BrorSvensson

the real question is, what happened to 2.7k? it would be amazing to see all these 4k capable cameras that can to 1080p120fps to add an 2.7k 60fps mode. 

the real question is, what happened to 2.7k? it would be amazing to see all these 4k capable cameras that can to 1080p120fps to add an 2.7k 60fps mode. 

the real question is, what happened to 2.7k? it would be amazing to see all these 4k capable cameras that can to 1080p120fps to add an 2.7k 60fps mode. 

the real question is, what happened to 2.7k? it would be amazing to see all these 4k capable cameras that can to 1080p120fps to add an 2.7k 60fps mode. 

Switching to FCPX is the best decision I've ever taken as an editor. It makes my life so much easier and frees up a noticeable amount of time.

apparently it might be a focus issue

You know, this might actually be an advantage for me. Shooting in 0° Wisconsin weather? No more overheating, plus a free hand warmer!

but no 120fps

Nx1 does pretty good in this regard, especially if you have the bitrate hack if you can deal with the h.265 codec and can find the lenses you need.

apparently it might be a focus issue

They tried that with the a7 and a7r, im sure they looked at the numbers from that and decided that what they are doing now is more profitable.

24fps raw stills for 150 shots... so that opens up the possibility for around 6.25 second bursts of raw 6k video! Maybe someone crazy will make a video with it. It'd be a lot of work, but might be kind of a fun challenge. 

Headphone and Mic jack please

No over heating, no over heating, way way way faster operation and finally: NO OVER HEATING!

Wow!!! super crazy story!!!

The images from this video are really good to my eyes: no moire, no bad artifacts... smooth movements... I like this little drone! 
Thank you for the advices!

Well, I agree that Classic Chrome is a profile which you just don't want to touch, because of its gorgeous colours. I made a little video of a trip lately, and I just did some WB and exposure correction (maybe grain). The problem is, that you just can't do much with it in post. There is little latitude. You wont have a lot of dynamic range. There is a big difference between Classic Chrome and Pro Neg Std regarding DR. I agree totally, that skin tone is key. There was a post lately of a video with a girl that had a yellow skin tone. You don't really watch the video, you just wonder if she has a problem with her liver and if she went to hospital. If I could have the Classic Chrome colours with the flexibility of Pro Neg Std., that would be heaven. Unfortunately, there is no Film Simulation LUT for F-Log.
 
At least it's consistent regarding the ranking. Which means, I don't need to dig into the mathematical basis of both tests to find out which one is off.
 

I strongly dislike the fisheye look of the gopro's and the straightening out effect gives very smeary and unsharp corners.

its probably the 28mm f1.4 AF-D

im sure you can sell your lenses on ebay and buy the nikon/canon versionof them there with very small loss of money.

im sure you can sell your lenses on ebay and buy the nikon/canon versionof them there with very small loss of money.

theres plenty of manual adapters for the sony a lenses, just not any electronic

http://lmgtfy.com/?q=minolta+to+m43+speedbooster&l=1

Just received my new XC15 with XLR attachments. Just threw this up after a hard day's work in the shop---so you can sample the quality of the audio.
I also used the new Production Camera custom profile that is also in the Canon C300 M2.  But this is just a sample of the audio for talking head stuff:
 

Its still software repairing, i prefer it to be optically corrected
 

soryy but that was a couple years ago, now its all about walking around with g7x's and 70d's on gorilla pods and um, this guy