tkealey

Sorry.. getting lost in the details a bit here...  will this work with the Canon 50mm 1.2 on a mk3?  

Resolve jumped onboard with ML raw support. I don't think Adobe have ironed out much of anything on this update other than just basic playback. I've heard several people talk about their footage being pink in Premiere, but I've also had to adjust the tint on ML raw dng sequences on import myself in AE. Debayering... I agree with Andrew though. They need to just add ACR. It's theirs...it works, lol. Pretty simple. AE imports dng's just fine, why not just add it to Premiere?

So are Blackmagic cinema camera DNG sequences also importing into premiere with this pink cast?   Or is it just something that the ML raw DNG's are doing?

OK... so i'm a little unclear here.  What's causing the pink magenta cast in premiere?  is it the Raw Magic conversion process that's adding it?  or is it the original Raw file created by magic lantern software?   Just wondering who will be trying to figure out a solution to this... cause i don't have faith that adobe's going to go out of their way to support a hacked version of the canon camera.  So is it something, in your collective opinion, that can be fixed on the magic lantern or raw magic end?

Hey.. just ordered this as well and didn't receive a download link.  any help would be appreciated.