Leepatterson

I still love the pocket. I was lying on the cold sand on Friday evening taking (what turned out to be awesome) DNG RAW 30fps footage of the sea. Got it home and was dumbstruck yet again on what I was seeing. Shooting at 30fps and decent optical flow re-timing the frames are rock solid even taken down to 10% of original speed. It is a quality (I suspect historically significant) camera. The only change I would look for would be support for the higher data rates of the type II cards. It feels like a very loved child at this point and nothing on the market is more compelling IMHO

BMPCC SLRM 1.33 anamorphot/SLRM 35mm

BMPCC SLRM 1.33 anamorphot/SLRM 35mm

BMPCC SLRM 1.33 anamorphot/SLRM 35mm

Both of these are an Iscorama pre-36 on a 5D2. Still going strong these days with the Isco for documentaries on ML5D3.
It requires a measured approach to shooting. Not good for when you need to change lenses quickly in order to get the shot.
 

BMPCC SLRM 1.33 anamorphot/SLRM 35mm

beautiful images, thanks for sharing them

Beautiful. Thanks for sharing the work:)

Thanks Hugo, appreciate the time and the energy you took. I agree with Rich, some comments were pretty harsh. Don't see why sharing is rewarded with flak; it only serves to push people away and thins the community. As to the footage (well shot and yes, controlled but fits the style of the piece). Would like to see some rapid focus pulling on the lenses (as well as speed shifts in the edit). I own their Anamorphot and the nature of that beast is that it needs a tape measure involved to hit the marks. Thanks again

Thanks Hugo, appreciate the time and the energy you took. I agree with Rich, some comments were pretty harsh. Don't see why sharing is rewarded with flak; it only serves to push people away and thins the community. As to the footage (well shot and yes, controlled but fits the style of the piece). Would like to see some rapid focus pulling on the lenses (as well as speed shifts in the edit). I own their Anamorphot and the nature of that beast is that it needs a tape measure involved to hit the marks. Thanks again

short I did last year with BMPCC/SLRM Anamorphot
 

short I did last year with BMPCC/SLRM Anamorphot
 

there are some good articles over at no film school and especially this one at Redshark
http://www.redsharknews.com/post/item/1710-how-to-make-hd-look-like-4k
 
I love my BMPCC and I can't imagine moving away from it anytime soon. Like you I moved from 550D (euro name) and have never regretted the decision

Wonderful footage from the new Cooke Anamorphic/i