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noone

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  1. I should say I did sell that Minolta 85 on Ebay for multiple times what I purchased it for at a pawn shop so I liked it for THAT (it was ok optically but not much different optically to several other 85s I had. 

  2. On 5/23/2021 at 7:38 AM, newfoundmass said:

    I used to be all about vintage lenses but these days the value isn't there as much. Seems most 50mm lenses are still pretty reasonably priced (I imagine because they're more plentiful), but a lot of other focal lengths have sky rocketed in price. I still keep my eyes open for bargains on Minolta lenses, since they're my favorite. I still use my 50mm 1.7 for portraits and for some interviews, since it's a 100mm equivalent on my GH5. 

    I have no love for old Minolta MC/MD lenses.    Nothing wrong with them really (I did not like the MC lens 85 I had in how it opened up after stopping down but workable) ok but nothing special to me, I still have an old MD 50 f2 but no adapter for it right now.  

    The one Minolta MC lens I would love to try is that 24mm VFC with variable field control though rare and expensive.   Mind you, if I found a cheap 35 tilt shift I would give it a go too.

    Minolta A mount lenses on the other hand are absolute bargains right now and if only the LA-EA# adapters were not such lumps I would still use some (I still have a 180 5.6 Sigma I also can not use right now).      Are there any adapters yet for Sony A mount lenses on Canon/Nikon mirrorless cameras? 

  3. 6 hours ago, mercer said:

    But I don't think you can go wrong with any real Zeiss lens. Even the old Rollei Zeiss lenses were pretty special. Especially the ones made in Germany.

    Well I am spoilt since getting the Sony Zeiss 55 1.8 By far the best normal lens I have had (and I had a couple I really liked like the FD 50 1.2 L and Pentax 50 1.2 K) even the Nikon little 50 1.8 AF (non D made in Japan) was a great cheapy...lots of others (Canon EF AF and FD 1.8s, Sony APSC 50 OSS, about a dozen 50 1.7/1.8 and f2s from  all sorts of makers), an ancient Biotar 58 f2 with 17 blades but I think the Zony is pretty special (LOCA can be an issue but not a problem for me so far).     It is because of the Zony I probably will not get this lens at any price no matter how cheap (ok I would for under $100).

  4. 2 hours ago, mercer said:

    Is it an MMJ or an AEG? You can tell by looking at the last number on the aperture ring. If it's green, then it's an MMJ. Also the later serial numbers are supposed to be sharper versions, but I believe they're the ones in the 8xx... range. The AEG versions will have the sawtooth bokeh.

    I've owned 2 or 3 over the years. The first one I owned was unbelievably good. I don't remember which version I had. I never paid more than $125 for one, but I haven't owned one in a few years.

    If you pair it with a 25mm 2.8 or 28mm 2.8, I think it's a great little Zeiss set. And then eventually, if needed, you can get the 35-70mm 3.4 to fill in the gaps... if you don't mind a push/pull zoom.

    $200 Australian is about $150 US at the current exchange rate.      If it gets put down to $100 or even $150 for its condition that will be a bargain.      Since it is a charity, I wish they would put it on Ebay but they are not allowed to do it locally for some reason.   I think even $300 is a great price for it (not that I would buy it for that).   Will look at the serial number today hopefully for an 8## serial number! (must read up on it again, it has been a while). 

  5. 2 hours ago, mercer said:

    Is it an MMJ or an AEG? You can tell by looking at the last number on the aperture ring. If it's green, then it's an MMJ. Also the later serial numbers are supposed to be sharper versions, but I believe they're the ones in the 8xx... range. The AEG versions will have the sawtooth bokeh.

    I've owned 2 or 3 over the years. The first one I owned was unbelievably good. I don't remember which version I had. I never paid more than $125 for one, but I haven't owned one in a few years.

    If you pair it with a 25mm 2.8 or 28mm 2.8, I think it's a great little Zeiss set. And then eventually, if needed, you can get the 35-70mm 3.4 to fill in the gaps... if you don't mind a push/pull zoom.

