AaronChicago
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AaronChicago reacted to Andrew Benton in Neumann's Footage on 5D3 RAW
Beautiful! The indoor shots of the Kendo practice had amazing colors and dynamic range is there!
But what's going on right at 0:54, I see two garbled bars show up... compression issue? I've never seen a video do this on Vimeo so have some worries with the hack :/
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AaronChicago got a reaction from pulp_writer in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
No studio. He released it on his own. Traveled to different cities presenting and doing Q&As. I'd say that is pretty successful. -
AaronChicago got a reaction from Xiong in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
No studio. He released it on his own. Traveled to different cities presenting and doing Q&As. I'd say that is pretty successful. -
AaronChicago got a reaction from Ernesto Mantaras in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
No studio. He released it on his own. Traveled to different cities presenting and doing Q&As. I'd say that is pretty successful. -
AaronChicago reacted to Sean Cunningham in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
Wow, wild speculation based on bad experiences with unknown filmmakers leaves me...unmoved.
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AaronChicago got a reaction from Chrad in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
No studio. He released it on his own. Traveled to different cities presenting and doing Q&As. I'd say that is pretty successful. -
AaronChicago got a reaction from Sean Cunningham in GH2 shot sci-fi Upstream Color breaks $300,000 mark at the US box office
No studio. He released it on his own. Traveled to different cities presenting and doing Q&As. I'd say that is pretty successful. -
AaronChicago reacted to Andrew Reid in New METABONES adapter
I will be getting a beta version of the M43 adapter to test soon.
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AaronChicago reacted to Zach in Zoom H6 Audio Recorder
This looks a little gimmicky to me. Guess I'll have to wait and hear it before I pass judgement. The addition of knobs over buttons for level adjustments is welcome
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AaronChicago got a reaction from freiheit in Odyssey7Q turns wimpy Sony FS700 into monstrous 4K raw crunching beast with 15 stops DR!!
As far as I know, DPX is 10 bit. It is what most VFX artists request as a plate.
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AaronChicago got a reaction from Andrew Reid in Game changer, 5DII style.
He is not a clown. He is extremely nice, and takes time to answer almost any question via twitter or email. Very knowledgeable.
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AaronChicago got a reaction from Zach in Game changer, 5DII style.
He is not a clown. He is extremely nice, and takes time to answer almost any question via twitter or email. Very knowledgeable.
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AaronChicago reacted to Celledral in New SmallHD AC7 Review (non-OLED)
So I received the new Ac7 and did a quick review on it. let me know what you guys think.
Long time lurker, now a member
http://www.youtube.com/watch?v=-BRyM9ksZjc
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AaronChicago got a reaction from kirk in Blackmagic Cinema Camera Review - DSLR killer?
[quote name='noa' timestamp='1352939523' post='21661']
Another thing Andrew, it's ok to have an opinion about something but I think you should be careful about saying windows has always been shit because you actually are starting a windows/mac trash debate with such generalizing remarks. I don't care what system I work with as long as it does the job. All I can say that since I started using windows 7 pro I never had a system crash and never had to "fiddle" with anything so I don't share the same experience you seem to have had, my editing system runs 16 hours a day, 6 days a week and combined with Edius I never had that go down either. So for me at least it works very well and very stable and that at a fraction of the cost I would have paid for a Mac pro.
With that said, will be looking forward to any new info/tests you can share, I only have to convince my wife why I need the camera, that will be the biggest challenge :D
[/quote]
I agree. Windows 7 has been virtually flawless for me. -
AaronChicago got a reaction from galenb in Sony drop a bombshell with 4K raw, 180fps and global shutter - here are the Sony F5 and F55!
So if my calculations are correct, in 6 months a camera will come out with the headline "R.I.P. F5" or "The F5 Killer." -
AaronChicago got a reaction from Zach in Panasonic GH3 hands-on report
[quote name='Digital Master' timestamp='1348060882' post='18580']
[size=5]Hello Andrew & friends.... [/size]
[size=5]Some low light tests by Emanuel Pampuri with Lumx GH3 (Beta firmware ...[/size]
[size=5]Filmed in Paris... Le Louvre.... [/size]
[size=5]Best regards[/size]
[/quote]
Why did this guy get a camera? -
AaronChicago got a reaction from Ernesto Mantaras in The Panasonic GH3 is here
This is hilariously awkward. Watch from 0:55. No applause, dead silence.
[url="https://vimeo.com/49672830#"]https://vimeo.com/49672830#[/url] -
AaronChicago got a reaction from Ernesto Mantaras in The Panasonic GH3 calls to explorers
[quote name='Axel' timestamp='1347660691' post='18067']
Yes. So what? 4:2:0 equals roughly the spreading ratio of cone cells on the retina, which are sensitive only for a color each ('RGB'). The brain combines their signals to form the [i]sharp[/i] image in the center of our field of vision (the borders are blurred like a shallow DoF vignette, and are much less saturated, since outside the fovea the B&W rod cells predominate), interpolating much more color information than any video compression. If our own vision is hardly more than a roughly colored B&W image, how can 4:2:0 make such a big difference? In secondary color corrections, you often feather the masks quite liberally without any problems. We simply have no senses for color resolution.
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We've officially hit rock bottom in pixel peeping.