Maxbrand

Not that they are taking note, but to me the biggest improvement needed that I can't believe is still an issue is the HDMI delay. As long as the latency is this high it will never be able to be used in a professional setting. Both pulling focus and just monitoring in general is so much worse because of it. 

From someone who has used both, I'd say the S1 sensor is equal or better. What you get with the EVA is the i/o and ergonomics which does make it worth it if you need them but I would probably go for saving for fx6 or c70 instead in that case. 

From someone who has used both, I'd say the S1 sensor is equal or better. What you get with the EVA is the i/o and ergonomics which does make it worth it if you need them but I would probably go for saving for fx6 or c70 instead in that case. 

From someone who has used both, I'd say the S1 sensor is equal or better. What you get with the EVA is the i/o and ergonomics which does make it worth it if you need them but I would probably go for saving for fx6 or c70 instead in that case. 

Of course it's all relative. I do a lot of work with GH5/EVA-1 as well, I honestly don't often feel limited by the camera package. It is all about the lighting and camera placement no matter what gear you have. That is the point of most of my blog entries.
 
Don't let the gear available stop you from creating great work. My reel has GH5/RED EPIC/EVA-1/Alexa and more cameras intercut and I doubt that many people can tell the difference, I can barely do it myself.
 
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Yeah man I know that, I was just joking around  

Hey!
I'm back again with another BTS look at lighting. This time I breakdown the process of planning a shoot with high-end results without using any lights.
As always, I hope we can get as good a discussion going , so if you have any questions at all - just ask away and let's start a conversation!

Link to blog post.

Of course it's all relative. I do a lot of work with GH5/EVA-1 as well, I honestly don't often feel limited by the camera package. It is all about the lighting and camera placement no matter what gear you have. That is the point of most of my blog entries.
 
Don't let the gear available stop you from creating great work. My reel has GH5/RED EPIC/EVA-1/Alexa and more cameras intercut and I doubt that many people can tell the difference, I can barely do it myself.
 
?

Hey!
I'm back again with another BTS look at lighting. This time I breakdown the process of planning a shoot with high-end results without using any lights.
As always, I hope we can get as good a discussion going , so if you have any questions at all - just ask away and let's start a conversation!

Link to blog post.

Hey!
I'm back again with another BTS look at lighting. This time I breakdown the process of planning a shoot with high-end results without using any lights.
As always, I hope we can get as good a discussion going , so if you have any questions at all - just ask away and let's start a conversation!

Link to blog post.

Hey!
I'm back again with another BTS look at lighting. This time I breakdown the process of planning a shoot with high-end results without using any lights.
As always, I hope we can get as good a discussion going , so if you have any questions at all - just ask away and let's start a conversation!

Link to blog post.

I enjoy looking at "low budget" shoots and seeing that apparently my low budget shoots are "minuscule microscopic almost non existing budget" shoots because we certainly can't afford a camera package like that ? 

I like your motorized dolly!!!

Hey!
I'm back again with another BTS look at lighting. This time I breakdown the process of planning a shoot with high-end results without using any lights.
As always, I hope we can get as good a discussion going , so if you have any questions at all - just ask away and let's start a conversation!

Link to blog post.

I find that using the pre and then working as if I had shot in V-log works very well when using HLG. I was somewhat forced into this workflow when I bought the Ninja V because of the whole video levels thingy making v-log impossible to use if you want a reliable preview on the monitor. I find HLG more or less as good anyway though, so doesn't really matter much to me.
Some examples of using HLG with GhA:



 


 
 

I find that using the pre and then working as if I had shot in V-log works very well when using HLG. I was somewhat forced into this workflow when I bought the Ninja V because of the whole video levels thingy making v-log impossible to use if you want a reliable preview on the monitor. I find HLG more or less as good anyway though, so doesn't really matter much to me.
Some examples of using HLG with GhA:



 


 
 

I find that using the pre and then working as if I had shot in V-log works very well when using HLG. I was somewhat forced into this workflow when I bought the Ninja V because of the whole video levels thingy making v-log impossible to use if you want a reliable preview on the monitor. I find HLG more or less as good anyway though, so doesn't really matter much to me.
Some examples of using HLG with GhA:



 


 
 

I find that using the pre and then working as if I had shot in V-log works very well when using HLG. I was somewhat forced into this workflow when I bought the Ninja V because of the whole video levels thingy making v-log impossible to use if you want a reliable preview on the monitor. I find HLG more or less as good anyway though, so doesn't really matter much to me.
Some examples of using HLG with GhA:



 


 
 

I find that using the pre and then working as if I had shot in V-log works very well when using HLG. I was somewhat forced into this workflow when I bought the Ninja V because of the whole video levels thingy making v-log impossible to use if you want a reliable preview on the monitor. I find HLG more or less as good anyway though, so doesn't really matter much to me.
Some examples of using HLG with GhA:



 


 
 

Hey!
I'm back again with another BTS look at lighting. This time with a scene from a short film I shot a while back.
I hope we can get as good a discussion as we got going with the last post, so if you have any questions at all - just ask away and let's start a conversation!
Link to the lighting breakdown

Hey!
I'm back again with another BTS look at lighting. This time with a scene from a short film I shot a while back.
I hope we can get as good a discussion as we got going with the last post, so if you have any questions at all - just ask away and let's start a conversation!
Link to the lighting breakdown

Very cool breakdown! I am getting into gaffing so I always love to see articles like this. 

Hey!
I'm back again with another BTS look at lighting. This time with a scene from a short film I shot a while back.
I hope we can get as good a discussion as we got going with the last post, so if you have any questions at all - just ask away and let's start a conversation!
Link to the lighting breakdown

Hey!
I'm back again with another BTS look at lighting. This time with a scene from a short film I shot a while back.
I hope we can get as good a discussion as we got going with the last post, so if you have any questions at all - just ask away and let's start a conversation!
Link to the lighting breakdown

Hey!
I'm back again with another BTS look at lighting. This time with a scene from a short film I shot a while back.
I hope we can get as good a discussion as we got going with the last post, so if you have any questions at all - just ask away and let's start a conversation!
Link to the lighting breakdown