    AEG (pretty sure I checked that but forgot to mention it).

  6. Looking at Ebay for sold prices, it seems to range wildly for what people have actually paid (not what is asked for).

    $116 (Australian) for one for "spares and repair with haze" from the UK, $137.93 for one in good condition with a Fuji X adapter also from the UK (this one seems an absolute bargain), $141.61 working but some dust and not so smooth focus (UK), a $143.45 for one with fungus (UK again).

    User ones in ok condition generally seem to be around $200-$250 with the better ones seemingly in the $300-$400 dollar range.

    I would rate this charity store copy as a very good one.

    Since it has now sat unloved in the front window for several weeks, I think I will suggest they either send it to Sydney to go on Ebay, or reduce the price to $100 (and sell it to me...Not that i need another lens like this so probably not).

  7. Thing is I do not want to out it on Ebay.     I actually had it on Ebay about two years ago and would have taken around $800-900 but not a single bid.

    I will get nothing like $4000 selling it in a major camera store via commission (they take %20) but again, I will be happy to get enough for something i will use more often.

    That said, i really do love this old lens, I just do not think it is worth anything like what they sell for.

    It will be a couple of months before I take it to sell though so will use it for a little while yet.    Who knows, I might even change my mind (though any sale over $2000 I would till be nuts to keep it).

  8. 8 hours ago, leslie said:

    cruising through the fd lens section on ebay. Honestly i was only window shopping... when my eyes started watering. This aught to lift your spirits noone  there was also one for $7000 and another for $6500ish 

    fd24mm f1.4.jpg

    You should see the Japanese prices...plenty of mint in box ones for over eleven grand (Australian)!

  9. 1 hour ago, leslie said:

    Im surprised you don't get a bit of redeye with the built in flashes. From memory i used to get a lot of redeye whenever i used my flash on the camera still could have been my technique 🙄

    Not so far though not used the little Nikon for portraits yet (other than quickly deleted selfies just to check).

    Turns out the cloud went away here and those who braved the cold after 9pm got a great view of the super moon and eclipse.     I just wish my little RX100iv had a slightly longer lens as it is also a great portrait camera and the eye AF is very good (still have to hold down a button on this model in continuous mode).

  10. Too much cloud here last night so I just went for a quick look (could not see the moon) and gave up.

    I have found i like superzoom cameras now.

    I already had my late Dad's Fuji but picked up a Nikon P530 for very little...  Only HD video and no RAW photos and no manual focus but geez I like it.

    I have come to realise that while they might not be all that great at photographing distant things compared to an ILC with appropriate lens, for closer in (and especially in their built in flash ranges, they can make wonderful portrait setups and probably be ok for people video in a non moving setting (if you have enough light).

    I think i now really want a RX10iv or preferably, the NEXT Sony RX10 model.

  11. On 5/21/2021 at 1:11 AM, zerocool22 said:

    I guess EF mount because of price, I think they can use EF mount for free. And RF is prolly patented and they would need to pay a certain amount. 

    And PL is not the hottest with dslr mirrorless style shooters. And E and L mount are more restricted/limited to sony and panasonic. (Not a lot of choice between cinema lenses, more photo oriented, and not as easy to mount to other cameras while EF lenses mount on any camera).

    I think it is because there are so many EF mount lenses.      Sony E mount lenses are being adapted with auto focus to Nikon Z cameras now (R might come but harder to do with such a short difference in the flange distance.

     

  12. 5 hours ago, kye said:

    Interest in vintage lenses is directly correlated to sensor resolution, so it's up up up up up.......

    I saw a post the other day from someone saying that the second-hand price of one particular vintage lens had gone up 4X in about the last year.

    I am taking my FD 24 1.4 L to Sydney to a major camera store for them to sell on consignment... I will not get anywhere near th $4000 minimum they seem to go for on Ebay but I expect to get enough for a decent portrait lens or a decent (older) FF camera or even a Sony Rx10 iv.

