Matthew Libatique?? NICE!
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1 minute ago, guru said:
So Caleb is comparing f2 to f5.6 lens ? ?
Not this again ?
- EthanAlexander, webrunner5 and jhnkng
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I was talking more the '0.95' type lenses...
I am at Photokina. What would you like me to ask?
In: Cameras
Posted
Would love some more info on the Samyang Anamorphics! Pricing, focal lengths etc...
Cheers Andrew