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Timotheus

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Posts posted by Timotheus

  1. 5 hours ago, Tito Ferradans said:

    Thanks Timotheus! I'm happy to hear!

    Yeah, I thought about that, but if I didn't test it on full frame, people would be asking about that. And to figure out APS-C, you can disregard most of the edges anyway and visualize with... *the power of your mind!*. hahahahaha. Just kidding on that last bit, but I think it's easier to estimate APS-C performance from full frame footage than the other way around. What do you think?

    Mind power cropping! Should be able to manage...now on to mind power desqueezing! :-p

    Found another test vid btw, not too bad either.

     

  2. 7 hours ago, Tito Ferradans said:

     I think it would be better on a smaller sensor. :)

    Very nice to see a new review Tito, always happy to get a notification of a new video of yours! On topic: as SLR Magic specifically markets this as a MFT/S35 solution, I wondered why you didn't use it as such (S35 mode on your A7S2)? I realize time is a scarce commodity, but this not-quite stellar FF performance perhaps leads us to criticizing the lens on a performance it was not intended for...

  3. 19 hours ago, redimp said:

    The asked price is much higher, then 300UKP. The size of the glass is quite significant, the rear element is 55mm wide. Is the 2x version the same?

    Big glass is better, 55mm is quite significant and slightly larger than Kowa B&H / 16H / 8Z / Elmoscope II. Those are sought after because of being short, with large diameter glass (which means you can go wider with your taking lens) and good image quality. However, if the price is much higher than those, you should give it some thought. Do you like/need the somewhat unusual stretch factor? How important is wide-angle? You're probably also paying for the rarity of it...

    About the size of the rear element of the Iscomorphot 16/2x...measured it, rear element is 'only' 32mm across (diameter of the back, including casing is 52mm, so be sure to check they did measure the glass only). Cheers, Tim.

  4. 21 hours ago, aldolega said:

    ...which I will modify to accommodate the G85's tripod mount being further forward, and the card door being on the grip side.

    Great man, please let us know how/if you get this to work :thumbsup:

  5. 28 minutes ago, bamigoreng said:

    Gawd, that swindling sucker is unbelievable...shitting all over Andrew's c-log profile over there.

    OT: I vote for the 5d4... haha.

    Nahhhh...the G85 seems such a great value, is on my wishlist, but I'll wait for Andrew's review and the GH5. Also the Sony a99 ii is incredibly specced, for what it's worth.

  6. I'm not sure, but it looks as if the horizontal flares don't run perfectly parallel. But they should, so then that would indeed indicate misalignment in the anamorphic.

    Only other explanation (if the Helios on itself is working fine) is that the dual focusing goes wrong...

  7. Hey man. I liked this a lot and it got me interested in the whole story, so the trailer's main goal succeeds with me :-) It also showcases a lot of technical skill and polish (aerial shots, editing, grading and varied camera work/movements). If there's anything to critique, I'd second @mercer's point. The antagonist / danger is somewhat unclear at the moment we see her hiding (0:47-0:51) so perhaps a slight reorder might be even more effective. Another thing I realized when I watched it again, is that we only hear the score. Some ambient sound could elevate tension even more (running footsteps, breathing, screaming etcetera). But I realize that adds a bunch of work... Keep us posted on your progress, looks great!

  8. 21 hours ago, Simon Cote said:

    Hey SigurdW, thanks for the reply. These solution are all quite expensive I thought I could simply use a diopter that could help me to get a closer focus distance while keeping the ability to focus to infinity without having to unscrew that diopter. 

     

    Cheers

    What you want is impossible, as a diopter always limits your maximum focus distance. So no infinity, but closer focus yes. Read up on Tito's site http://www.tferradans.com/blog/?p=7282

  9. 57 minutes ago, hyalinejim said:

    It's click bait BS. He couldn't even match WB between the two.

    Oh the title is clickbait for sure. But the content is not too bad. I believe he says he uses same settings for all situations, although I'm unsure if that includes WB. Still, doesn't matter too much, as colour science from different manufacturers can vary (see: the eternal Canon vs. Sony debate). Main takeaway for me is the awesome value the Panasonic delivers.

  10. I think Tony tries in this video and many others to get manufacturers to start innovating and deliver more value. Not only for the benefit of micro-attention-spanned millenials, but certainly also for dedicated, paying consumers. As Canon's intentional crippling of camera's is often lamented here, I would reckon this notion would gather some support?

    Among many, many other things: simpler menu's, touch UI, flawless connectivity through Wifi and GPS, easy firmware updates and an update of those friggin archaic top-lcd's have nothing to do with 'dumbing down'. These would be beneficial to everyone.

  11. 18 hours ago, brera100 said:

    ISCO only manufactured a couple of examples of this lens. And they were never released commercially.

    It has a 49mm rear element diameter and a 95mm front filter thread. Which does beg the question as to why it was produced in the first place, given that the size and weight are pretty much identical to the Iscorama 54, and its successors, the ISCO 16:9 Video Attachment (1.33x) and the ISCO 16:9 Video Attachment I (1.42x).

    I've got a little stash of rare ISCO stuff, including one of the prototypes for the original 1967 Iscorama (all metal construction and a 67mm filter thread). So if you are ever interested in parting with your special find, I'd certainly make you an offer.

    And treat your lens carefully, because it's a little bit of German optical history...

    What a great post to get started on this forum! Welcome and please share what you know, many interested enthusiasts here :-)

    And so there indeed does exist a 1.42x Isco haha...

  12. So, I'm not a technical guy, but this sounds incredible. I could imagine slight panic at Canon HQ as their years-old camera's are to be turned into 10/12 bit RAW HD+ machines. Insane.

    Just hope that this is not the tipping point for them to go after the ML guys, law suits and all.

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