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Swiss

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Posts posted by Swiss

  1. I saw a video about the micro cinema camera where the guy says that the camera won't work with a metabones micro fourth third speedbooster. I have a micro fouth third speedbooster but not from metabones it's from China and it works on my bmpcc but i wonder if it would work on the micro cinema camera ? Anybody using one of those on the bmmcm ?

  2. On 6/10/2015 at 4:14 AM, AaronChicago said:

    The noise in 10 bit is okay. The cyan/magenta blocking is bad on smooth light colored walls. Sunsets show off some banding even in 10 bit for some reason. Other than that it's very usuable and the colors are great.

    Not good to hear that there is even banding in 10bit. i hope they come out with a update to fix these issues then it's gonna be really worth buying the update. I just got my Gh4 and i don't know how long i'll keep it so i'm not convinced about buying the v-log. i will try to get the free v-log profile with the android app since it will be impossible with my iphone. Will shoot some videos and if it's worth upgrading i will buy the key. 

  3. Yep i'm looking at that ninja assassin. Seems like the best option for 4k. But i would really prefer to record internally for now because without a monitor i can shoot faster in run n gun like switching from gimbal to tripod to shoulder rig. Also for data space because if i can record only 3 hours of 4k ProRes HQ in 1 TB HD that means i would need much more space that i need now...

  4. I changed my mind about the a6300 after seeing more clips and testings. I do only videos so Bad skin tones, shitty 1080p, jello effect, banding and macroblocking, that's too much to deal with. It was too good on paper to be real in the first place. Now i'll have to sell the batteries,charger,adapter and lenses that i bought/ordered already trying to get ready for the a6300 early. That's what i get for trying to buy a camera that's not out. I still got my bmpcc and i'm getting a gh4 for now and we'll see what small camera comes out in the next months...

     

  5. 5 hours ago, Escapist said:

    It's funny because I don't get the IR pollution that people claim comes from that camera. I think it just depends on the week of manufacturing. I doubt this will be the case on an A6300, which is not really a cinema camera.

    The ir & uv cut makes magic you should see the tests. I'll probably use it with the a6300. It can always be fixed in post but better to do it on camera. But for sure on a6300 it's not as bad as on bmpcc

  6. I have an hoya uv & ir cut filter that i use on my bmpcc to help get a cleaner image especially when using a nd filter. Will it be necessary to use that filter also on the a6300 or does the censor already have and ir cut ?

     

  7. Can't really judge a camera by youtube footage or it would have to be made by a talented videographer and with a good grade on slog-2 or slog-3. Waiting to see a video like that.

    The reasons why i want this camera is that it will give me more solutions for easier creativity like good autofocus for gimbal use, 120fps for slow motion,4k for reframing stabilization and overall better resolution. Now that vimeo also do 4k it won't hurt either. 4k can also be a positive point to sell your videos to client because they don't know better. I know that i will deliver in 4k soon because why not. 

    My only concerns now are if the motion is not right and the s-log3 issue that you guys have mentioned and maybe the overheating. So it would be better to use S-log2 till they fix that with a firmware update ?

     

  8.  

    13 hours ago, Mattias Burling said:

    Yes, but you cant use Slog-3 without extreme, and I mean extreme banding in flat surfaces like walls and the sky. A shame when S-log3 is so nice.

    Still a great camera with slog2 though. No need to mention the lowligt.

    Im returning mine but imagine myself getting one when they go cheap on the used market.

    Didn't think about the banding. Now this gonna be a problem. No bueno

  9. Just played with some SLOG-3 footage from the a7sii that i downloaded. It sure doesn't react like bmd film but it grades really not bad. I like it and 4k is so crisp on my 5k imac. 1080p now looks like 480p lol

  10. Why do people hate sony colors,skin tones ? Is S-LOG3 really not as good as BMDfilm ? 

    I really wanna get the a6300 when it comes out to replace my bmpcc. I wish blackmagic would put out a small and affordable camera with 4k and high frame rates but it looks like it's not happening soon so switching to sony is really tempting right now. Plus that super auto focus might be very helpful, especially when shooting on a gimbal.

    I just hope grading and skin tones rendition aren't that bad with sony cameras because right now i really like whats coming out of my bmpcc but i just need 4k and higher frame rates it's about time now. 

     

  11. i'm a lil bit confused with the vignetting issue when using a aps-c lens on this camera. let's say i'm at 10mm with my sigma with a regular adapter that means i'm at 15mm on this camera right? will i get any vignetting at that focal lenght? can somebody clarify the vignetting issue when using aps-c lenses on this camera? 

  12. I'm thinking about switching from my bmpcc to the a6300 for 4k, slow mo and low light. I have a question about adapters. If i use my sigma 18-35 nikon mount and my sigma 10-20 nikon mout with a speedbooster nikon to sony e like this one for example http://www.ebay.com/itm/Focal-Reducer-Speed-Booster-Adapter-Nikon-F-mount-G-AF-S-lens-to-Sony-NEX-A6000-/151657409349?hash=item234f7c6b45:g:XMQAAOSw-jhT~tOR Will it vignette on wide side with both of my lenses ? Thanks

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