Jon7athan

It works.

http://vimeo.com/62551266

And if I remember correctly, you can convert your .nef files to .psds and premiere pro will import those directly as image sequences.  But the files are huge then, you do have the option to run photoshop scripts to noise reduce, sharpen, nik software modify your files once they are .psd files, as well, in photoshop.

Hello,

 

Your suggestion is a great one.  By far the best workflow suggested so far.

 

I was hoping to get the V1 raw burst mode output into Resolve, but at the moment it is a no go.   So your suggestion to use Adobe products seems the most sensible for today.

 

I don't have After Effects, but I wonder if it could be used as one member suggested to intake the 30 NEF files, and output a CinemaDNG clip that Resolve could work with?

 

If anyone gets this working, I would have to go purchase AE.

 

Tim

Y'all are working entirely too hard at this.  Adobe created the CinemaDNG & the photography DNG specifications.  Use their tools.

1. In Adobe After Effects, create a new composition.
2. Import File.
3. Select the first .NEF file, Import As:  Footage, check Camera Raw Sequence.
4. Very Important to bring the hotness.  Use Camera RAW to initially grade your footage.
5. There is this weird thing where the default Frame Rate is set to 30fps.  Right click sequence and interpret footage where you will change the frame rate to what you captured in camera at.

Ready to use Premiere Pro to create your edits.

1. In Premiere Pro, under File, select Adobe Dynamic Link, select Import After Effects Composition, find your .aep file in the browser.
2. It will list all the compositions in the right panel, choose your shots.
3. Add to timeline and edit.

You have not compressed the files (converted to jpeg or tiff), you get to use Adobe Camera Raw (same as used in Lightroom) to edit your RAW sequences/files, any changes you make in After Effects will now be reflected in your Premiere Pro project through dynamic linking and you did not need to create proxies.  The best of all worlds.  

This works with .NEF files as well as .DNG CinemaDNG files.  With the original CinemaDNG files you keep the timecode generated by your Blackmagic Camera, Ikonoskop A-Cam dII, or Digital Bolex.

After downloading the original 2.5K .mov file and viewing, just gotta say WOW. I won't compare it to another 2.5K camera that isn't shipping, but it would be interesting to see the footage with a RAW workflow  Good job Zach.

Hey everyone, looking forward to seeing some of the cool stuff that you all come up with using the V1.  I got mine yesterday and shot this little piece today.  Nothing fancy, but impressed with what it can do.  Definitely won't replace my HDSLR's but it is a fun tool to use and play with.  Enjoy!

 

http://vimeo.com/61774105

Tzedekh could be on to something.  This Aptina chip, the Aptina AR1011HS, is scheduled to ship in the 3rd Quarter of 2013.  60fps, electronic rolling shutter, seamless capture of stills from video.  High-Speed modes:  1080p120, video up to 1200fps.  Sensor for Mirrorless & High-End Compact Cameras.  You could announce at NAB and ship before the holiday season.  I'm off to start my second Kickstarter project...

Aptina Mirrorless Sensor brochure

You actually want to use this Aptina sensor, MT9H004.

APS-C, 14bit color, 4928x3280, electronic shutter, 1080p30 HD mode with 2x2 Binning.  But you really want to just capture those 4K files to a buffer and then encode to CinemaDNG.  Hold up, I'm off to create a kickstarter project...