     

  13. I think what is keeping micro four thirds alive (for now) is the still quite large group of aging photographers that down size.     The people that love taking photos and have done in some cases for decades but who now think some of their previous gear is too heavy.     Some of these just move to 1 inch sensor camera compacts but many do go to M43.    

    That group will come to an end for the most part but still has a few years to move through the cycle (buy their first gear, buy better gear ....often heavier, take their heavier stuff less often, look for an alternative, roll over and die).

    I am one of them (though I did try M43), I can still manage FF and a 300 2.8 but a lot less often than previously.

    I have a couple of small sensor super zoom cameras and a 1 inch camera now added.

    I would not mind a GH5s at some point when cheap enough (this new camera might speed that point up at least).

    I think they need aim just about any new M43 camera at stills photographers even if best used for video.

  14. 3 hours ago, TomTheDP said:

    There's no real demand for 14 stops of dynamic range. Big productions that need it have it and those who can't afford don't. Clients paying $500 for a video don't care about dynamic range. The other half is of course brand recognition. Many clients don't even know what dynamic range is but they'll know what Arri or RED is. If you shot something on any decent hybrid they'd not know the difference if they weren't on set to see that you were using $2000 stills camera. 

    Grab an old pro film video camera from Canon or whoever and take that along with you...Then use whatever camera you like (just got a couple of decent looking old Canon cameras in at the op shop i volunteer at...they are pretty much worthless but most will not know that).

     

  15. That really stinks Andrew!    Hope Ebay makes it right.

    Ebay USED to be a great place to buy and sell.

    Mind you my very first purchase decades ago was a scam (a dinky little fraction of a MP camera for $100 that never existed)...I never did hear from Ebay or the police after that beyond a couple of emails!

     

    Since then, no issues until recently...No problems selling camera gear when i needed to.

    Recently though I had an issue as a buyer ....AFTER I paid and I had RECIEVED feedback from them, the seller decided the item was no longer available....said they would refund but also said they were sick.... I ended up getting the money back but it took a while and I believe they just sold it to someone else for more money and while not a huge value, being perpetually broke these days, I could not buy elsewhere until I had the money back....I really wanted to just leave very cranky feedback but getting the refund stopped that.

    Nah, I am done with Ebay for high values things  as a buyer and everything as a seller.

     

  16. 17 hours ago, mercer said:

    Yeah, the price of these lenses have skyrocketed. Have a look at the asking price for the nFD 24mm f/2... it's over $1000... that lens could be bought for around $200 a little over a year ago.

    They've gotten so high, I am seriously considering selling my EF modified 50mm 1.2 L.

    This is simply crazy!      I just looked again and all the 24 f2s are listed at or over $1000 Australian and many for a lot more.

    One glimmer of hope is if you look up sold items, while there are lots of f2s above (and some well above) $1000, there are some for lower and even the odd few around $500-$600.     Ones that have auctions rather than BIN seem to go about $800 or so     Japan seems to have some of the cheaper ones (along with the dearer ones).

    The 24 2.8s are much better still but then there are zillions of similar lenses including better newer ones.

    I think I might take my 1.4 to a camera shop in Sydney/Brisbane/Melbourne next time I go to one of them and see if I can trade it for a gold Leica (ok maybe just something interesting.

  17. 9 hours ago, leslie said:

    ah i was more interested in how it flares in the sun. Its no big deal. Cant really afford an L series anyway lol 

    I would probably need something like a 18 stop ND filter for that first!

  18. 9 hours ago, leslie said:

    @noone you ever try the lens for flares ?

    Not really.

    Flares are not something I use really.

    If I thin about something, I will see what it is like (otherwise I might just try a torch in front of it for both photos and video.

    I did put that very lame had held video (not stabilized) using it on You tube a few years ago that is still there and there is a street sweeper headlight (was using it as a zoom with clearzoom at 1.4 FF)  

    https://www.youtube.com/watch?v=P9jGaVRPrBM

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