For me the importance of oval bokeh actually out ways the need for severe horizontal flares. Stretched bokeh is something impossible to do in post and is what truly makes a 'Kubrick-stylie' cinematic image in my opinion. I can't wait for this lens to be released, I have trawled for years looking for a reasonably priced iscorama 36 with no luck!
I think that by suggesting that the OP write off all anamorphic lenses except for the Iscoramas, you're making it evident that you have been missing out on a lot great anamorphic action. There are anamorphic lenses with a lot more character out there. Even the ultra-low budget filmmakers (and I fall into this category) can create great images with these.
[quote name='Jimbawb' timestamp='1344627091' post='15279']
The main question is 'would general audiences be happy to watch a film where the majority of the whole pciture is filled with black?' the answer is probably not.[/quote]
Agreed. I would not want to sit through a 3.55:1 feature. It IS better suited for short films.
[quote name='Jimbawb' timestamp='1344627091' post='15279']
So Mondo, if you have an HD camera that shoots 4:3 natively then this lens could be perfect! In fact if thats true, you must tell us all which camera that is!![/quote]
The GH2 can be hacked and made to record in 4:3 natively. The drawback is that the last time I checked, it was only available at 30 frames per second.
I am considering shooting a short film with a the Hypergonar because I like the look so much. I currently have it on a shoulder rig and with a +1 diopter I can focus between 3'9" and 4'3" (image attached). I focus with my legs; just walk in or out until I see pores. Difficult, but that just means that fewer people are going to try it -- and that makes it all the more appealing to me.
Jimbawb got a reaction from Caleb Genheimer in SLR Magic anamorphic prototype V3 - Part 2 - The footage
Jimbawb got a reaction from tony wilson in Anyone have any lenses for sale?