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lightpainter

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  1. Like
    lightpainter got a reaction from jgharding in Sony A99 revealed with new video optimised full frame sensor   
    Good morning!

    it runns..but runns the car on all 4 wheels in one direction?

    -so many types
    -and a next year to run till..
    -everything is absolut right
    -but
    -4:2.2 10bit
    -max bitrate
    - and maybe a chip big but only 12 megapixi
    -best made elo shutter much better global shutter
    -a pakage of gear i get on same day ( and not when the cam is out of because a new new and so on..) ( soory we
    have changed xlr to a ap-computed audio-extern-wireless sys on your i-phone just activate your cloud-4.0 then..)

    it goes on and i look to my brave 2 gh-2... they work and work and work..sometimes i think they look at me
    like samurais, thinkin i will release them and be ronin?
    why?
    is it right that the BMC now with fourfirth-mount goes exact the technical and realistic way of this camera-yes.
    what is with my lenses?
    first worked hard to get all of them, also the rare from the 60ties..now..all fit on a BMC...
    first the rock rolla with small indie films - let the revollution run through 2013.
    2014 i get a FULLSENSOR-PORN... shurely.


    am i an first-experiemtal-dest-dummy at all? do you coppy huston?
    capcom..no..mainbus b is out of engine...( a nice yoga hotline lady in holodec
    appears..and the same otis-ellevator-music and a counter that just in 99999 minutes
    the problem is solved)..ah..huston... reentry-engine cont down in 4 secounds.. coppy ( not translated
    words in my hometown made whiskey that works not but as an paranormal medicine it helps..maybee)

    IS THIS THE UPCOMMING REALISTIC APS-C AAAAND FOUR_FIRTH PARADIESE?

    ( yes suba-full hd 4k-playstation and all we geht in soon..and funny that my provider is
    now more enabled to transform a hd signall not full hd and if i ask him the future off all come
    on the other side of hotline missis daisy falls to coma..) ( pleas hold the line)
    huston...i loose mainbus-a..do you coppy?? ( panik..no profesional fatalistic - smoke my russioan cigaretts
    in the pure oxygene it is marvellouse....)
    think about my cuda graphic cards in my computers, that are not build yet....
    my ounty will bring me 30 new ssds with 40000 terrabyte on christmass....


    So when i go in London in 3 Weeks- is it possible that it rains Andrew`s fs 700 and many of them?
    LONDON BAKER STREET 12a and please with parachute and landing gear and i train from now
    to catch all F3 RED gh-2 i can get.... i will not be successfulllllll at all of your cams but...
    thank you sirs

    i like it

    question to SONY ( in a warm timbre of MR. Jack NICHOLSON)

    is it possible that you think that in first time you transform the codec and technical
    soul of the F65 one to one in a new body tahat apperas a bit smaler then F3 has all
    and yes i will smash 6990 dollars on the table?
    yes no...

    huston.... captain apollo... sorry.. think we have made an litte mistake... chrrrrrrrrrrrrrrrrrrrrrrrrrrr...

    this is only funny after looong day and the sony show

    IT ROCKS ROGNROLLA!!!!
  2. Like
    lightpainter got a reaction from jgharding in Top directors and cinematographers debunk the myth that filmmaking has to be difficult   
    IMAGINATION of your SOUL?

    the easy of the mind that moves in the film..your soul...your own, that floats you in a river of now, then and
    past...is a miracle.. you can ease it in any point of view and sight, and in first every way is right and simple..
    but then,something happens..
    music.. for my project i tried differend ways and music styles... one was is classic. one is with monolithic and
    frugal instrumentation with only 3 base notes on a reanimated old moog..this then brings me to scriptpainting
    where i bring my scene to a picture - and it s crasy and a slow process- sometimes i write the whole background story
    of one character..in the sadness of no happy ending of the film- that thern brings the shine-and then i knew more
    about the stage and how i will design every detail-setz the light-and so on..
    Technical , i am happy that the 2 gh-2 i use are in this step, and later "there" just there and fit in a cinematic neutrality in.
    But i do not mention about because if you go line to much to perfect it to 100%, you kill it, how to explain..
    when you play a line on your guitar and it falls with choirevoices in a upcoming dramatic sense of it, a bit but just a bit
    "false" a bit drive can make it. it is like this.
    And it is also a litte timless picture compositing, that you set it right, for your suppose of the scene and story and that you
    make the audience, think you are the people, in differnd, and you get them in a conjunctive moode,..
    How is it, when you are lost 100000000000000000000000 millon miles away in space, is it same, if you are lost, because
    your father dies, is it same because you are now one glimpse of last lightshine away of calm peace, for a end of my sf-film-project
    i had the idea, taht the hero knwos that hw will die, wath would you do, when 20.000 dark transformed humankloned zombas run
    on your hill, and only 3 are left, and you have only 5 buiilts, my maincharacter sits down ( in demolated house) and begins to play
    sebastin bach .." oh komme grooser Herr" you see all in slomo, when the zombies brake in, and the hero smiles, he strkes the stanway
    piano.. weh do hear nothing, only the singel childish played notes,
    and he knows, no its right, he has found his fredom..
    clic..the 100 megatonn reactor..... white.... end titel... music goes up in full orchestral holybness of hell...

    okay.
    and this is only one of 10001 ways i just will do this.

    "....alfred...alfred.... come in....dinner is ready..."

    out
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