jpbelanger

I don't know what they're doing exactly, but they're done by now. Even if they would come out with some kind of competition to the new BMPCC 6K, the S1h or the incoming (I hope) a7sIII, they would just cripple it in some way that the others don't, for color science's sake. BMPCC fills so much tasks, from trad run&gun to streaming cameras, A7sii still reigns as the king of low light, and the S1h is basically everything a photographer/videographer has ever wished for. What's left for Canon in this segment? What could they get out of it?
I guess the only way they could profit from this segment now would be to release some kind of Amira shoulder-style docu/broadcast camera at a decent price. But they'll never do that.

I don't know what they're doing exactly, but they're done by now. Even if they would come out with some kind of competition to the new BMPCC 6K, the S1h or the incoming (I hope) a7sIII, they would just cripple it in some way that the others don't, for color science's sake. BMPCC fills so much tasks, from trad run&gun to streaming cameras, A7sii still reigns as the king of low light, and the S1h is basically everything a photographer/videographer has ever wished for. What's left for Canon in this segment? What could they get out of it?
I guess the only way they could profit from this segment now would be to release some kind of Amira shoulder-style docu/broadcast camera at a decent price. But they'll never do that.

I don't know what they're doing exactly, but they're done by now. Even if they would come out with some kind of competition to the new BMPCC 6K, the S1h or the incoming (I hope) a7sIII, they would just cripple it in some way that the others don't, for color science's sake. BMPCC fills so much tasks, from trad run&gun to streaming cameras, A7sii still reigns as the king of low light, and the S1h is basically everything a photographer/videographer has ever wished for. What's left for Canon in this segment? What could they get out of it?
I guess the only way they could profit from this segment now would be to release some kind of Amira shoulder-style docu/broadcast camera at a decent price. But they'll never do that.

I don't know what they're doing exactly, but they're done by now. Even if they would come out with some kind of competition to the new BMPCC 6K, the S1h or the incoming (I hope) a7sIII, they would just cripple it in some way that the others don't, for color science's sake. BMPCC fills so much tasks, from trad run&gun to streaming cameras, A7sii still reigns as the king of low light, and the S1h is basically everything a photographer/videographer has ever wished for. What's left for Canon in this segment? What could they get out of it?
I guess the only way they could profit from this segment now would be to release some kind of Amira shoulder-style docu/broadcast camera at a decent price. But they'll never do that.

I bet the upgrades are coming. It would go against the mentality of BMD to leave 2 years of cameras behind with no upgrade at all. Existing customers would hate them for that, and prospect would also see it that way (I would, at least) and go with companies like Sony, seeing how they maintain the F5/F55 serie up-to-date. 
 
If they're not released in a couple of days, I think they will at least be announced and released later.

Andrew, Did you shoot your 60 fps footage with SteadyShot?  From the slashcam.de review and others, it looks like SteadyShot Active Mode uses crop out for roll correction, which is responsible for moire and loss of resolution. But the SteadyShot standard mode is entirely optical, with no moire or loss of resolution.

The Metabones Speedbooster and this should make a baby...