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Posts posted by bootsie
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Does Resolution Matter? || Geoff Boyle || Spotlight
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Thanks for the thrilling discussion. The camera is a 5D MKII with ML RAW and the lens a Zeiss ZF 35mm. @Zach Goodwin you got it right immediately!
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This shop did the declicking for 25 Euro per lens on my Zeiss ZF and they did a great job!
Alas, it's located in the south of Germany.
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You can try these from Helicoptersean on ebay:
http://stores.ebay.com/Follow-Focus-Gears?rmvSB=true
or the ones from Lux Gears, if you are located in the U.S.:
http://store.cool-lux.com/collections/luxgears#_l_1o
How about these?
http://www.ebay.de/itm/FLEX-Seamless-Follow-Focus-Gear-for-DSLR-Lens-50-93mm-/291784263189?
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Well, actually Zeiss did not invent this. It's a rebranded NiceDice LensGear and comes a bit cheaper:
http://new.studio-afs.com/lensgear-en-2/
http://www.videodata.de/shop/products/de/Objektive/Sonstiges-Zubeh-246r/NiceDice-LensGear-Small.html
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5 hours ago, Oliver Daniel said:
It's really hard to find professional footage for these cameras.
Most stuff I've seen is vastly overexposed/underexposed, graded badly, lit badly, shot badly or a combination of these.
I remember seeing a short film shot on the Kinemini 4k, and the the image quality was outstanding - like you'd expect from a theatrical feature release. But I can't find it ANYWHERE.
Found this on the Kinemini 4k though:
Well, did you look here? http://www.kinefinity.com/support/downloads/shots/?lang=en
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1 hour ago, liamlumiere said:
I had the same problem with a bit of metallic vibration and it just felt a bit loose so I re-greased mine. It's stiffened up nicely now but be careful not to put too much, the more you put the harder it will be to turn plus it could 'leak' all over the glass.
John Barlow has the following advise:
"Yes some customers experience issues with the grease and some with noise. I have traced the issue to when the package is in the low pressure cargo hold of the aircraft. This causes some grease to be sucked away from the helical during flight. The noise or movement is because some part of the helical is without grease. Rectilux was designed for easy self-maintenance as shown on page 37 of the manual. Sometimes it is best to use a brush to spread the grease uniformly. Rectilux will be smoother after a bedding in period and will be a lot quieter - the more you use it the better it will become. Mobil grease can be obtained here:
https://www.silmid.com/products/mob2800400-mobil-grease-28-390gm-cartridge-m " -
2 hours ago, Mattias Burling said:
Not getting full HD and only about 4sec recording. Might have been the card though. And back with the eos-m it was 720p an no audio. Also had to be in crop because of moire.
On that the peaking sucked as well. I didnt use it this time but tested it, it was nice.
Not quite right: On a 5D MKII you can get continuous 14 bit RAW recording (MLV) with audio in 1:2,20 (1872x850 / 25 fps) on a Lexar 1066x (UDMA 7) card. I use it constantly without any trouble.
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I guess your basil needs some loving care…
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The same goes for http://www.coollcd.com. Great stuff and fast delivery!
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There is actually a Behind the scenes video:
- Henry Gentles and Nikkor
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What a great job! Thanks!
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Does anyone have informations about these 16mm zoom lenses? What is the price range and are they useable for digital cameras?
Angenieux Paris F. 10-150 mm, 1:2 -2.8 Type 15x10B
Angenieux Paris F 9.5-57mm, 1:1.6-2.2 Type 6x9,5 BThanks a lot!
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SmallHD has a Google chart for this topic: https://docs.google.com/spreadsheets/d/1_b-6uuQHIXt4OfdURFFWPbYB89c-d5-qmpqr0TEfATM/edit?pref=2&pli=1#gid=0
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Thank you so much for this awesome explanation! This is really impressive and inspirational!
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Sensational! Do you have pictures of your lens set-up?
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As far as I remember he used the Cinelux Anamorphic with their corresponding Fixed Focus/Fixed Iris Projektion Optics.
Also he custom 3D Printed an Adapter to mount them on Arri Amira.
I saved the article as a PDF. You can read it here:
- anti12 and Cosimo murgolo
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WOOOOOW !!!
this guy only earns your shipping fees
Well, he adds:
I divided the price of $ 500+ $4500 shipping, because to the restriction limits sales in our country. I hope for your understanding.
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- Hans Punk, silkey and Cosimo murgolo
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I'm in as well.
1080 vs. 4K: What is REALLY necessary?
In: Cameras
Posted
A "Clear Look at the Issue of Resolution" comparison by Steve Yedlin, ASC. He offers an intriguing demonstration on how capture formats, pixel counts and postproduction techniques affect image quality and why simply counting Ks is not a solution when selecting a camera." End quote.
https://ascmag.com/articles/a-clear-look-at-the-issue-of-resolution