Richie Recoil

I have used both GH4 and G7, and in my experience the G7 is cleaner in low light

Ginirigs.net has all their cool cages and stuff , the follow focus is great and the slider is superb too , I have tbe grab handle offset always as it gets in the way when I line up shots if its in the centre , plus it overhangs the lens if you want to get in there and focus by hand , its just there to lift the rig on and off the legs  , thats all it does so off set works for me

Hi Andy, does the screen go blank while recording on the g7 or does it continue to display? Really would like this for uni (and can get a good deal on it). 

it is alot cleaner in low light - the blacks are stunningly clean, cleaner than the Red Epic we tested it against, image looks very similar to the Arri Alexa we tested it against - there is hardly anything in it !! amazing camera from Panasonic   , the G7 camera lets you shoot in the shadows very cleanly in very low light. I am using 4 Panasonic G7 cameras for the new Pandora feature film I am DOP on , Panasonic have partnered up with us for this movie and we are working together to show how good the G7 is a film making tool. I am using Metabones XL Speedboosters on all the cameras, Brian Caldwell and Metabones have kindly supplied them for us to use in Nikon and EF mount . We are using these with Atomos Ninja Assassins and all the rigs for the movie are supplied by Gini Rigs , I will post some pics of these rigs soon.

I have used both GH4 and G7, and in my experience the G7 is cleaner in low light

Here is from last summer a little test between FM Lens and Rectilux adapters. Kowa 8z inside on both.
 

To anyone who hates rap music, or doesn't have a sense of humor, I am very sorry.

I saw this too and immediately wondered what it was shot on.  Beautiful imagery and message.  RIP Eric Garner.

I saw this too and immediately wondered what it was shot on.  Beautiful imagery and message.  RIP Eric Garner.

Spgreen65 thank you!
I've been using my Bell & Howell 2x in 4:3 4k photo mode and slowing the footage down to 80% to match 23.976 fps.  I wish Panasonic would just update the firmware and allow us all to shoot in 4:3 mode @ 23.976. Maybe when the GH5 comes out and the price/feature gap between the G7 and GH4 becomes less relevant... wishful thinking.

GH4 in UHD 4K, Bolex 16/32 1.5x anamorphic yielding 2.67:1 cinemascope recording aspect ratio.  I have several taking lenses.  The first is a series of Minolta Rokkors from 35mm up to 100mm with an MD Speed Booster.  The others are a Carl Zeiss Jena 35mm Flektogon f2.4 and a Carl Zeiss Jena 80mm Biometar adapted from large format.