Leica50mm

Wow, it would be nice to see some footage from this camera . There isn't any around. If its this great seems like there would be some around. 

1DC

OK, here's some 10 bit that I shot after opening the box and inserting the card : 

No grading  straight off the card. Hand held canon 85mm 1.4 IS  I think I was testing the stabilization .

Sure, just as soon as you show some GFX 100 footage . Just kidding. Yeah I shot a couple quick clips last week I would share .

They were more of a autofocus test of pushing in on a slider of a guy dribbling a basketball  . And it is kind of magic.

  Something you could never do without an AC .

The full frame 24fps with AF Raw footage is fantastic, but major gotcha is file size .  

The raw files are about 1.5 gb for 20 seconds . Do you have a server to upload to?  Looks like yours doesn't accept canon CRM . 

I will link them from my iCloud when done uploading.

So glad I bought the 1dx mkiii instead. Canon just works .

16 hours ago, padam said:

With the cost cutting on the displays and build quality, it can be seen as a much cheaper 6D-class camera with IBIS, 4k60p and 1080p120p
8-bit 4:2:0 IPB compression (8-bit 4:2:2 external) and no Canon Log (crop, no AF in some modes) would be the most logical to expect from Canon., capable as a consumer camera, but not a pro-level camera either for stills or video. 
Which would mean that for better dynamic range, 10-bit or RAW codecs (to CFExpress cards) one needs to step up. But we'll see.

And yes lower-res 4k RAW would be useful, except that's exactly what their Cinema cameras provide, so I can't see them putting anything similar in a stills camera.

Or next year, the 1DX III 5.5k60p RAW recording capability with IBIS will be put in a mirrorless camera (for about the same price).

4k raw would be awesome 

I recently purchased the Canon 1dx mkiii. The 6k raw is so hard to work with, it’s not worth it in my option.  I have a maxed out trash can set up and final cut cut and Davinci just choke on it.

I have a red dragon 6k and the footage pays like butter. I wanted the raw and autofocus, but it’s just isnt  happening for me. 
I can’t imagine how bad 8k will be to work with.

Dream on Sony lovers.

Here's Sony's answer to canon's raw on C500 MKII :https://www.newsshooter.com/2020/04/30/atomos-sony-fx9-raw-recording-details-announced/

Ok gotcha, thanks! I got mine last week and still figuring it out .

10 hours ago, gt3rs said:

Some frame grabs at 5.5k 

Grab from 5.5k 60fps 16mm 2.8 at 1/1000

Grab from 5.5k 25fps 1/50, 560 mm using DPAF

Grab from 5.5k 25fps, 1/50, 50mm 1.4 on Ronin S

Doesn’t do Dpaf in 5.5 raw, right?

I do not have one but have been reading posts by owners who are astonished by how good the 2 K pro res looks straight out of the camera . 

You don’t know what you are talking about until you have seen 8K monstro FF downscaled to 2 K ProRes . 

Only question i have is, when can i buy one.

4 minutes ago, BenEricson said:

Works great with the C300ii and a 70-200 as well. 

You could say it performs as if it is parfocal, but there are situations where it won’t work 

What situations?

1 hour ago, Leica50mm said:

I was thinking about this the other day.  . I have the canon 1DX mkii and canon zooms . It seems like the auto focus would keep focus through out the zoom .  I tried it and it works .

Why wouldn’t it? 

A short zoom i did in this video : 

 

I was thinking about this the other day.  . I have the canon 1DX mkii and canon zooms . It seems like the auto focus would keep focus through out the zoom .  I tried it and it works .

Why wouldn’t it? 

Excited to see the new Leica SL Ii . Should be coming soon and I think it will have the same sensor. 

Considering how good the SL is for video it should be amazing. I just bought one second hand for 2800.00

Also, love to some nice Leica SL glass like the 24-90 on this. Should be good. 

Just get one of these : 

i just read canon's coming out with two more very fun sounding 1.2 lenses . 24mm 1.2 and a 85mm 1.2 . Might have to get one just for these killer lenses. 

Why would you want 4 k when that looks so good?

48 minutes ago, thebrothersthre3 said:

Make sure you are changing the stabilization settings when you change the focal length.

Ok i’ll Try that 

Thanks,

Tim

28 minutes ago, tupp said:

Consider the original EOSM with Magic Lantern.   It can shoot 2520x1080, 12-bit lossless raw  at a crop between 16mm and S16mm.

 

Here are two examples shot by our own @Alpicat:

https://www.youtube.com/watch?v=rQFKXUS-9V0

https://www.youtube.com/watch?v=K2cEQLVQM78

 

This resolution (2520x1080) requires the ML SD card hack, which is slightly tricky to set-up -- you have to use the right SD card.  On the other hand, there are lower resolutions at that crop (between S16 and 16) that don't require the SD card hack.

 

Of course, there are many other ML raw (and non-raw) possibilities with the EOSM, such as 1736x1120, 14 bit lossless raw utilizing the full height of the EOSM's APS-C sensor (another @Alpicat example).

 

 

A used original EOSM costs around US$180 right now, but the numbers of EOSMs offered are dwindling.  Also, there are several PL-to-EF-M adaptors, including some that tilt.

28 minutes ago, tupp said:

Consider the original EOSM with Magic Lantern.   It can shoot 2520x1080, 12-bit lossless raw  at a crop between 16mm and S16mm.

 

Here are two examples shot by our own @Alpicat:

https://www.youtube.com/watch?v=rQFKXUS-9V0

https://www.youtube.com/watch?v=K2cEQLVQM78

 

This resolution (2520x1080) requires the ML SD card hack, which is slightly tricky to set-up -- you have to use the right SD card.  On the other hand, there are lower resolutions at that crop (between S16 and 16) that don't require the SD card hack.

 

Of course, there are many other ML raw (and non-raw) possibilities with the EOSM, such as 1736x1120, 14 bit lossless raw utilizing the full height of the EOSM's APS-C sensor (another @Alpicat example).

 

 

A used original EOSM costs around US$180 right now, but the numbers of EOSMs offered are dwindling.  Also, there are several PL-to-EF-M adaptors, including some that tilt.

Hi Tupp

Thanks, those do look good and I canon color a lot. But, I already have the 4/3 to PL lens adaptors which are really nice.

Thanks,

Tim

I got the camera a couple days ago after reading Andrews post. I wanted something to replace my Black Magic pocket camera for these old Zeiss s16s super speeds set I have . To put it bluntly, I’m not getting the results . The first two shots on his video sold me on it. Didn’t even watch the rest.  

  I’m used to shooting with a red dragon so maybe I don’t know what I’m doing . But, I can’t get the stabization to work very well .

Thinking of returning it on Monday . Sad, because I really love these lenses and would really like a viable s16 camera. I also have a Zeiss

s16 10-120 which is awesome to shoot with . Small,  light weight and s35 its a 20 240 f2.0 . I also like the s16 look. 

I had just watched The Wrestler the night before and that was shot on s16 so, that probably influenced my purchase as well. 

Sounded so good, i got one . Pocket Rocket . 

Is that video hand held?